‘'[S]ometimes she seems to achieve the impossible, weaving an invisible emotive thread between polemic and experience to powerful effect.... [M]akes for exhilarating reading. There is a sense of new ground being broken.'
― Jo Hamya, The Guardian

‘The Long Form is an absorbing and profound novel in which Kate Briggs breathes extraordinary life into the quiet moments of a young woman: one who is also a new mother, a reader, a daughter, a friend. With every carefully weighted sentence, action and thought, one is immersed in the radical generosity of this writing, its principles of collectivity and its feminist commitment to making the smallest, most everyday act worthy of consideration within a literary canon. A beautifully written book about the art of reading, of criticism, and of surviving through the strangest yet most normal of times.’
― Preti Taneja, author of Aftermath

‘Ostensibly about a single day in the lives of a new mother and her infant, The Long Form – with its recursive structure, its subtle connections and reverberations, its attentiveness to physical and social life, and its animated conversation with other works of fiction and theory – presents the novel form as the most elastic of containers. Kate Briggs is a brilliant writer and thinker.’
― Kathryn Scanlan, author of Kick the Latch

‘Kate Briggs treats the quotidian rhythms of Helen and Rose, mother and baby, with unusual attentiveness, perspicacity and, most importantly, largeness of thought. This makes The Long Form a radical, celebratory and quite magical consideration of the profound creative possibilities inherent in, and intrinsic to, everyday experience. It’s such a lively and generous book.’
―Wendy Erskine, author of Dance Move

‘The Long Form looks at this detail within the context of the structures that surround it, and in doing so Kate Briggs has built a novel that is simultaneously warm and exact, far-reaching and meticulous, generous and wise.’
―Saba Sams, author of Send Nudes

‘Briggs is a fantastic writer: that is clear by the end of this eminently strange novel…Briggs has written a work that will constantly reward a re-reading, with a voice that combines a deep complexity with moments of piercing clarity. It is an intelligent and well-read book: but it is also emphatically convincing and moving.’
― Patrick Maxwell, The Big Issue

‘Kate Briggs’s This Little Art shares some wonderful qualities with Barthes’s own work – the wit, thoughtfulness, invitation to converse, and especially the attention to the ordinary and everyday in the context of meticulously examined theoretical and scholarly questions. This is a highly enjoyable read: informative and stimulating for anyone interested in translation, writing, language, and expression.’
― Lydia Davis, author of Can’t and Won’t (Praise for This Little Art)

‘I have been thinking, many weeks after having finished it, of Kate Briggs’s truly lovely This Little Art, a book-length essay on translation that's as wry and thoughtful and probing as any book I’ve read in the past year. My favourite works are those in which one feels the writer wrestling with genre even as she is writing; Kate Briggs does this with her own kind of magic, never failing to write beguilingly and intelligently and passionately about the little art of translation, which in the end shows itself to be not so little, at all.’
― Lauren Groff, author of Matrix (Praise for This Little Art)

‘Brilliant.’
― The Windham Campbell Prize (Praise for This Little Art)