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The Last Battle (The Chronicles of Narnia, Book 7) Paperback – 1 Oct 2001

4.5 out of 5 stars 159 customer reviews

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Product details

  • Paperback
  • Age Range: 9 - 11 years
  • Publisher: HarperCollinsChildren'sBooks; New Ed edition (1 Oct. 2001)
  • Language: English
  • ISBN-10: 0006716822
  • ISBN-13: 978-0006716822
  • Product Dimensions: 13 x 2 x 19.7 cm
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (159 customer reviews)
  • Amazon Bestsellers Rank: 333,305 in Books (See Top 100 in Books)
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Product description


“The magic of C. S. Lewis’s parallel universe never fades.” The Times

--This text refers to an out of print or unavailable edition of this title.

From the Back Cover

'The Narnia Chronicles, first published in 1950, have been and remain some of the most enduring popular ever published.The best known, the Lion, the Witch and the Wardrobe, has been translated into 29 languages! The illustrations in this book have been coloured by the original artist, Pauline Baynes.'

"To my side, all true Narnians! Would you wait till your new masters have killed you all, one by one?"

It is Narnia's darkest hour. A false Aslan is commanding all Narnians to work for the cruel Calormenes and striking terror into every heart. King Tiran's only hope is to call Eustace and Jill back to Narnia, in an attempt to find the true Aslan and restore peace to the land. But a mighty battle lies ahead.

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Customer Reviews

Top Customer Reviews

By EA Solinas HALL OF FAMETOP 500 REVIEWER on 22 July 2005
Format: Paperback
The second volume of the Narnia Chronicles closed with the possibility of Lucy and Edmund -- though not their older siblings -- returning to Narnia. "The Voyage of the Dawn Treader" makes good on that story, with the intrepid pair (plus a whiny cousin) returning on a strange sea voyage.

After the events of "Prince Caspian," Lucy and Edmund are sent off to stay with their obnoxious cousin Eustace. But when they admire a picture of a strange ship, suddenly all three kids are sucked in -- and land in a Narnian sea. On board the ship is King Caspian, now fully grown, who is determined to find a bunch of knights exiled by his murderous uncle, even if he has to go to the edge of the world (literally).

Lucy and Edmund are thrilled to be back in Narnia again, but Eustance proceeds to make trouble any way he can, complaining and causing trouble among the crew. But there are problems more horrifying than any of them can guess, from dragons to sinister "gold water" to a region filled with their worst nightmares.

"The Voyage of the Dawn Treader" is one of Lewis's most original and tightly-written Narnian adventures. It's also a bit of a break from form. After two books of battles against evil tyrants, "Voyage" simply goes where no man/woman/mouse has gone before, and gives us a view of the Narnian world as more than one isolated little region.

And in some ways, it's also the darkest Chronicle. Lewis explores the theme of greed here -- greed for power, beauty, money and magic -- and has some scenes both chilling and majestic. But his archly humorous style peeks through in several places, whether it's pompous mouse Reepicheep or tea with a reclusive old wizard.

Edmund and Lucy are their usual plucky selves, albeit a bit more mature than before.
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Format: Paperback
This is my favourite of all the Narnia books. It has a fantastic, chilling ending. It can be read by anybody and indeed should be. It is the only book to have all the main human characters in and most of the famous characters from the series. Their are many versions of the Narnia books available to purchase but In my opinion this is the finest one. The words and lines are evenly spaced, there are fantastic colour drawings, the words are of a perfect size to read and it is printed on laminate paper. It is also worth noting that Pauline Baynes, who's colour drawings are in the book, drew the original drawings for the 1950's version of this book. All in all, this book is excellent!
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Format: Paperback
Say what you will about the correct reading order of C. S. Lewis's "The Chronicles of Narnia", one thing is certain - "The Last Battle" needs to be read last. It is not simply because it was written and published last in the series, that it clears up all loose ends in the previous installments and leaves no possible room for any sequels, but because it will change your entire understanding and perception of the last six books. Do what you like with the other books' reading order, but trust me on this one: "The Last Battle" needs to be read *last*.

It has been over two hundred years in Narnia after the events in "The Silver Chair", when Eustace Scrubb and Jill Pole saved Prince Rilian from imprisonment and restored him to his father and the throne. Now Rilian's descendant King Tirian enjoys the solitude of his hunting lodge with his best friend, Jewel the unicorn. But there is treachery in Narnia like nothing the country has ever faced before...

A dishonest ape named Shift has found a lion-skin and forced Puzzle the donkey to wear it. Now he lords over the Talking Beasts of the forest by pretending to be the mediator between them and the great Lord Aslan, who remains hidden in a stable and only emerges by the dim light of a campfire at night. Soon the game (which began as a way for Shift to obtain food without any effort) has gotten dangerously out of control. Convinced that Puzzle is the real Aslan, the Talking Animals are scared and confused at his changing attitudes toward them, and the Calormenes of the neighbouring empire have taken advantage of the situation by invading Narnia.
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Format: Audio CD
The final in the series of "Narnia" stories, The Last Battle works on the same two levels as the other stories. On the one hand, we have a an adventure story about children in a strange and magical world, and on the other we have a treatise on ethics and religion.
Lewis' world of adventure and magic is charming, vividly described and exhilarating. As with the other books in the series, this is fundamentally a human story of drama and pathos, where children are finding adventure and heroism. As a child, I was as enthalled with this story as with any of his others - real favourites. Even so, I found this to be the darkest and in many ways the most challenging of his works. Now, as an adult, I see this very much as a work to be a passionate statement of religious belief, which is skillfully articulated though uncompromising in the position it takes.
The work is really in two parts. The longer, first part, has an interesting opening in which a rather selfish and thoughtless creature sets in motion a chain of events that culminates in the destruction of a sacred forest and ultimately in a breakdown of social order. There follows revolt and warfare wrapped up with fragmentation and subversion of the previously unassailable cult of Aslan. The second part involves the transportation of the children and their friends to the land of Aslan and much discussion of their love of Aslan and much discussion of the wonder and beauty of Aslan's kingdom.
Clearly, Aslan represents God. The narrative part of the story has much to do with the nature of good and evil, and the difference between doing wrong innocently and doing wrong maliciously. Interestingly, it follows a strong thread through the nature of propaganda, the subversion of a worthy cause, and the uncontrollable chaos of politics.
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