Buy new:
£9.19£9.19
FREE delivery:
Friday, March 22
Dispatches from: Amazon Sold by: Amazon
Buy used £7.75
Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet or computer – no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
Lotte In Weimar Paperback – 3 Jan. 2019
Purchase options and add-ons
Read Thomas Mann's meditation on the power of literary representation and the tyranny of the writer's imagination.
Mann's novel, written some 150 years after Goethe's The Sorrows of Young Werther, follows Lotte Kestner, Goethe's real-life heroine, as she makes a pilgrimage to Weimar to meet the author who courted her forty years before. To her surprise, Lotte is greeted on her arrival as a celebrity and immediately taken up into Goethe's set. Time and place are brilliantly evoked in Mann's novel, but its genius lies in his masterful portrayal of Goethe himself, and of the astonishing influence he exerted on his contemporaries.
'A masterpiece' Stefan Zweig
- ISBN-101784875058
- ISBN-13978-1784875053
- PublisherVintage Classics
- Publication date3 Jan. 2019
- LanguageEnglish
- Dimensions12.9 x 2.4 x 19.8 cm
- Print length400 pages
Frequently bought together

Customers who viewed this item also viewed
From the Publisher
Product description
Review
About the Author
Product details
- Publisher : Vintage Classics (3 Jan. 2019)
- Language : English
- Paperback : 400 pages
- ISBN-10 : 1784875058
- ISBN-13 : 978-1784875053
- Dimensions : 12.9 x 2.4 x 19.8 cm
- Best Sellers Rank: 434,636 in Books (See Top 100 in Books)
- 17,112 in Fiction Classics (Books)
- 43,849 in Literary Fiction (Books)
- 49,888 in Contemporary Fiction (Books)
- Customer reviews:
About the author

Paul Thomas Mann (German: [paʊ̯l toːmas man]; 6 June 1875 – 12 August 1955) was a German novelist, short story writer, social critic, philanthropist, essayist, and the 1929 Nobel Prize in Literature laureate. His highly symbolic and ironic epic novels and novellas are noted for their insight into the psychology of the artist and the intellectual. His analysis and critique of the European and German soul used modernized German and Biblical stories, as well as the ideas of Goethe, Nietzsche and Schopenhauer.
Mann was a member of the Hanseatic Mann family and portrayed his family and class in his first novel, Buddenbrooks. His older brother was the radical writer Heinrich Mann and three of his six children, Erika Mann, Klaus Mann and Golo Mann, also became important German writers. When Hitler came to power in 1933, Mann fled to Switzerland. When World War II broke out in 1939, he moved to the United States, returning to Switzerland in 1952. Thomas Mann is one of the best-known exponents of the so-called Exilliteratur, literature written in German by those who opposed or fled the Hitler regime.
Bio from Wikipedia, the free encyclopedia. Photo by Carl Van Vechten [Public domain], via Wikimedia Commons.
Customer reviews
Customer Reviews, including Product Star Ratings, help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyses reviews to verify trustworthiness.
Learn more how customers reviews work on Amazon-
Top reviews
Top reviews from United Kingdom
There was a problem filtering reviews right now. Please try again later.
As soon as she gets out of the coach she is mobbed and lionized the way a soap star or reality-show winner would be here and now. She is ambivalent about her fame, by turns annoyed with Goethe for turning her life into literature and complacent about her immortality - given to disingenuously pitying remarks about his subsequent loves - so sad that this one only inspired a few paltry lyrics, such a shame the book the other one starred in wasn't a best-seller like 'Werther'. She half wants to reproach the great man; has had a full and fulfilling life and has no regrets about refusing him; but wears a girlish dress calculated to remind him of their first meeting.
Ostensibly she is only there to visit her sister, but the book is two-thirds over before she even gets that far. A sequence of people come to pounce on her in the hotel, and the book goes like this: Goethe's former amanuensis talks about Goethe for fifty pages; Schopenhauer's sister tells an even longer story about Goethe's circle; the genius's son comes to invite her to dinner and talks about his own problems; Mann does a successful and convincing stream-of-consciousness day-in-the-life from inside Goethe; finally they meet and then she goes again.
If I found the book as page-turnable and impossible to put down as a thriller, it's partly because Mann could teach yer Jo Asboes and Lee Childishes a thing or two about never breaking flow, and partly because Mann goes like this: smart smart smart smart, brilliant brilliant smart smart, eye-widening insight you really ought to pause to savour and think about for a while except you can't wait to get on to the next intelligent bit.
The theme of genius casting a shadow over those closest to it and facing recriminations of 'Oi, that's my life you're using, oodjer think yer immortalizing?' had been explored by others before and has been done to death by lesser talents since, so much so that I put off reading this book for a long time because of it. But not only is Mann better than most of the others, 'Lotte in Weimar' can't really be reduced to just that. At once sympathetic and aloof, human and chillingly more than so, filled with the ironic detachment Hesse gave Mozart at the end of 'Steppenwolf', Goethe here is often not merely himself or genius in general but the occasion for speculations about the nature of God or the gods.
Like all books set in Germany before the First World War, it also raises the question of 'How the hell did the nicest people on God's green earth, all those adorable fresh-faced frilly-shirted poets and philosophers, those sleek plump civic-minded hyper-civilized burgesses, one day produce the bloody Nazis?' Writing in 1938, Mann suggests some answers in passing; Goethe himself seems to have seen it coming.
A portrait of genius has rarely been done so well, and for the most part Mann successfully manages to avoid any suspicion that when he says 'Goethe' he really means 'Moi'. An exception may be his suggestion that Goethe shared his latent homosexual proclivities - can this be true? I found it highly surprising but am in no position to say no - I have little Goethe. I think you could enjoy this book even knowing none at all - it might even be a good introduction.
My edition had the H. T. Lowe-Porter translation, which I have just enough English to be able to pronounce excellent.








