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The Last Breath (Paddy Meehan Book 3) by [Mina, Denise]
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The Last Breath (Paddy Meehan Book 3) Kindle Edition

4.0 out of 5 stars 21 customer reviews
Book 3 of 3 in Paddy Meehan (3 Book Series)
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Length: 380 pages Word Wise: Enabled Enhanced Typesetting: Enabled
Page Flip: Enabled

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Product Description


" Mina infuses the city with human warmth and social realism; dialogue is convincingly street-witty and Paddy is an endearing heroine." -- "The Times" " Uncompromisingly real. . . . Another fine book from Mina, and in Paddy Meehan, she has created a touching and loving heroine." -- "Sunday Telegraph" " Paddy Meehan is the most unlikely, and most realistic, investigator in recent crime fiction . . ." -- " Wall Street Journal"

Book Description

A secret worth killing for - and she's next in line...

Product details

  • Format: Kindle Edition
  • File Size: 2249 KB
  • Print Length: 380 pages
  • Publisher: Orion (16 Feb. 2012)
  • Sold by: Amazon Media EU S.à r.l.
  • Language: English
  • ASIN: B0074AME12
  • Text-to-Speech: Enabled
  • X-Ray:
  • Word Wise: Enabled
  • Enhanced Typesetting: Enabled
  • Average Customer Review: 4.0 out of 5 stars 21 customer reviews
  • Amazon Bestsellers Rank: #42,756 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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Customer Reviews

Top Customer Reviews

Format: Paperback
I read the first two Paddy Meehan stories with enjoyment and looked forward to this, the third and last installment of the young Glaswegian journalist's encounters with crime. It was a disappointment. The right elements seem to be there: couthy Scots characters, a murder in chapter one, a subplot involving Paddy's ex-fiance, humour on the right side of dark - all present and correct. Somehow it doesn't hang together this time.

Let's start with Paddy herself. The character has developed from a young girl at the beginning of her career and hungry for success, to an established hack with a regular column in a substantial daily newspaper. There's the first problem. Paddy Meehan has turned into someone I would cross the street to avoid: a journalist paid for her scathing opinions and turn of phrase - a Caledonian Julie Burchill if you like. And success for Meehan means much of the tension drains away. True she has a young son to support and her love life is still far from ideal, but now she's well paid and respected, it's hard to root for her in the same way as before. And it means that her sharp tongue and wrong headedness become irritating instead of refreshing.

Then there's the plot. An old boyfriend of Paddy's is murdered. He leaves her the contents of his flat. Of course, the reason for the murder forms part of those contents, but instead of torching the place, like any sensible criminal would, the killer decides to go after Paddy. I'm tired of plots which make people do daft things for the convenience of the story. Worse still is the subplot about a young cousin of Meehan's ex, convicted of murdering a child (think James Bulger here) and about to be released into the care of said ex. What? Pardon?
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By Sid Nuncius #1 HALL OF FAMETOP 50 REVIEWER on 24 July 2016
Format: Paperback
I enjoyed this book enormously. It has taken me a while to get round to Denise Mina and this is the first book of hers that I have read. It certainly won't be the last.

For those unfamiliar with Mina's work, the book is set in Glasgow in 1984 and the time and place are extremely well evoked without ever being intrusive, which gives a real solidity to the book. Another of its great strengths is the believable and well-drawn characters. In particular, the main protagonist, a young, struggling woman journalist called Paddy Meehan, is very well portrayed. She is an ordinary young woman from a poor background, slightly insecure and worried about her weight. She has no spectacular character traits or flaws to make her "interesting" nor does she have a particularly Complicated Personal Life - just the normal situations one might expect her to have to deal with - and yet she is a very engaging and interesting character. I thought her a really excellent creation by Mina, and the other characters are similarly well drawn and plausible.

Meehan works the night shift, and Mina creates a fine "film noir" atmosphere throughout the book. The plot is gripping and (praise be!) both plausible and comprehensible, and the narrative is well constructed, well written and entertaining. It builds the tension very nicely and I was completely enthralled. All in all, this is one of the best crime novels - indeed one of the best novels - I have read for some time. Very warmly recommended.
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Format: Paperback
The first two Paddy Meehan books were excellent and set a very high standard - a standard that this book fails to maintain unfortunately, but it's still a decent read.

The first two books were realistic and believeable and you cared about Paddy. This book has a nonsense plot (it would have been sorted at source in US by taking camera) and falls into so many cliches - a renegade IRA man, shadowy and unexplained secret service, a corrupt senior policeman that no-one exposes, dead bodies disappearing, a mother that will do anything to protect her son (yawn), a pathologist who strikes up an immediate friendship during a corpse identification to give a piece of plot development and then is never mentioned again, and so on. As soon as the young priest was mentioned it was obvious that yet another cliche was going to be used - and this was the most disappointing one of all.

However, it is still a decent read and keeps the attention. It was interesting to see what happened the characters from the earlier books and the continuity and interlinking of the previous books was good.

The ending was particularly disappointing and very similar to the previous book - just how many times can Paddy be involved in similar incidents?

I hope there will be another book to continue Paddy's journey - but back to original standard please.
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Format: Hardcover
Denise Mina's newest book opens with the shocking murder of Terry Hewitt, former boyfriend of her protagonist, Paddy Meehan. They had known each other since they were both in their teens, eleven years ago, but it had been six months since they had seen each other. Paddy is now 27, and has graduated from her lowly position at the Daily News to her present celebrity status with a regular column of her own, in addition to being a published author. Terry, in turn, had just signed a book deal of his own, and Paddy is told by the police that his killing "had all the hallmarks of an IRA hit...his body found stripped naked in a ditch, single shot to the head." He had been a journalist as well, later "went to war zones, conflict zones, did hard reporting on a world stage...the last of a dying breed...had witnessed corruption and brutality, women raped and murdered, children mutilated, whole villages put to the torch...a fifteen-year-old Angolan boy, shot between the eyes right in front of him." But in the moments before he is killed, after thinking that he "had been arrested in Chile, seen a woman necklaced in Soweto, stood on the edge of a riot in Port-au-Prince," he has no idea why he is about to be murdered on a road on the outskirts of Glasgow, Scotland.

In many respects Paddy has changed little over the years since she first appeared in Ms. Mina's books, of which this is the third: She still hates her appearance, believing she is too fat; still feels she has to prove herself to the misogynistic men around her; though she attends Mass, she still rebels against her family's Catholicism--her sister is a nun, "wasn't even prepared to take communion and had had a child out of wedlock," a son, Pete, now nearly six years old, who she adores.
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