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Live At the Brixton Academy: A riotous life in the music business Paperback – 23 Jan 2014

4.8 out of 5 stars 106 customer reviews

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Kindle Edition
Paperback, 23 Jan 2014
£59.34 £0.01
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Product details

  • Paperback: 432 pages
  • Publisher: Serpent's Tail (23 Jan. 2014)
  • Language: English
  • ISBN-10: 1846689554
  • ISBN-13: 978-1846689550
  • Product Dimensions: 15.3 x 3.1 x 23.4 cm
  • Average Customer Review: 4.8 out of 5 stars 106 customer reviews
  • Amazon Bestsellers Rank: 381,069 in Books (See Top 100 in Books)
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Product description


The king of gigs (Sunday Times)

Brixton was always the one. It was so authentic as a venue, it's when things became 'real'. A proper old Victorian beer hall of a place with a century's sweat and ale steeped into the woodwork and plaster, and the faded glamour of that mighty proscenium arch. The first time I stood on that stage was in the Libertines supporting Morrissey. All my life I'd wanted to be an actor playing to an adoring theatre crowd, and here I was in front of a sea of stony faces with beer cans bouncing off my head. (Carl Barat)

Brixton Academy has always been a special venue to me. From the age of 15 I saw countless shows there, from Blur to Foo Fighters. London is a city of countless music venues but in my eyes playing Brixton was the true sign of a successful band. I've been fortunate enough to play there a number of times now, firstly as part of the NME Awards tour but subsequently as the headline act - and the feeling of prestige never gets old (Russell Lissack, Bloc Party)

For me, the Brixton Academy has something of a mythical status. As a young teenage boy in south east London I'd always see the listings in the NME or Melody Maker, listings for bands that I desperately wanted to see, but at the time was too young. I remember a school friend claiming that he "knew a back way in" and perhaps we should chance it for the Food Records Christmas Party - playing host to Jesus Jones, and at the time a lesser known Blur. That prospect of this 'back way in' stayed with me until a few years later, when at the height of their powers, the Lemonheads' Evan Dando treated those of us who'd hung around the side alley to an impromptu acoustic set of covers and requests as he straddled the dressing room windowsill.

The thing that I always remembered was that it felt like outside inside. If they'd have painted stars on the ceiling I would have believed it was so. Those turrets and balconies... It seemed vast. Playing there with Hot Chip, our front of house engineer pointed out the 'sweet spot' where you could clap your hands and hear a never ending echo as the sound bounced from floor to ceiling to floor and back, proving there was indeed a roof, but to me it sounded like a flock of birds. From the stage, the width of the audience is what first surprised me, twice as wide as it is deep, and on a full house you can still see every face.

(Rob Smoughton, Grosvenor/Hot Chip)

Book Description

Sometimes you have to take a chance, and Simon Parkes is nothing if not a risk-taker. The riotous life-story of a music impresario and how he turned a near-derelict hall into a legendary stage.

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