Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet or computer – no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
Judge Dredd: Casefiles 25: The Complete Case Files 25: Volume 25 (Judge Dredd: The Complete Case Files) Paperback – 13 Aug. 2015
- Print length320 pages
- LanguageEnglish
- PublisherREBCA
- Publication date13 Aug. 2015
- Dimensions18.7 x 1.5 x 25.9 cm
- ISBN-101781083312
- ISBN-13978-1781083314
Customers who viewed this item also viewed
Product description
About the Author
Product details
- Publisher : REBCA; 1st edition (13 Aug. 2015)
- Language : English
- Paperback : 320 pages
- ISBN-10 : 1781083312
- ISBN-13 : 978-1781083314
- Dimensions : 18.7 x 1.5 x 25.9 cm
- Best Sellers Rank: 447,017 in Books (See Top 100 in Books)
- 8,995 in Super-Hero Graphic Novels
- 94,516 in Science Fiction & Fantasy (Books)
- Customer reviews:
About the author

Discover more of the author’s books, see similar authors, read author blogs and more
Customer reviews
Customer Reviews, including Product Star Ratings, help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyses reviews to verify trustworthiness.
Learn more how customers reviews work on Amazon-
Top reviews
Top reviews from United Kingdom
There was a problem filtering reviews right now. Please try again later.
Various artists various styles of artwork
In 1996 the source comics were still owned by legacy UK magazine publishers and the tension between editors, creatives and owners led to wide fluctuations in quality. These stories mark the beginning of the end of 2000AD’s legendarily dismal showing through the early-90s.
The bulk of the content from 2000AD is from The Pit, an “arc” that that sees future cop Dredd reassigned from his street-cop comfort zone to run the worst precinct in future city-state Mega City One. It borrows the then-revolutionary format of US cop-soaps Hill Street Blues and NYPD Blue. For the uninitiated, Dredd stories take up 6 pages of each week’s comic and can be one-shots or episodes of something longer. For 30 weeks The Pit stretched longer plot threads across self-contained stories, with a new set of minor characters and their soap-style secrets, romances and rivalries.
Most of the hit and miss art comes from names that reflect the hard times at Zarjaz Towers. There’s a lot from Carlos Ezquerra, and sadly I’m the minority who doesn’t just love everything he did. The big story plus is the origin of fan-favourite she-Judge Galen DeMarco. The ending, a bad homage to Assault on Precinct 13, is nobody’s best work.
The Pit leads straight into the landmark prog 1000 story Dead Reckoning, in which Dredd chases supernatural nemesis Judge Death in a 6-part visit to his home dimension Deadworld. The rest of the 2000AD content is a decent selection of mostly comedy short stories that showcase the citizens of OG MC-1 at their anarchic best.
The best thing here is one-shot Death of a Legend, with its multiple echoes of The Return of Rico from prog 30, as Joe Dredd goes rogue to give fallen Chief Judge McGruder the short Long Walk she deserved.
2000AD script credits are mainly John Wagner plus 10-part micro-epic Darkside from house oddball John Smith. There’s a mixed bag on art chores. Ezquerra aside, bona fide legend Henry Flint provides 3-parter The Pack, and there’s some good stuff from near-legends Greg Staples and Trevor Hairsine.
From the closing batch of 4 Megazine stories, the “Quite Nice Bar” story written by John Wagner and painted by Jason Brashill is probably the second-best thing in the book, and there are two skippable sign-of-the-times disappointments drawn by Marc Wigmore.
If you’re more “Dredd-curious” than Squaxx, it might help to have some context.
Judge Joe Dredd has appeared every week for over 45 years in 2000AD, and at their best his creatives produce gold standard comics that bigger, rival publishers can only read and weep. Spoiler: His team don’t always show him at his best.
The original idea of Dredd was a heavily armed cop in a parody future. After an “atomic war”, the world’s urban spaces have been smushed into nation-scale “mega-cities”, surrounded by radioactive wastelands where life is cheap and mostly a mash-up of the Wild West, Planet of the Apes and Mad Max 2. Hundreds of millions of absurd, eccentric, alternative-lifestyle civilians are packed into the mile-high-rise buildings of Mega-City One and constantly on the edge of an urban PTSD called “future shock”. All antisocial behaviour is a crime, and the Judges keep order thanks to the right to deliver on-the-spot and absurdly disproportionate sentences up to and including “standard execution”.
2000AD and the Dredd Megazine arrived at the peak of the kids’ comics market in the UK and survived “interesting times” during the market’s decline. At the turn of the millennium the IP moved to a UK house of ideas theoretically more in tune with the comics’ legion of loyal fans, video game company Rebellion.
Thanks to changes of publisher and editorial teams the quality of 2000AD content ebbs and flows, but Dredd rides this out better than most. Case Files volume 25 is from the foothills of his second wind, after the crazy energy in the earliest stories and the notorious Dark Times of the 1990s.





