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Liital [VINYL]

4.0 out of 5 stars 1 customer review

Price: £18.72 & FREE Delivery in the UK on orders over £20. Details
Includes FREE MP3 version of this album.
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£18.72 & FREE Delivery in the UK on orders over £20. Details Only 1 left in stock (more on the way). Dispatched and sold by Amazon in certified Frustration-Free Packaging. Gift-wrap available.

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Product details

  • Vinyl (17 Nov. 2014)
  • Number of Discs: 1
  • Label: Import
  • ASIN: B00LI2L8BO
  • Other Editions: Audio CD  |  MP3 Download
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: 430,156 in Music (See Top 100 in Music)
  • Sample this album Artist (Sample)
1
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4:36
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2
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6:35
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3
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5:31
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4
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5:01
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5
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5:00
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6
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5:16
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Product Description

Product Description

Senegalese griot Aby Ngana Diop was famous for her taasu, a form of oral poetry spoken to the rhythmic accompaniment of sabar and tama drums. Taasu is typically created and performed by griot women (a class of poets, storytellers and/or musicians), with a lead taasukat (practitioner of taasu) performing her distinct style of heightened, rhythmically declaimed speech in call-and-response with a small chorus of female vocalists. (Taasu is seen by some to be a predecessor to rap.) Throughout the 1980s and 1990s, Diop developed a reputation for being one of the most sought-after taasukats in Dakar, performing with her backup singers, dancers and drummers at parties, weddings and baptisms of the Dakar elite, including government officials and dignitaries. Aby Ngana Diop was undisputedly the best taasukat of her generation. In 1994, the Dakar diva released her one and only studio cassette recording, Liital, to the Senegalese market. Liital was groundbreaking in the history of Senegalese music because it was the first commercial recording to feature a traditional female taasukat performing to the modern accompaniment of mbalax, Senegal s quintessential pop genre. The combination of Diop and her backup vocalists with their powerful taasu, along with the driving, complex rhythms of the sabar and tama drums, mixed with key elements of mbalax (such as the syncopated, polyphonic marimba sounds played on the Yamaha DX7 keyboard) was something the Senegalese public had never heard before. But it wasn't only because of the fusion of taasu with mbalax; unlike in other mbalax tunes, the musical arrangements on this cassette are instead peculiarly minimalist and almost trance-like, with static harmonies and melodic figures playing more of an atmospheric role. The cassette became a huge hit, propelling Diop to a new level of superstardom. It could be heard blasting from taxis and from loudspeakers at house parties, weddings and baptisms for years to come. Liital bridged the gap between the more traditional taasu and the modern mbalax sound, thus appealing to all generations of the Senegalese public and they simply couldn't get enough of it! When Aby Ngana Diop died unexpectedly on July 4, 1997, the country mourned her passing, but continued to celebrate her music. Other artists such as Cheikh Lô, Thio Mbaye and Lamine Touré released recordings based on some of Diop's taasu and accompanying drum phrases, paying further tribute to her musical legacy. Although this cassette has caught the attention of some African music aficionados who have stumbled upon it in recent years, it remains largely unknown to the wider world. Hopefully this re-release from Awesome Tapes From Africa will change that.

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Format: Audio CD Verified Purchase
Only 32 minutes long, (most African cassettes are 15 mins each side) and not the best sound quality. This is however a rather unique release. The lead female vocal is utterly relentless, belting out a spoken rap like sound in a very Senegalese nasal voice.

The backing singers are a treat. The percussion is extraordinary - crashing sabars and tama, with a bit of programmed drums. You get the odd bit of keyboard. One track even has a intro and outro of horses hooves.

It's actually quite a hard listen, due to the sound quality and the harsh unrelenting vocal. Essential for all lovers of west African music! For a similar style with better sound try Fatou.
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