The poor chap who posted a * review of this was my reason for buying . But having got it I find myself in disagreement with many of the favourable reviews. Not that I disagree about the quality of the playing. But reproduction of organ recordings requires great care. I use high quality speakers at quite a low volume with lots of juice going to a massive sub-woofer.
The Germans were well ahead of the game in recording techniques and both DG and German radio stations were producing splendid stuff even during the war. Many of my favourite recordings come from the period 1946 to 1956 and this set most emphatically comes high on the list. Top quality mono sound like this is often much clearer than stereo. The dryness some complain of is simply down to using inappropriate equipment. The fidelity of these recordings is stunning. And the air post war had a magic quality which I remember well. Out of this came a blind German organist whom the British took to their hearts and you still do not dare criticise his playing. Not that you would want to. He was a genius. Even if you buy no other classical CDs you must hear this. Start off with CD 6 the Little Organ Book. The kaleidoscopic registrations will amaze you.
J.S. Bach: Organ Works
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4.6 out of 5 stars
4.6 out of 5
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VINE VOICE
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7 people found this helpful
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Reviewed in the United Kingdom on 3 May 2018
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Ordered 31st March, received 1st April from Amazon. Fine analogue-to-digital mono recordings transferred to ten CD's on St Jacobi, Lubeck, and St Peter & Paul Chapel organs: no notes. Admirably demonstrate Helmut Walcha's playing style and interpretation on relatively small "baroque" organs.
Reviewed in the United Kingdom on 10 June 2013
Verified Purchase
I am no religious person, but in encounters with nature and great music I feel as if I had some kind of religious experiences. Listening to Walcha's survey of Bach is a homecoming to me as I learnt to dwell in music as teenager listening to Bach. Those distant memories of those days in Kannelmäki when I was around 16 or 17 when I dwelled not only in Bach but also in my math homework and was hopelessly in love with one girl or another. Now I can appreciate that that period of my live with such agonising state of mind of a growing wannabe-intellectual, spirited young man was in fact so happy that it is worth idolising.
Oh, where were I? My relationship with Bach organ music has been somewhat off for 25 years, but now Walcha had returned me to the fundamental truth. Only now I can appreciate why the Preludes and Fugues are often considered his prime achievement with the organ; here and elsewhere, Bach's music is never robbed off its continuity. Every single peace forms a perfectly rounded universe by itself. This is the ultimate human achievement in music and so real that I almost cried from the outset.
Oh, where were I? My relationship with Bach organ music has been somewhat off for 25 years, but now Walcha had returned me to the fundamental truth. Only now I can appreciate why the Preludes and Fugues are often considered his prime achievement with the organ; here and elsewhere, Bach's music is never robbed off its continuity. Every single peace forms a perfectly rounded universe by itself. This is the ultimate human achievement in music and so real that I almost cried from the outset.
Reviewed in the United Kingdom on 11 March 2013
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Picked up this 10 CD set for less than £8 on Amazon. I've read comments on the sound of the organs used but despite the Cds being in early mono I have no problem in getting a realistic sound picture on my Stereo. I am no expect in Bach organ interpretations but consider that some of the popular pieces which I have been able to compare, the G minor fantasia and Fugue, the famous tocatta and fugue used in fantasia, and the C Minor Passaccaglia and Fugue do not seem to lack impact. Whilst it is a fair argument to say that bach, had he been resurrected in the twenty first century, would have utilised everything that modern instruments could offer and would not limit himself to what was available when he actually lived, there is no harm in listening to authenticity occasionally. And I speak as one who prefers oistrakh and menuhin in Bach to Standage.
So I suggest that this set is a great way of getting to know some wonderful music at a giveaway price. Pity about the absence of notes, and also the Concerto Transcriptions, but it is unfair to cavil at the price. Buy and enjoy!
So I suggest that this set is a great way of getting to know some wonderful music at a giveaway price. Pity about the absence of notes, and also the Concerto Transcriptions, but it is unfair to cavil at the price. Buy and enjoy!
Reviewed in the United Kingdom on 10 November 2015
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Simple neat presentation box. Amazing clarity - difficult to appreciate that much of this was recorded in 1947. 4 harpsichord pieces added with strong acoustic presence. Interesting how some mono recordings give such a spacious sound. Walcha was the main man on the Organ scene in the 50s and does not mess around with the music. At this price - no doubt about 5 stars - if the same music quality were available DDD and a good set of notes were included - the rating would be off the scale.
Reviewed in the United Kingdom on 24 March 2008
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This is an extremely reasonably priced re-issue of Helmut Walcha's early 1960's recordings of the 'Well Tempered Clavier', 'Goldberg Variations' and the 'Two and Three Part Inventions and Sinfonias' recorded by EMI in Hamburg. Walcha uses a modern Ammer harpsichord and, although this will not please 'historical instrument' purists, the sound is never unpleasant and fits very well with Walcha's slightly 'cool' interpretations with every line made clear. Walcha's restraint, although valid, means that he doesn't plumb the full emotional depth of this music. But, having said that, this is a very enjoyable set and can be strongly recommended.
The remastering has been very well done and the notes, although only in French, are quite informative but not a great loss if you don't understand the language!
The remastering has been very well done and the notes, although only in French, are quite informative but not a great loss if you don't understand the language!
Reviewed in the United Kingdom on 30 May 2011
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This set is a real hidden gem compared to Walcha's later Bach set on DG Archiv.
The eat may take some getting used to the dry sound, often in mono, but don't stop listening. Many have argued that this is Bach played the way Bach may have played it. Take for instance the curious yet sparkling registration is the 'Great' A Minor Prelude and Fugue (BWV 543) or the fantastic build up in the Fugue of the B Minor (BWV 544).
Although incomplete, this survey is a great introduction to Bach's organ music or a useful pedagogical tool.
The eat may take some getting used to the dry sound, often in mono, but don't stop listening. Many have argued that this is Bach played the way Bach may have played it. Take for instance the curious yet sparkling registration is the 'Great' A Minor Prelude and Fugue (BWV 543) or the fantastic build up in the Fugue of the B Minor (BWV 544).
Although incomplete, this survey is a great introduction to Bach's organ music or a useful pedagogical tool.
Reviewed in the United Kingdom on 5 December 2013
Verified Purchase
I knew very little of Bach's organ music before I bought this - the D minor Toccata and Fugue, the great C minor Passacaglia and Fugue, and a few chorale preludes. On the whole, I found organ music a bit indigestible. But hearing Walcha play part of the Art of Fugue with a light, clear sound which really let the music speak, convinced me to buy this set. This is a feast of great music. I can't compare Walcha's interpretations with those of other organists, but for me, he has lit up a whole field of music which I'd never explored before. Of course, it doesn't include the Art of Fugue, which wasn't written expressly for the organ.
Top international reviews
JVC
5.0 out of 5 stars
Una gozada
Reviewed in Spain on 30 January 2019Verified Purchase
El sonido-, tengo que empezar x lo más sorprendente, increíble para la época de grabación. Es mono, claro pero tiene una presencia q sorprende. No limita la audición,, sino q la potencia. El precio excelente. La interpretación, para los q ya tenemos unos años, incontestable.
Sin florituras ni adornos de cara a la galeria. La música fluye con rigor. Pura música. Es d esos intérpretes q hacía d Bach el motor d sus vidas - Leonhardt, Karl Richter-. Una época q ya pasó y seguramente, no volverá. Falta el arte d la fuga. Está casi todo d todo lo demás. Para no perdérselo.
Sin florituras ni adornos de cara a la galeria. La música fluye con rigor. Pura música. Es d esos intérpretes q hacía d Bach el motor d sus vidas - Leonhardt, Karl Richter-. Una época q ya pasó y seguramente, no volverá. Falta el arte d la fuga. Está casi todo d todo lo demás. Para no perdérselo.
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Nasina Nasi
5.0 out of 5 stars
registrazione fondamentale
Reviewed in Italy on 9 January 2020Verified Purchase
subito dopo la guerra, la Deutsche Grammophon incaricò l'organista Helmut Walcha di registrare l'opera omnia per organo di Bach; il Paese era devastato, molti organi erano stati distrutti, quelli ancora in piedi avevano bisogno di restauri, ma Walcha accettò con entusiasmo la proposta, consapevole che solo la bellezza e la conoscenza avrebbero restituito la vita a una Germania rasa al suolo;
queste registrazioni, perlopiù monoaurali, sono state realizzate su strumenti a volte sfiatati, a volte con accordatura imperfetta, e penso che Walcha assieme alla musica volesse fotografare la Germania così com'era, massacrata ma sostenuta dalla dignità divina della musica di Bach;
avrebbe riregistrato tutto Bach (o quasi, non registrò mai per esempio le trascrizioni da Vivaldi, ecc.) diversi anni più tardi, con suoni perfetti e interpretazioni tutto sommato püiù eleganti; ma questa versione dei tardi anni Quaranta resta forse la migiore edizione discografica di Bach di tutto il Novecento, con la sua crudezza sonora e interpretativa;
è quasi regalata, andrebbe comprata di corsa, ché cose così non si sa quanto restino in catalogo;
queste registrazioni, perlopiù monoaurali, sono state realizzate su strumenti a volte sfiatati, a volte con accordatura imperfetta, e penso che Walcha assieme alla musica volesse fotografare la Germania così com'era, massacrata ma sostenuta dalla dignità divina della musica di Bach;
avrebbe riregistrato tutto Bach (o quasi, non registrò mai per esempio le trascrizioni da Vivaldi, ecc.) diversi anni più tardi, con suoni perfetti e interpretazioni tutto sommato püiù eleganti; ma questa versione dei tardi anni Quaranta resta forse la migiore edizione discografica di Bach di tutto il Novecento, con la sua crudezza sonora e interpretativa;
è quasi regalata, andrebbe comprata di corsa, ché cose così non si sa quanto restino in catalogo;
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Marcus Graubner
5.0 out of 5 stars
Augen zu.. und genießen !!!
Reviewed in Germany on 19 August 2012Verified Purchase
Die vorliegende Box ist nicht nur supergünstig vom Preis. Sie bietet auch allerhöchsten Genuss der herrlichen Kunst von Johann Sebastian Bach.
Helmut Walcha war einer der grossen Organisten. Das spürt man in jeder einzelnen Aufnahme. Sehr zupackend in den Fugen, innig in den Chorälen.
Bin auch froh, dass es sich um relativ frühe Aufnahmen von 1947-52 handelt.
Dieser kostbare Schatz hat nun einen Ehrenplatz in meiner Sammlung.
Danke dafür !!!
Helmut Walcha war einer der grossen Organisten. Das spürt man in jeder einzelnen Aufnahme. Sehr zupackend in den Fugen, innig in den Chorälen.
Bin auch froh, dass es sich um relativ frühe Aufnahmen von 1947-52 handelt.
Dieser kostbare Schatz hat nun einen Ehrenplatz in meiner Sammlung.
Danke dafür !!!
6 people found this helpful
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Hamid Moreau
5.0 out of 5 stars
Sublime Bach
Reviewed in Canada on 12 April 2012Verified Purchase
An old Mono late 40s early 50s recording of excellent quality. To get complete organ works for that price is phenomenal! Over 10 hours of sublime Bach music will take me ages to listen to. Hours of pure joy!
3 people found this helpful
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ヴァヌ
5.0 out of 5 stars
録音の古さが気にならないほどの「強」演奏
Reviewed in Japan on 3 January 2016Verified Purchase
1947年から1952年にかけての録音。1947年のみ聖ヤコブ教会、1950年と1952年は聖ペテロ&パウロ聖堂での録音となっている。前者は余り大きなオルガンではなく、周辺の雑音も入り易いということで、1950年の録音から場所を変えたらしい。なお1947年録音のBWV525を聴いていると、マイクが近いのか、バタバタという板の動くような音も聞こえる(見方によれば、当時としてはハイファイ録音?)。一方、1950年以降の方はオルガンの大きさに比べて聖堂が小さかったということもあり、残響は少ない(このためステレオ録音ではこのオルガンを使わなかった)。それがバルヒャの演奏の特徴であるポリフォニックさが強調された演奏には良かったのかもしれない、と個人的には思っている。
バルヒャは若い頃は、少しの視覚に頼り、右手・左手・ペダルと別々に譜面を覚えていって頭で統合したという。視覚を失ってからは母、後に奥さんが右手・左手・ペダルと別々に弾いてくれたものを覚え、それを頭で統合したという。それぞれの独立性の高い演奏はこのような覚え方にも一因が有るかもしれない。
前置きはさておき、ポリフォニックな横の線がはっきり感じられる演奏。オルガニストによってはハーモニックな縦の線を感じさせる演奏もあるが、それは(個人的には)バロック以降のハーモニックな音が主流となった音楽の影響と思っているので、ポリフォニックの良さを存分に感じさせてくれるパイプの選び方(レジストレーション)とその演奏に大満足。また、オルガンという楽器はピアノと違って鍵盤の強さで音の強さや表情が変わるわけではないにもかかわらず、この演奏では一音一音が非常にしっかりと感じられ、安定感と確かな主張がある。バルヒャの意思の強さの表れということか。
ところで、最後にもう少し音の状態について。録音年代から考えると、良い音だと思う。1952年の録音では、昨今の録音のように低音の輪郭がはっきりとしているとは言えないものの、それなりに「重」と付けても良いくらいの低音も入っている。
もっとも、演奏の強さに引き込まれて、録音の古さは忘れてしまうけれど・・・。
バルヒャは若い頃は、少しの視覚に頼り、右手・左手・ペダルと別々に譜面を覚えていって頭で統合したという。視覚を失ってからは母、後に奥さんが右手・左手・ペダルと別々に弾いてくれたものを覚え、それを頭で統合したという。それぞれの独立性の高い演奏はこのような覚え方にも一因が有るかもしれない。
前置きはさておき、ポリフォニックな横の線がはっきり感じられる演奏。オルガニストによってはハーモニックな縦の線を感じさせる演奏もあるが、それは(個人的には)バロック以降のハーモニックな音が主流となった音楽の影響と思っているので、ポリフォニックの良さを存分に感じさせてくれるパイプの選び方(レジストレーション)とその演奏に大満足。また、オルガンという楽器はピアノと違って鍵盤の強さで音の強さや表情が変わるわけではないにもかかわらず、この演奏では一音一音が非常にしっかりと感じられ、安定感と確かな主張がある。バルヒャの意思の強さの表れということか。
ところで、最後にもう少し音の状態について。録音年代から考えると、良い音だと思う。1952年の録音では、昨今の録音のように低音の輪郭がはっきりとしているとは言えないものの、それなりに「重」と付けても良いくらいの低音も入っている。
もっとも、演奏の強さに引き込まれて、録音の古さは忘れてしまうけれど・・・。
8 people found this helpful
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ヒトシラボ
5.0 out of 5 stars
バッハの権威40代の気迫。力強いオルガンの響き。
Reviewed in Japan on 14 June 2018Verified Purchase
よい音である。2回目ステレオ全集と違って、教会の空間描写というより、楽器の音そのものをオンマイクで伝えてくるようだ。最初は、レンジは狭いんだろうと決めてかかったものの、そんなことはない。鳴るべきところで低音が鳴っている。
同じバッハの無伴奏ヴァイオリンでは、モノラルのほうが素晴らしかったりもするが(例えば、シェリング盤やミルシテイン盤など)、再生レンジがより広いオルガンには、さすがにモノラルは不利だろうというのは、僕の思い込みに過ぎなかったようだ。
第二次大戦後から1950年代末までにかけてのモノラル録音の完成期は、大家たちの壮年期に一致している。
録音後の編集処理など思いもしない、一発録りの気迫が、この頃のものからは、伝わってくることが多い。
ここで聴くヴァルヒャは、思ってたよりはるかに若々しいし、力強い。
同じバッハの無伴奏ヴァイオリンでは、モノラルのほうが素晴らしかったりもするが(例えば、シェリング盤やミルシテイン盤など)、再生レンジがより広いオルガンには、さすがにモノラルは不利だろうというのは、僕の思い込みに過ぎなかったようだ。
第二次大戦後から1950年代末までにかけてのモノラル録音の完成期は、大家たちの壮年期に一致している。
録音後の編集処理など思いもしない、一発録りの気迫が、この頃のものからは、伝わってくることが多い。
ここで聴くヴァルヒャは、思ってたよりはるかに若々しいし、力強い。
2 people found this helpful
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M. FIEVET
4.0 out of 5 stars
Un jalon
Reviewed in France on 14 August 2009Verified Purchase
Evidemment la qualité audio n'est pas idéale : ce sont des enregistrements réalisés entre 1947 et 1952, sur les orgues de Lübeck et Cappel (pas l'intégrale DG réalisée plus tard à Alkmaar et St-Pierre-le-Jeune de Strasbourg, superbe). Mais un interprétation très intéressante dans sa sobriété. Je préfère néanmoins l'intégrale d'André Isoir (Calliope) si vivante et nuancée.
30 people found this helpful
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Mt.Shirane
5.0 out of 5 stars
モノーラルと言うなかれ!!!
Reviewed in Japan on 18 May 2016Verified Purchase
ややインテンポで、ムラヴィンスキーのようなドライブ感です。
小さな感情に流されずひたむきに曲の構造に寄り添う姿勢が圧倒的な感動を呼びます。
ふくよかな響きは少ないですが、旋律も聴きとりやすいです。
80Hz以下の極低音は十分すぎるほど録音されており、中低音が不足気味で、高音は記録されているが帯域が狭く倍音が少ない。やや奇妙な感じはするものの、妙に落ち着く雰囲気になる。
蛇足 Walchaは、チェンバロも私にとって最高の演奏家です。
特に、Chromatic Fantasy & Fugue in D major, BWV 903の雄々しい強靭な演奏は、憂鬱や悲しみを吹き飛ばす深い感動を与えてくれます。
この曲に関してはGouldは足元にも及びません。40年以上の愛聴LPはとうに廃盤ですが、DOREMI DHR-7985/6で聴けます。
小さな感情に流されずひたむきに曲の構造に寄り添う姿勢が圧倒的な感動を呼びます。
ふくよかな響きは少ないですが、旋律も聴きとりやすいです。
80Hz以下の極低音は十分すぎるほど録音されており、中低音が不足気味で、高音は記録されているが帯域が狭く倍音が少ない。やや奇妙な感じはするものの、妙に落ち着く雰囲気になる。
蛇足 Walchaは、チェンバロも私にとって最高の演奏家です。
特に、Chromatic Fantasy & Fugue in D major, BWV 903の雄々しい強靭な演奏は、憂鬱や悲しみを吹き飛ばす深い感動を与えてくれます。
この曲に関してはGouldは足元にも及びません。40年以上の愛聴LPはとうに廃盤ですが、DOREMI DHR-7985/6で聴けます。
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楊威利
5.0 out of 5 stars
「フーガの技法」は入っていませんが録音は秀逸
Reviewed in Japan on 24 March 2018Verified Purchase
モノラル録音ですが雑音も少なくダイナミックレンジも広く、元がオルガンという楽器ですのでヘッドホンで聴いていても殆ど気にならない程度です。主要曲は網羅しており、一部にはチェンバロ曲なども併録されておりますが、何故か「フーガの技法」がありません。入っていたら星6つでしたが、この一点が残念なので星5つとさせていただきました。
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ジレール
2.0 out of 5 stars
モノラル録音、粉っぽい音質
Reviewed in Japan on 12 October 2018Verified Purchase
演奏は他の方のコメントの方が役立つでしょう。2000円ちょとでamazonで購入しました。あとで調べたらamazonプライムで新盤のステレオ録音がタダで全曲聴けましたので、このCDは1回聴いたのみです。
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JOJO
4.0 out of 5 stars
とても良いCDです
Reviewed in Japan on 21 June 2017Verified Purchase
モノラル録音で1940年代の集録もあり、現代の録音のような空間描写は望めませんが、芯のある気持ちのいい音が聞けます。
価格からもこれ以上望むのは無理でしょう。ヴアルヒャの演奏を聴くのにはとても良いCDです。
価格からもこれ以上望むのは無理でしょう。ヴアルヒャの演奏を聴くのにはとても良いCDです。
2 people found this helpful
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くじら
5.0 out of 5 stars
文句なしに素晴らしい!!
Reviewed in Japan on 3 February 2016Verified Purchase
録音よし、値段よし。後はリヒターのCD(特にバルヒャ未録音のオルガン協奏曲)。
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みかん
4.0 out of 5 stars
格安。
Reviewed in Japan on 16 July 2014Verified Purchase
バッハのオルガン曲に興味はあるけど、なんかとっつきにくいな~と感じられている方には、
気軽な価格で買える、お薦めできる商品です。
なにしろ10枚組で1,200円しないのですから、失敗したと感じても、ケガが少ないです(^^;
「音が古い」と言われる方もいるようですが、自分にはそう思えません。
最新録音に比べれば少々Fレンジは狭いかもしれませんが、モノラルであることと相まって
力強い感じのする、音楽を聴く上では何の支障もない音質水準と思います。
演奏自体も、当時の評価も高かったですが、いま改めて聴いても立派な演奏だと思います。
ただ、どうしてもモノラルは厭だと言われる方には同じような内容で後年録り直したステレオ
バージョンもありますが、とうぜん価格も異なってきます。
気軽な価格で買える、お薦めできる商品です。
なにしろ10枚組で1,200円しないのですから、失敗したと感じても、ケガが少ないです(^^;
「音が古い」と言われる方もいるようですが、自分にはそう思えません。
最新録音に比べれば少々Fレンジは狭いかもしれませんが、モノラルであることと相まって
力強い感じのする、音楽を聴く上では何の支障もない音質水準と思います。
演奏自体も、当時の評価も高かったですが、いま改めて聴いても立派な演奏だと思います。
ただ、どうしてもモノラルは厭だと言われる方には同じような内容で後年録り直したステレオ
バージョンもありますが、とうぜん価格も異なってきます。
4 people found this helpful
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Gilles Drescher
5.0 out of 5 stars
Bach par Helmut Walcha , que dire de plus ?
Reviewed in France on 20 June 2013Verified Purchase
Merveilleuse intégrale des oeuvres de Bach, la première réalisée par Helmut Walcha, sur un instrument modeste mais tellement authentique (Le Schnitger de Cappel) . L'enregistrement est surprenant de qualité sonore .
Une intégrale à écouter absolument .
Une intégrale à écouter absolument .
9 people found this helpful
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MK
5.0 out of 5 stars
安いだけじゃない!
Reviewed in Japan on 13 July 2011Verified Purchase
ヘルムート・ヴァルヒャのバッハオルガン全集10枚組が、通常の廉価版CDの価格約1,500円とは?。
モノーラルの1947から1952年頃の録音、もうすぐステレオ録音が始まろうとする頃だよな。
つまり、音質的には全く問題がないアルヒーフから出てた旧録音との事。
まだ40歳を迎えたばかりの頃の若々しさ溢れる音像の素晴らしさ。
低音部も高音部もしっかり録音されていて、モノラルながら全く鑑賞に支障ありませんよ。
この全集を全てWMA形式で1枚のCDRに焼いて、車の中でも聴いておりますが、この聴き方、絶対にお勧めです。
車での通勤時間が長いので、気軽に毎日聴いています。
ついカーステレオのボリュームを上げすぎて、自分の世界に入っちゃって・・・・・?だから、安全運転に気をつけてね。
モノーラルの1947から1952年頃の録音、もうすぐステレオ録音が始まろうとする頃だよな。
つまり、音質的には全く問題がないアルヒーフから出てた旧録音との事。
まだ40歳を迎えたばかりの頃の若々しさ溢れる音像の素晴らしさ。
低音部も高音部もしっかり録音されていて、モノラルながら全く鑑賞に支障ありませんよ。
この全集を全てWMA形式で1枚のCDRに焼いて、車の中でも聴いておりますが、この聴き方、絶対にお勧めです。
車での通勤時間が長いので、気軽に毎日聴いています。
ついカーステレオのボリュームを上げすぎて、自分の世界に入っちゃって・・・・・?だから、安全運転に気をつけてね。
11 people found this helpful
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![Bach, JS: Complete Organ Works [1990s digital set]](https://images-eu.ssl-images-amazon.com/images/I/81uQ3b8svUL._AC_UL160_SR155,160_.jpg)



