Leaving the Atocha Station Hardcover – 5 Jul 2012
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A remarkable first novel ... Gales of laughter howl through Leaving the Atocha Station. It's packed full of gags (Adam is convinced that Ortega y Gasset is two people, like Deleuze and Guattari) and page-long one-liners itemising the narrator's ghostly immunity to normal human relations ... After the attacks, with the election of Zapatero imminent, an activist tells Adam that he has been "up all night protesting and partying. I asked if those were the same things, protesting and partying." The question is not asked maliciously and the book never feels like satire. What is does feel like is intensely and unusually brilliant. Beyond that, I don't know quite what it is and I like it all the more for that. --Geoff Dyer, Observer
The narrator of Ben Lerner's short but potent novel is, by his own admission, a fraud... A morbid fascination at his social awkwardness and self-destructive duplicity, and the tension created by a mind teetering on the edge of panic, are some of the more straightforward pleasures of the narrative. But there is much more to this beguiling text. We perceive an intellectual rigour and ideological coherence behind Gordon's masks; through these Lerner sets up profound questions about the possibilities of art and human experience... That the novel refuses to yield clear answers is no accident. Like the literature Gordon eulogises, its charge derives from the ambiguities that emerge from its contradictory propositions. --The Times
Hilarious and crackingly intelligent, fully alive and original in every sentence. --Jonathan Franzen
About the Author
Born in Kansas in 1979, BEN LERNER is the author of three books of poetry, The Lichtenberg Figures, Angle of Yaw, and Mean Free Path. He has been a finalist for the National Book Award and the North California Book Award, a Fulbright Scholar in Spain, and the recipient of a Howard Foundation Fellowship. In 2011 he became the first American to win the Munster State Prize for International Poetry. He teaches in the writing program at Brooklyn College. Leaving the Atocha Station is his first novel.
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Top Customer Reviews
'Leaving the Atocha Station' has been highly praised by reviewers, but left me with a distinct sense of dissatisfaction. The novel of a young man's education in life is a firmly established genre, and certain types of cliché have become hard to avoid, but Lerner seems actively to court some of the worst. In particular, the reader's investment in the story is likely to turn on his or her response to the central character. Lerner is alive to Adam's selfishness and self-absorption, his casual cruelty and mythomanic propensities, and it may be that these qualities were intended to come across as essentially comic - especially as they rarely achieve the results Adam intends - but the abiding impression was of a highly privileged young man who might serve as a living exemplar of the American term 'ingrate'.
Characters that are hard to admire in life may nonetheless prove compelling in narrative. But Lerner never managed to make me care about Adam's intransitive state or his possible futures.Read more ›
The protag is an American would-be poet abroad in Madrid on a fellowship to do some serious research, but he is just there for the experience. His research is non-existent, his poetry pretty fake as he lifts from existing work, while he is self-medicating. There is also a level of remove added to his interactions through his initially stunted grasp of Spanish. But aware he is faking it, he questions his own art and his own lack of emotions. He knows the shape of an emotion, but cannot populate it with genuine feeling. He thinks poetry may be 'anachronistic and marginalised' an art form, thrown sharply into relief by the bombings of the Madrid rail system which profoundly affected Spanish politics at the time and influenced the outcome of a general lection.
The beginning is particularly strong, as the protag moves from his daily contemplation of the same oil painting to a meditation on the aesthetic sense of the guards sat slumped in chairs throughout the gallery and there are some nice riffs throughout the novel on these themes. He will no doubt irritate some to the point of displeasure, but I enjoyed it greatly.
But Adam can tell you more about his failing than I can, and in a far more amusing and telling way! No doubt Isabel and Teresa, both very fond of him, and both given something of a difficult time, could tell us more. Of course in the context we only have Adam's views to go on, and as he is well aware his judgement on them is not to be trusted! Self-doubt, lack of confidence, and uncertainty are at the heart of this novel. As is the relevance of poetry and its meaning in contemporary life.
First person narration, particularly when the narrator is such a dominant force, always risks some loss of empathy. At first I asked, "Why am I in the company of this self-centred young man?" The wry humour, the quality of the writing, and the intriguing point of view, soon won me over. Many of the quotes from reviews suggest that the novel is "very funny". It's very amusing and perceptive but I suggest that this masks a darker vision.
As you would expect Jonathan Franzen puts it better writing in the Guardian that it is "the story of a mentally unstable, substance-dependent young poet brilliantly and excruciatingly wasting a fellowship year in Madrid". The author may have had similar experiences, but he surely did not waste his time!
Most Recent Customer Reviews
My my my, what a painful ordeal. Pretentious bilge of the highest order. Vomit masquerading as postmodernism. Horrid in every way.Published 10 months ago by OppositeSteve
What a gem of a book. I was alerted to this by a creative writing tutor - I had not heard of Ben Learner. Read morePublished 12 months ago by Diana Brighouse
There were times I really warmed to this book. It is, at times, amusing and seems to poke fun at itself, which is a good thing. Read morePublished 13 months ago by Mrs. K. A. Wheatley
Having read Leaving The Atocha Station and then 10.04 and noticed all the glowing reviews by many writers I had decided that perhaps Lerner could do without another one. Read morePublished 14 months ago by Mr. Robert Marsland
You can get lost in this book, but not in a good way. This is exactly what I assumed it would be, and when I had recovered from my shock at being so right in my reactions, I... Read morePublished 20 months ago by Eileen Shaw
Adam, American, early-twenties, is in Madrid on a Fulbright (or similar) scholarship in 2004. He’s hyper-sensitive (which he manages with pills and dope) and has a creative and... Read morePublished on 5 April 2014 by Bob Ventos
This is a book about being young. The narrator, who is not endearing, displays all the self-absorption, lack of concern and misapprehension that one remembers from ones own youth. Read morePublished on 20 Jan. 2014 by Freelancer Frank