I am extremely pleased for the Grosvenor Museum that we now have such a wealth of information about William Gillard to complement our collection of his paintings, with excellent colour reproduction.
Peter Boughton FSA
Keeper of Art
Grosvenor Museum
THIS is an extraordinarily detailed, well researched and well illustrated story of two very different families in the 19th Century and the work of a largely unknown artist.
The Wade family in Braintree and Chelmsford inhabited a totally different strata of society from the Harfords of Bristol and it is fascinating to delve into their respective day to day lives. The first part of the book is of particular interest to Braintree readers in that the Wade family ran the Bank Street Public House known then as The Cock. …Other local traders, such as the Hawkes, Parmenter and Joscelyne families are noted and much else that went on in and around the town. The whole book not only records the interaction of the various Wade and Harford family members but does so in the context of the local, national and international events of the times.
The works of William Gillard, the artist of the title, are covered in detail with numerous colour reproductions of his paintings….This remarkable project is perhaps best treated by reading the sections separately and then dipping in from time to time. It is a work of considerable importance and a great achievement.
Ben Joscelyne, Braintree
THE book is magnificent – a work of incredible research and scholarship, with wonderful illustrations, many of which I recognise from Harford family paintings. Carolyn Harford, widow of Sir Timothy Harford
I AM extremely pleased for the Grosvenor Museum that we now have such a wealth of information about William Gillard to complement our collection of his paintings, with excellent colour reproduction.
Peter Boughton FSA, Keeper of Ar, Grosvenor Museum, Chester.
THIS is an extraordinarily detailed, well researched and well illustrated story of two very different families in the 19th Century and the work of a largely unknown artist.
The Wade family in Braintree and Chelmsford inhabited a totally different strata of society from the Harfords of Bristol and it is fascinating to delve into their respective day to day lives. The first part of the book is of particular interest to Braintree readers in that the Wade family ran the Bank Street Public House known then as The Cock. …Other local traders, such as the Hawkes, Parmenter and Joscelyne families are noted and much else that went on in and around the town. The whole book not only records the interaction of the various Wade and Harford family members but does so in the context of the local, national and international events of the times.
The works of William Gillard, the artist of the title, are covered in detail with numerous colour reproductions of his paintings….This remarkable project is perhaps best treated by reading the sections separately and then dipping in from time to time. It is a work of considerable importance and a great achievement.
Ben Joscelyne, Braintree
THE book is magnificent – a work of incredible research and scholarship, with wonderful illustrations, many of which I recognise from Harford family paintings. Carolyn Harford, widow of Sir Timothy Harford
I AM extremely pleased for the Grosvenor Museum that we now have such a wealth of information about William Gillard to complement our collection of his paintings, with excellent colour reproduction.
Peter Boughton FSA, Keeper of Ar, Grosvenor Museum, Chester.
THIS is an extraordinarily detailed, well researched and well illustrated story of two very different families in the 19th Century and the work of a largely unknown artist.
The Wade family in Braintree and Chelmsford inhabited a totally different strata of society from the Harfords of Bristol and it is fascinating to delve into their respective day to day lives. The first part of the book is of particular interest to Braintree readers in that the Wade family ran the Bank Street Public House known then as The Cock. …Other local traders, such as the Hawkes, Parmenter and Joscelyne families are noted and much else that went on in and around the town. The whole book not only records the interaction of the various Wade and Harford family members but does so in the context of the local, national and international events of the times.
The works of William Gillard, the artist of the title, are covered in detail with numerous colour reproductions of his paintings….This remarkable project is perhaps best treated by reading the sections separately and then dipping in from time to time. It is a work of considerable importance and a great achievement.
Ben Joscelyne, Braintree
THIS is an extraordinarily detailed, well researched and well illustrated story of two very different families in the 19th Century and the work of a largely unknown artist.
The Wade family in Braintree and Chelmsford inhabited a totally different strata of society from the Harfords of Bristol and it is fascinating to delve into their respective day to day lives. The first part of the book is of particular interest to Braintree readers in that the Wade family ran the Bank Street Public House known then as The Cock. …Other local traders, such as the Hawkes, Parmenter and Joscelyne families are noted and much else that went on in and around the town. The whole book not only records the interaction of the various Wade and Harford family members but does so in the context of the local, national and international events of the times.
The works of William Gillard, the artist of the title, are covered in detail with numerous colour reproductions of his paintings….This remarkable project is perhaps best treated by reading the sections separately and then dipping in from time to time. It is a work of considerable importance and a great achievement.
Ben Joscelyne, Braintree
THE book is magnificent – a work of incredible research and scholarship, with wonderful illustrations, many of which I recognise from Harford family paintings. Carolyn Harford, widow of Sir Timothy Harford
I AM extremely pleased for the Grosvenor Museum that we now have such a wealth of information about William Gillard to complement our collection of his paintings, with excellent colour reproduction.
Peter Boughton FSA, Keeper of Ar, Grosvenor Museum, Chester.
I AM extremely pleased for the Grosvenor Museum that we now have such a wealth of information about William Gillard to complement our collection of his paintings, with excellent colour reproduction.
Peter Boughton FSA, Keeper of Art, Grosvenor Museum, Chester.
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Nine Letters from an Artist, The Families of William Gillard Hardcover – 1 Jan. 2015
by
Joan M Richmond
(Author)
-
Print length398 pages
-
LanguageEnglish
-
PublisherPorphyrogenitus Ltd
-
Publication date1 Jan. 2015
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Product details
- ASIN : 1871328195
- Publisher : Porphyrogenitus Ltd; 1st edition (1 Jan. 2015)
- Language : English
- Hardcover : 398 pages
-
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Reviewed in the United Kingdom on 18 February 2018
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Reviewed in the United Kingdom on 18 March 2018
The artist William Gillard was born in Bristol in 1812, and after serving an apprenticeshp as a carver and gilder, left the city in 1833 to begin life on the move, in Birmingham, Glasgow, Liverpool, Chester, Manchester, Hanley and Dublin. He painted portraits, still life and genre pictures. He died in 1897.
This, in a very few lines, is the core of the book. Though not a major artist, Gillard made a living as a painter and modeller, and what makes the book fascinating is that he lived at a time of considerable change in England: the railways proliferated in his lifetime, the industrial revolution spread into cities where he lived, and Ireland, which to some degree was his best-loved place, was to suffer the appalling catastrophe of the Great Famine.
All these changes have been woven into a fascinating narrative by the author of this book, herself a collateral descendant of her subject. Starting from nine of his letters, almost all of them entire, she traces the state of England and the history of three families whose history is linked to that of the painter, the Wades and Hawkes in Braintree and Bocking, and the Harford banking family in Bristol. The rise of the commercial middle classes receives a lively portrayal, and such names as Courtauld and Barclay, still important and influential today, make their first appearance in the history of England.
The author places Gillard in his historical context in detail, with painstaking care, and has researched and meticulously documented her subject. She writes in an easy, conversational style, so that it is a pleasure to follow the vicissitudes of Gillard's life in her narrative. Most interestingly, she has illustrated her book with many of her subject's paintings, so that the reader has the opportunity to see Gillard's work at least in reproduction and to seek out the originals.
This, in a very few lines, is the core of the book. Though not a major artist, Gillard made a living as a painter and modeller, and what makes the book fascinating is that he lived at a time of considerable change in England: the railways proliferated in his lifetime, the industrial revolution spread into cities where he lived, and Ireland, which to some degree was his best-loved place, was to suffer the appalling catastrophe of the Great Famine.
All these changes have been woven into a fascinating narrative by the author of this book, herself a collateral descendant of her subject. Starting from nine of his letters, almost all of them entire, she traces the state of England and the history of three families whose history is linked to that of the painter, the Wades and Hawkes in Braintree and Bocking, and the Harford banking family in Bristol. The rise of the commercial middle classes receives a lively portrayal, and such names as Courtauld and Barclay, still important and influential today, make their first appearance in the history of England.
The author places Gillard in his historical context in detail, with painstaking care, and has researched and meticulously documented her subject. She writes in an easy, conversational style, so that it is a pleasure to follow the vicissitudes of Gillard's life in her narrative. Most interestingly, she has illustrated her book with many of her subject's paintings, so that the reader has the opportunity to see Gillard's work at least in reproduction and to seek out the originals.