- Also check our best rated Biography reviews
James Baldwin’s Turkish Decade: Erotics of Exile Paperback – 16 Jan 2009
- Choose from over 13,000 locations across the UK
- Prime members get unlimited deliveries at no additional cost
- Find your preferred location and add it to your address book
- Dispatch to this address when you check out
Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.
To get the free app, enter your mobile phone number.
Would you like to tell us about a lower price?
If you are a seller for this product, would you like to suggest updates through seller support?
"Illustrated with stunning photographs, James Baldwin's Turkish Decade presents fascinating and little-known details about Baldwin's Turkey and offers a new way of reading his works from the 1960s to the early 1970s. A small, throwaway reference to Istanbul in Another Country now appears momentous." Werner Sollors, Henry B. and Anne M. Cabot Professor of English and African American Studies, Harvard University "Magdalena J. Zaborowska's excellent scholarship unearths new and little-known material about James Baldwin's time in Turkey, particularly through her interviews with Baldwin's friends and colleagues in Istanbul. Her original analyses of Baldwin's work in the context of his Turkish experiences are also outstanding." David Leeming, author of James Baldwin: A Biography "Drawing on oral history, archival research, literary analysis, cultural studies, and personal narrative/(auto)ethnography, Magdalena J. Zaborowska renders a multitextured reading of James Baldwin's years in Istanbul. No one else has so thoroughly examined the influence of those years on Baldwin's work, and anyone who comes after will have to cite Zaborowska. And I dare say that no one will be able to capture this story as well as she has. James Baldwin's Turkish Decade will change the field of Baldwin studies." --E. Patrick Johnson, co-editor of Black Queer Studies: A Critical Anthology<br /><br />In 'James Baldwin's Turkish Decade', Magdalena J. Zaborowska, a professor of immigrant and African-American literature, sets out to explain not only the enduring attraction the city had for Baldwin but its importance for the rest of his career...Zaborowska is a charming companion as she follows Baldwin s steps through Turkey, brimming with enthusiasm at the sights and at the warmth of her reception by his friends...she makes us feel how necessary such a refuge was as the sixties wore on. --Claudia Roth Pierpont, The New Yorker, 9th Feb 2009
"Magdalena J. Zaborowska s scholarly yet personal new book fills in details of an important but little explored period in the life of James Baldwin...Zaborowska's study is the first to focus completely on Turkey and the impact that living in a country "not east or west" had on the author s work...some of the richest and most illuminating writing on the author...Overall, with its wealth of personal insights, and highlighted by evocative photographs, extensive notes, and a wide ranging bibliography, Magdalena Zaborowska's work gives us an ultimately valuable addition to our understanding of the life and work of James Baldwin." --Reginald Harris, Lambda Literary Foundation, Sept 2009
- Shane Vogel, American Literature
Top customer reviews
Most helpful customer reviews on Amazon.com
james baldwin worked on several projects in istanbul and turkey, his novels, ANOTHER COUNTRY and TELL ME HOW LONG THE TRAIN'S BEEN GONE, and his books of essays, THE FIRE NEXT TIME and NO NAME IN THE STREET. cezzar invited baldwin to Istanbul to direct the play FORTUNE IN MEN'S EYES, the duo's second collaboration. baldwin's version was so successful as to make a mark on drama in istanbul.
zabrowska has conducted countless interviews with baldwin's friends and associates, read correspondences and biographies and comprised an extensive bibliography inclusive of works by authors as diverse as italo calvino, Judith butler, and emma lazarus. she met the turkish photographer and filmmaker, sedat pakay, his photographs of baldwin collected BEARING WITNESS FROM ANOTHER PLACE: BALDWIN IN TURKEY, many of the photos stills from his documentary film JAMES BALDWIN : FROM ANOTHER PLACE.
in addition to providing a biography of baldwin's turkish days, zabrowska has done an additional service in the scholarship of exile and a writer's space, and a disquisition on sexuality and race in baldwin's works as influenced by an exotic location as conducive to his creativity.
from her reading of mikhail bakhtin, russian philosopher and literary critic, she took his definition of dialogic interpretation as useful in her reading baldwin.
in her second chapter, QUEER ORIENTALISMS IN ANOTHER COUNTRY, zabrowska turned to queer theory and orientalism to locate traces of istanbul in ANOTHER COUNTRY.
the third chapter of the zaborowska's study of baldwin's turkish period, is devoted to the events surrounding the play FORTUNE AND MEN'S EYES.
in chapter four, zaborowska speculated on the importance and influence of istanbul and his experiences there on baldwin's ideas on race and sexuality in the united states in a book of essays in which istanbul and turkey are never mentioned, although the two periods of the 1960s, the civil rights movement and the black power movement, enfolded into two long elegant essays by baldwin, from his participation and witnessing of both movements which make up NO NAME IN THE STREET, were written in istanbul.
attributing baldwin's explorations of black masculinity, his own as juxtaposed against aggressive heterosexual black men, a former body guard accused in germany of rape and luminaries of the black power movement, some of whom, like eldridge cleaver, denigrated his masculinity and racial activism, to turkish soil as a means to `frame the antiracist and antihomophobic message enabled by his turkish experience' is an uneasy argument zaborowska belabors. when she quotes bakhtin, " It is immensely important for the person who understands to be located outside the object or his or her creative understanding--in time, in space, in culture..." his words appear to apply more to her methodology than to baldwin's deliberations.
in her conclusion she speaks of baldwin and his love of theatre and the writing of THE WELCOME TABLE, his last play, never published, which readers and theater-goers continue to await.