Image Unavailable
Image not available for
Colour:
Colour:
-
-
-
- Sorry, this item is not available in
- Image not available
- To view this video download Flash Player
Loud Rocks
See all 5 formats and editions
Hide other formats and editions
| Listen Now with Amazon Music |
|
Loud Rocks [Explicit]
"Please retry"
|
|
Amazon Price
|
New from | Used from |
|
MP3 Download, 1 Sep 2000
"Please retry"
|
£7.99 | — |
|
Audio CD, Explicit Lyrics, Import, 5 Sept. 2000
"Please retry"
|
£24.90 | £2.65 |
| Audio CD, 4 Sept. 2000 |
£2.64
|
— | £2.64 |
Only 1 left in stock.
Buy a CD or Vinyl record and get 90 days free Amazon Music Unlimited
With the purchase of a CD or Vinyl record dispatched from and sold by Amazon, you get 90 days free access to the Amazon Music Unlimited Individual plan. After your purchase, you will receive an email with further information. Terms and Conditions apply. Learn more.
With the purchase of a CD or Vinyl record dispatched from and sold by Amazon, you get 90 days free access to the Amazon Music Unlimited Individual plan. After your purchase, you will receive an email with further information. Terms and Conditions apply. Learn more.
Product details
- Is Discontinued By Manufacturer : No
- Package Dimensions : 14.09 x 12.63 x 1.37 cm; 80.32 Grams
- Manufacturer : Loud
- SPARS Code : DDD
- Label : Loud
- ASIN : B00004XRKY
- Number of discs : 1
-
Best Sellers Rank:
238,874 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- 814 in East Coast Hip-Hop & Rap
- 963 in Gangsta & Hardcore Rap
- 1,440 in Alternative Metal
- Customer reviews:
Product description
I will ship by EMS or SAL items in stock in Japan. It is approximately 7-14days on delivery date. You wholeheartedly support customers as satisfactory. Thank you for you seeing it.
Customer reviews
4.4 out of 5 stars
4.4 out of 5
32 global ratings
How are ratings calculated?
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyses reviews to verify trustworthiness.
Top reviews
Top reviews from United Kingdom
There was a problem filtering reviews right now. Please try again later.
Reviewed in the United Kingdom on 14 June 2016
Report abuse
Verified Purchase
got it for one track by soad, rest is ok
Helpful
Reviewed in the United Kingdom on 6 August 2015
Verified Purchase
raaaghhhh!!!
Reviewed in the United Kingdom on 10 October 2000
I found it really hard to review this album because there is loads of stuff on it that I really love, yet on the whole the album feels very shallow and formulated. The album kick off in real style with the SOAD/ Wu Tang collaboration, which is a cover of the Wu Tang's own 'Shame', and it sees System as the driving force with a cameo from a couple of Wu members. This song is completely different from the original, and it contains all the trademark SOAD characteristics (heavy, fast, insane, Serj's bellowing vocals) and is totally brilliant. The second track, the Sugar Ray/ Alkaholiks collaboration is the album's best example of the marriage between the two genres, and is also an excellent song with a killer infectious chorus from the often-underrated Sugar Ray. Other collaborations by the likes of Static X/ Dead Prez, Incubus/ Big Pun and Tom Morello/ Chad Smith/ Wu Tang Clan are very good, but they are basically just rock remixes of established hip-hop hits and, for me, they are very throwaway compared to the originals. One track which definitely must be thrown away is the Ozzy Osbourne/ Wu Tang Clan collaboration, which, not only is the laziest remix ever, but the inclusion of Ozzy's helium vocals ruins one of the best Wu Tang Clan songs.
I think the big problem with this album is that it is seen by many as a sequel to 1993's groundbreaking Judgement Night album and the quality on the album cannot compete with the weight of expectations it has gathered. Where as Judgement Night had proper collaboration (i.e. the bands worked on the song together in the studio), most of the songs on Loud Rocks feel like the bands have recorded their performance and posted it to the collaborator, and this has hardly boosted the rap-metal scene's progress. I also found the choice of rock bands a bit too safe and predictable. I mean nu-metal acts pinched the image and all the moves from gansta rap, and often collaborate with rappers, so it's hardly breaking barriers seeing them on this album (in contrast to Judgement Night, which saw unlikely collaborations like Cypress Hill/ Pearl Jam).
To sum up the review, I would say that, whilst not every song is decent, Loud Rocks does have a lot of entertaining moments, and it is never boring, and a lot of rap-metal fans are going to love this.
I think the big problem with this album is that it is seen by many as a sequel to 1993's groundbreaking Judgement Night album and the quality on the album cannot compete with the weight of expectations it has gathered. Where as Judgement Night had proper collaboration (i.e. the bands worked on the song together in the studio), most of the songs on Loud Rocks feel like the bands have recorded their performance and posted it to the collaborator, and this has hardly boosted the rap-metal scene's progress. I also found the choice of rock bands a bit too safe and predictable. I mean nu-metal acts pinched the image and all the moves from gansta rap, and often collaborate with rappers, so it's hardly breaking barriers seeing them on this album (in contrast to Judgement Night, which saw unlikely collaborations like Cypress Hill/ Pearl Jam).
To sum up the review, I would say that, whilst not every song is decent, Loud Rocks does have a lot of entertaining moments, and it is never boring, and a lot of rap-metal fans are going to love this.
One person found this helpful
Report abuse
Reviewed in the United Kingdom on 26 September 2006
I simply cannot agree with the comments above - I myself being one of those caught up in the furore and anticipation of this album - having been patiently waiting for it ever since its existence was merely idle gossip.
I personally feel this album is not a "follow-on" from the simply fabulous 'Judgement Night OST' - more an expantion on the equally excellent and diverse 'Spawn OST' - a niche of the then brand-new nu-metal meets hiphop and turntables phenom.
For example - Incubus used the by-then deceased Big Pun's melody via sampling, but there are truly fabulous colabs between Mobb Deep and Sick of it all. Sure the Crazy Town song is a tad cheesy, but Tha Alcoholiks and Sugar Ray (who's DJ was formally of Tha Alcoholiks) is clear wizardry. Endo and Xzibit also adding their own distinct blends. I really rate this album and hope Loud Records produce a sequel. This isn't a Soundtrack - its a movement in it own right.
In fact, the only reason this doesn't score 5 stars is the rather drab Ozzy Osborne offering - but it is still a worth while purchase. Buy it.
I personally feel this album is not a "follow-on" from the simply fabulous 'Judgement Night OST' - more an expantion on the equally excellent and diverse 'Spawn OST' - a niche of the then brand-new nu-metal meets hiphop and turntables phenom.
For example - Incubus used the by-then deceased Big Pun's melody via sampling, but there are truly fabulous colabs between Mobb Deep and Sick of it all. Sure the Crazy Town song is a tad cheesy, but Tha Alcoholiks and Sugar Ray (who's DJ was formally of Tha Alcoholiks) is clear wizardry. Endo and Xzibit also adding their own distinct blends. I really rate this album and hope Loud Records produce a sequel. This isn't a Soundtrack - its a movement in it own right.
In fact, the only reason this doesn't score 5 stars is the rather drab Ozzy Osborne offering - but it is still a worth while purchase. Buy it.
Reviewed in the United Kingdom on 6 October 2000
I found it really hard to review this album because there is loads of stuff on it that I really love, yet on the whole the album feels very shallow and formulated. The album kick off in real style with the SOAD/ Wu Tang collaboration, which is a cover of the Wu Tang's own 'Shame', and it sees System as the driving force with a cameo from a couple of Wu members. This song is completely different from the original, and it contains all the trademark SOAD characteristics (heavy, fast, insane, Serj's bellowing vocals) and is totally brilliant. The second track, the Sugar Ray/ Alkaholiks collaboration is the album's best example of the marriage between the two genres, and is also an excellent song with a killer infectious chorus from the often-underrated Sugar Ray. Other collaborations by the likes of Static X/ Dead Prez, Incubus/ Big Pun and Tom Morello/ Chad Smith/ Wu Tang Clan are very good, but they are basically just rock remixes of established hip-hop hits and, for me, they are very throwaway compared to the originals. One track which definitely must be thrown away is the Ozzy Osbourne/ Wu Tang Clan collaboration, which, not only is the laziest remix ever, but the inclusion of Ozzy's helium vocals ruins one of the best Wu Tang Clan songs.
I think the big problem with this album is that it is seen by many as a sequel to 1993's groundbreaking Judgement Night album and the quality on the album cannot compete with the weight of expectations it has gathered. Where as Judgement Night had proper collaboration (i.e. the bands worked on the song together in the studio), most of the songs on Loud Rocks feel like the bands have recorded their performance and posted it to the collaborator, and this has hardly boosted the rap-metal scene's progress. I also found the choice of rock bands a bit too safe and predictable. I mean nu-metal acts pinched the image and all the moves from gansta rap, and often collaborate with rappers, so it's hardly breaking barriers seeing them on this album (in contrast to Judgement Night, which saw unlikely collaborations like Cypress Hill/ Pearl Jam).
To sum up the review, I would say that, whilst not every song is decent, Loud Rocks does have a lot of entertaining moments, and it is never boring, and a lot of rap-metal fans are going to love this. But for me this is a shallow imitation of the classic Judgement Night album and a waste of a lot of talent
I think the big problem with this album is that it is seen by many as a sequel to 1993's groundbreaking Judgement Night album and the quality on the album cannot compete with the weight of expectations it has gathered. Where as Judgement Night had proper collaboration (i.e. the bands worked on the song together in the studio), most of the songs on Loud Rocks feel like the bands have recorded their performance and posted it to the collaborator, and this has hardly boosted the rap-metal scene's progress. I also found the choice of rock bands a bit too safe and predictable. I mean nu-metal acts pinched the image and all the moves from gansta rap, and often collaborate with rappers, so it's hardly breaking barriers seeing them on this album (in contrast to Judgement Night, which saw unlikely collaborations like Cypress Hill/ Pearl Jam).
To sum up the review, I would say that, whilst not every song is decent, Loud Rocks does have a lot of entertaining moments, and it is never boring, and a lot of rap-metal fans are going to love this. But for me this is a shallow imitation of the classic Judgement Night album and a waste of a lot of talent
Open Web Player