And here's Lustrum, another historical novel that cannily utilises elements of the thriller but attempts something far more challenging than most proponents of that genre. Harris’s continuing theme is the battle for power, and this Rome-set narrative deals with the years around 63BC when Cicero was Consul of Rome, building to the unstoppable accession to power of the canny and ruthless Caesar. Rome, in the process of consolidating its massive empire, resounds to the sounds of a no-holds-barred struggle for influence. The protagonists here are the canny consul Cicero, the equally Machiavellian Caesar, the Republic's eminent general Pompey and the hyper-rich Crassus. These real historical figures (and others, including the psychopathic Catilina) are stirred into a very heady brew by Robert Harris, beginning when the body of a child, grotesquely mutilated, is discovered. The trial and execution that follows plunges the city of Rome into a ferment as destabilising as anything it has faced.
This is Robert Harris at his considerable best, evoking the ancient past with a vividness that few of his contemporaries can muster. But apart from the richly detailed historical pageant on offer in Lustrum, the real coup of the book lies in the creation of the character of Cicero: wonderfully realised, with all the contradictions and charm of his nature acting as the perfect fulcrum for this sprawling but utterly persuasive narrative. --Barry Forshaw
"Harris communicates such a strong sense of imperial Rome - the book is awesomely well-informed about the minutiae of everyday life" (Guardian)
"Thoroughly engaging ... The allure of power and the perils that attend it have seldom been so brilliantly anatomised in a thriller" (Sunday Times)
"Harris never makes his comparisons between Rome and modern Britain explicit, but they are certainly there. And that's the principal charm of his ancient thrillers - their up-to-dateness" (Sunday Telegraph)
"Magnificent ... Better than Robert Graves's Claudius novels" (Allan Massie Standpoint)