The Lord of the Rings 3 book boxset (movie covers) Mass Market Paperback – 7 Oct 2002
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Let's face it--even some adults find Tolkien's mammoth fantasy a daunting mouthful but children now have this special seven-book box set of The Lord of The Rings to make the epic tale just that bit easier to chew on. Split into its seven constituent parts, these slim volumes tell the ageless tale of young Frodo's quest to destroy The Ring and defeat the forces of evil. It's beautifully presented in a black presentation box with the movie logo and an illustration on the side and the spines of the books also form the movie logo. A contemporary look and plenty of "cool appeal" will grab kids' interest and ensure they don't miss out on reading this classic of the genre. --Jonathan Weir --This text refers to an out of print or unavailable edition of this title.
A flawless masterpiece” The Times
Extraordinarily imaginative, and wholly exciting.’ The Times
‘The story itself is superb.’ Observer
‘A most remarkable feat.’ Guardian
‘An astonishing imaginative tour de force.’ Daily Telegraph
‘Tolkien was a storyteller of genius.’ Literary Review
‘Amongst the greatest works of imaginative fiction of the twentieth century.’ Sunday Telegraph
‘When it comes to the nation’s favourite books, one title runs rings round all the others. J.R.R. Tolkien’s The Lord of the Rings was chosen by an astonishing 20 per cent of readers in the survey conducted by W H Smith.’
Daily Mail, 4 August 2000
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Top Customer Reviews
Tolkien was not a career author, he didn't set out to write a searing page-turner, a wizzbang tale of derring-do in 500 sizzling chapters. Gandalf doesn't hurl raging fireballs at enemies, Aragorn doesn't have a sex scene with Arwen while doing Eowyn behind her back, there's no pandering to the lowest common denominator to flog a few more copies.
Tolkien barely cared if no one ever read it. He was writing it largely for himself and his friends and family.
You're all guilty of confusing the result of Tolkien's legacy and influence (virtually every other fantasy novel, movie or game) with his actual work, and expecting to see in the father what you've seen in his unruly children.
Judge it for what it is, not for what you wanted it to be as a modern fantasy reader.
Well, clearly the publishers have spent some time thinking about how to add both quality and usability. There are two fold out maps printed in black and red. Not spectacular and in size these cover no more space than if they were printed across two pages. However, because they are fold out they are easier to read and if left "folded out" can be referred to whilst reading text on other pages.
The slip cover works well and is has a sturdy feel. The paper has a quality (non glossy) feel and is much whiter than other versions (especially the paperback) I have seen. Combined with a very crisp font this makes the book easy to read, something I struggle with in some of the cheaper published versions. Somehow when the book is closed after use the pages easily compress back to their original size making the slip case easy to use without the case being oversized.
It would have been easy for the publishers to have fallen into the trap of printing this book in the larger format of some Lord of the Rings books. However, the Lord of the Rings is a long story and these larger formats are very difficult to read due to the weight of the books. This book can actually be used!
Overall the book has an understated feel of quality which will grow on you. However there is no getting away from the premium price.Read more ›
Story telling is a tradition that predates book writing and reading by thousands of years. These days it's a luxury to be able to listen to the story teller. I've read Lord of the Rings too many times to be able to remember but up to now, nobody has ever read it to me. Rob Inglis has remedied that sad deficit. It took me a short while to get into the unfamiliar 'listener' state of mind because listening is a different discipline, a different skill, to reading. Somehow, it takes more concentration but perhaps that's just because of lack of practise. Once the right level of concentration was achieved, Rob Inglis's voice and the images it conjured, filled my mind to the exclusion of all else. It's hard to imagine the craft of story telling being executed any better than this.
This story teller managed to reproduce the voices of hobbits, men, elves, dwarves, wizards, eagles, nazgul, orcs and Gollum - all different and all very fitting for the characters represented. Not only that but he sang each song from the book, unaccompanied and they all sounded good.
It's the best present anyone has given me and I expect to listen to it at least as many times as I've read the book.
If you are a fan of Tolkien then this box set is a wonderful collectors item. It is presented in sturdy hardback to survive multiple readings over the years. It also has some of Alan Lee's wonderful illustrations, which clearly demonstrate the influence they had over the visualisation of Peter Jackson's movies. Some of these pictures look like they might have been taken straight out of the movies.
All in all, as a fan whose previous paperback editions have fallen apart, look forward to enjoying these hardbacks for years to come.
Now, on to the LOTR adaptation in question, by way of a tangential question: would you expect a painting to work on your senses in exactly the same way as a piece of music? Whilst there might be similarities, parallels, and so on, essentially the answer is no, because the two mediums are fundamentally different. Some reviewers here seem to miss that kind of distinction. This version of LOTR is the equivalent of a fireside reading of yesteryear (in itself a wonderful thing, and part of a distinguished cultural heritage that predates the instant pleasures of TV and the iPod by many millennia), not a full cast dramatisation complete with sound effects. And taken on those terms, Inglis does a fantastic job. To expect one person to create a world as deeply multifaceted as can be recreated by a large team of actors, producers, engineers and so on at the BBC is clearly a bit dumb. Sure, I prefer the music in the BBC version, but they had a composer to work specifically on it, plus various singers (inc Oz Clarke, of wine-tasting fame) to flesh it out. On the other side of the equation, they had to cut out large tracts of the text to make the series a manageable size. What the Inglis version lacks in production values and vocal technique it more than makes up for in being a complete reading.Read more ›
Most Recent Customer Reviews
I'd delayed reading this for many years and was so looking forward to it. I loved it. The characters are so vivid and you really do feel like you are right there on the journey... Read morePublished 8 hours ago by Elle
The condition was not that good. But since it is cheap, can't complain. The delivery was right on time. Overall good experience.Published 3 days ago by Anand H
Excellent edition of what is the best fantasy story ever written. The artwork is superb adding to the to the book.Published 3 days ago by david jamieson
If you want to read a new released YA fantasy adventure trilogy novel check out Crepuscular Light In The Night. Read morePublished 17 days ago by Linda