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The Last Illusion Hardcover – 13 May 2014

3.6 out of 5 stars 5 customer reviews

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Product details

  • Hardcover: 323 pages
  • Publisher: Bloomsbury Publishing PLC (13 May 2014)
  • Language: English
  • ISBN-10: 1620403048
  • ISBN-13: 978-1620403044
  • Product Dimensions: 15.2 x 2.7 x 545.2 cm
  • Average Customer Review: 3.6 out of 5 stars 5 customer reviews
  • Amazon Bestsellers Rank: 1,513,458 in Books (See Top 100 in Books)
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Product description

Review

Utterly original and compelling, Porochista Khakpour's "The Last Illusion" weaves Iranian myth with very contemporary American neurosis to create a bittersweet poetry all its own. This ambitious, exciting literary adventure is at once grotesque, amusing, deeply sad--and wonderful, too. "Claire Messud, author of The Woman Upstairs"

"The Last Illusion" deftly, unexpectedly, blends Persian myth with modern life, and with the perils and pleasures of magic. In a gripping, sinuous, sometimes explosive voice, Porochista Khakpour tell us a story like no other, with a protagonist like no other--and there is not a reader who will not remember him always. "Amy Bloom, author of Away"

Magical and hysterical, each sentence more beautiful than the next, "The Last Illusion" proves Khakpour a novelist-dazzler on the magnitude of an Aimee Bender or a Jonathan Lethem. The English language has a new master tickler and it is laughing out loud. "Gary Shteyngart, author of Little Failure"

"The Last Illusion" is a book full of hard-fought wonders, harsh and yet full of grace, with a touch of myth, and an abundance of love. A haunting novel that lingers long after the last page. "Dinaw Mengestu, author of The Beautiful Things That Heaven Bears"

Funny and haunting, bridges the distance between ancient myth and the modern world. As much a coming-of-age story as it is a clear-eyed account of our contemporary lives. This is a work of pure imagination. "Said Sayrafiezadeh, author of When Skateboards Will Be Free"

Khakpour's elegant, mysterious, hilarious novel contains the most intriguing and inventive collection of heartbreaking characters you'll ever meet: a mystic in search of a religion, a magician with only one trick, and of course, Zal, the feral boy who just might be a bird. Powerful, passionate, essential work! "Deb Olin Unferth, author of Revolution"

This novel confirms Khakpour as one of our best new satirists, partly because she is never as moving as when she is entirely sincere. "Alexander Chee, author of Edinburgh"

One of the books Flavorwire has been looking forward to all year, Khakpour's latest is a stunning, darkly humorous, and at more than a few points totally heartbreaking novel abut an Iranian boy who thinks he's a bird after years of torture. We invite you to read it--and help us figure out how one writer can take such a subject and spin it into something you just want to wrap yourself in. An absolute stunner. "Flavorwire"

An audaciously ambitious novel that teeters along a tightrope but never falls off. "Kirkus, starred review"

A boy raised among birds is rescued and brought to pre-September 11 New York in Porochista Khakpour's savagely funny, Persian folktale-inspired "The Last Illusion" (Bloomsbury), in which coming-of-age and first love are complicated by dreams of flight and chocolate covered crickets. "Vogue"

Lauded American Iranian critic and novelist Khakpour writes another gripping tale that mixes myth and history . . . . Khakpour's writing walks a line between mythical and realistic, somehow melding the two seamlessly and keeping reality in sharp focus; the reader aches for Zal, who fumbles through life as neither completely bird nor completely human. "Booklist"

Blazingly original. "The Millions"

Khakpour's prose is fluid and visceral, while the narrative plays smoke and mirrors with reality and perspective . . . . This novel is a literary gem full of sadness, guts, and wonder. For any adult who enjoys good fiction. "Library Journal"

Ambitious, bursting with ideas, vivid characters and lush language . . . . Sad and funny in turn, real and poignant on every page . . . Khakpour's vision of a bustling, multicultural New York--stuffed with layers of idiosyncratic detail, fully alive and fully overwhelming--is literature of the first order . . . Her daring new book is a testament to the relentless search for self and connection to others, no matter how daunting the journey. A major new work of fiction. "Shelf Awareness, starred review"

Porochista Khakpour retells a tale of the imagination at its most sublime . . . Imagination fuels stories and stories fuel hope. If your imagination needs fuel, read this book. "The Rumpus"

"The Last Illusion "captures, in a way that few other 9/11 novels have, that contradictory sense Americans have of how easy and trivial life was before the attack . . . Khakpour is able to . . . offer us a more complex portrait of ourselves. "Los Angeles Times"

A darkly glittering story that draws you in from its very first pages and mesmerizes you until the last. "Bustle"

A storytelling masterpiece, strikingly original and ambitious in its modern retelling of an ancient myth. "Largehearted Boy"

Mesmerizizing. "Vanity Fair"

The most impressive feat in Porochista Khakpour's magnificent new novel, "The Last Illusion," is that it manages to peel back the calcified layers of myth and memorialization, all that 9/11 has come to mean since, and to capture the dread that [people] felt that first morning . . . Captivating. "The Marginalia Review"

Khakpour's sophomore novel focuses on a boy who sort of believed he was a bird. We all construct different coping mechanisms for the terrible things in our lives, but in "The Last Illusion," Khakpour has created one such mechanism that is both a little sad, but randomly funny, too. It also doesn't hurt that the writing is super-smooth, and above all, extremely consuming. If you're looking to be taken away, but with an anchor to the familiar, this is your summer novel. "Barnes & Noble Book Blog"

"The Last Illusion "is an epic amalgamation of humanity. Like the novel's characters, and like Khakpour herself, it is never one thing or the other. It is legend and reality, fiction and history, Middle Eastern and American, good and evil. "San Francisco Chronicle"

It's hard not to think of . . . "One Hundred Years of Solitude" when reading Porochista Khakpour's excellent new novel, "The Last Illusion "(Bloomsbury) . . . "The Last Illusion "has the same sense of regional character that Marquez created in his fictional Macondo . . . Like Marquez, Khakpour is a magical realist who believes that the closer to reality the magic is, the more fantastic is its effect. "Santa Fe New Mexican"

Khakpour has contributed essays and journalism to publications both mainstream' and independent, but it's her dark, funny, piercing novels, "Sons and Other Flammable Objects "(2007) and this year's "The Last Illusion," which draws on a mix of contemporary history, Iranian myth, and psychology, that make her work feel so new and important. "Dazed, "Top Ten American Writers You Need to Read This Year"""

"Utterly original and compelling, Porochista Khakpour's The Last Illusion weaves Iranian myth with very contemporary American neurosis to create a bittersweet poetry all its own. This ambitious, exciting literary adventure is at once grotesque, amusing, deeply sad--and wonderful, too." --Claire Messud, author of The Woman Upstairs

"The Last Illusion deftly, unexpectedly, blends Persian myth with modern life, and with the perils and pleasures of magic. In a gripping, sinuous, sometimes explosive voice, Porochista Khakpour tell us a story like no other, with a protagonist like no other--and there is not a reader who will not remember him always." --Amy Bloom, author of Away

"Magical and hysterical, each sentence more beautiful than the next, The Last Illusion proves Khakpour a novelist-dazzler on the magnitude of an Aimee Bender or a Jonathan Lethem. The English language has a new master tickler and it is laughing out loud." --Gary Shteyngart, author of Little Failure

"The Last Illusion is a book full of hard-fought wonders, harsh and yet full of grace, with a touch of myth, and an abundance of love. A haunting novel that lingers long after the last page." --Dinaw Mengestu, author of The Beautiful Things That Heaven Bears

"Funny and haunting, bridges the distance between ancient myth and the modern world. As much a coming-of-age story as it is a clear-eyed account of our contemporary lives. This is a work of pure imagination." --Said Sayrafiezadeh, author of When Skateboards Will Be Free

"Khakpour's elegant, mysterious, hilarious novel contains the most intriguing and inventive collection of heartbreaking characters you'll ever meet: a mystic in search of a religion, a magician with only one trick, and of course, Zal, the feral boy who just might be a bird. Powerful, passionate, essential work!" --Deb Olin Unferth, author of Revolution

"This novel confirms Khakpour as one of our best new satirists, partly because she is never as moving as when she is entirely sincere." --Alexander Chee, author of Edinburgh

"One of the books Flavorwire has been looking forward to all year, Khakpour's latest is a stunning, darkly humorous, and at more than a few points totally heartbreaking novel abut an Iranian boy who thinks he's a bird after years of torture. We invite you to read it--and help us figure out how one writer can take such a subject and spin it into something you just want to wrap yourself in. An absolute stunner." --Flavorwire

"An audaciously ambitious novel that teeters along a tightrope but never falls off." --Kirkus, starred review

"A boy raised among birds is rescued and brought to pre-September 11 New York in Porochista Khakpour's savagely funny, Persian folktale-inspired The Last Illusion (Bloomsbury), in which coming-of-age and first love are complicated by dreams of flight and chocolate-covered crickets." --Vogue

"Lauded American Iranian critic and novelist Khakpour writes another gripping tale that mixes myth and history . . . . Khakpour's writing walks a line between mythical and realistic, somehow melding the two seamlessly and keeping reality in sharp focus; the reader aches for Zal, who fumbles through life as neither completely bird nor completely human." --Booklist

"Blazingly original." --The Millions

"Khakpour's prose is fluid and visceral, while the narrative plays smoke and mirrors with reality and perspective . . . . This novel is a literary gem full of sadness, guts, and wonder. For any adult who enjoys good fiction." --Library Journal

"Ambitious, bursting with ideas, vivid characters and lush language . . . . Sad and funny in turn, real and poignant on every page . . . Khakpour's vision of a bustling, multicultural New York--stuffed with layers of idiosyncratic detail, fully alive and fully overwhelming--is literature of the first order . . . Her daring new book is a testament to the relentless search for self and connection to others, no matter how daunting the journey. A major new work of fiction." --Shelf Awareness, starred review

"Porochista Khakpour retells a tale of the imagination at its most sublime . . . Imagination fuels stories and stories fuel hope. If your imagination needs fuel, read this book." --The Rumpus

"The Last Illusion captures, in a way that few other 9/11 novels have, that contradictory sense Americans have of how easy and trivial life was before the attack . . . Khakpour is able to . . . offer us a more complex portrait of ourselves." --Los Angeles Times

"A darkly glittering story that draws you in from its very first pages and mesmerizes you until the last." --Bustle

"A storytelling masterpiece, strikingly original and ambitious in its modern retelling of an ancient myth." --Largehearted Boy

"Mesmerizizing." --Vanity Fair

"The most impressive feat in Porochista Khakpour's magnificent new novel, The Last Illusion, is that it manages to peel back the calcified layers of myth and memorialization, all that 9/11 has come to mean since, and to capture the dread that [people] felt that first morning . . . Captivating." --The Marginalia Review

"Khakpour's sophomore novel focuses on a boy who sort of believed he was a bird. We all construct different coping mechanisms for the terrible things in our lives, but in The Last Illusion, Khakpour has created one such mechanism that is both a little sad, but randomly funny, too. It also doesn't hurt that the writing is super-smooth, and above all, extremely consuming. If you're looking to be taken away, but with an anchor to the familiar, this is your summer novel." --Barnes & Noble Book Blog

"The Last Illusion is an epic amalgamation of humanity. Like the novel's characters, and like Khakpour herself, it is never one thing or the other. It is legend and reality, fiction and history, Middle Eastern and American, good and evil." --San Francisco Chronicle

"It's hard not to think of . . . One Hundred Years of Solitude when reading Porochista Khakpour's excellent new novel, The Last Illusion (Bloomsbury) . . . The Last Illusion has the same sense of regional character that Marquez created in his fictional Macondo . . . Like Marquez, Khakpour is a magical realist who believes that the closer to reality the magic is, the more fantastic is its effect." --Santa Fe New Mexican

"Khakpour has contributed essays and journalism to publications both 'mainstream' and independent, but it's her dark, funny, piercing novels, Sons and Other Flammable Objects (2007) and this year's The Last Illusion, which draws on a mix of contemporary history, Iranian myth, and psychology, that make her work feel so new and important." --Dazed, "Top Ten American Writers You Need to Read This Year"

Book Description

A bold, fabulist novel about a feral boy coming of age in New York, based on a legend from the medieval Persian epic The Shahnameh, the Book of Kings --This text refers to an out of print or unavailable edition of this title.

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3.6 out of 5 stars
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