- Actors: Monica Bellucci, Vincent Cassel, Albert Dupontel, Jo Prestia, Philippe Nahon
- Directors: Gaspar Noé
- Writers: Gaspar Noé
- Producers: Vincent Cassel, Gaspar Noé, Brahim Chioua, Christophe Rossignon, Emmanuel Gateau
- Format: PAL
- Language: English, French, Italian, Spanish
- Subtitles: English
- Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
- Aspect Ratio: 16:9 - 1.78:1
- Number of discs: 1
- Classification: 18
- Studio: Tartan
- DVD Release Date: 4 Dec. 2006
- Run Time: 97 minutes
- Average Customer Review: 3.6 out of 5 stars See all reviews (158 customer reviews)
- ASIN: B00011FXI2
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Amazon Bestsellers Rank:
58,459 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)
- #3915 in DVD & Blu-ray > Crime
- #5855 in DVD & Blu-ray > Thriller
- #14034 in DVD & Blu-ray > Drama
Irreversible (DVD) (Collector's Edition) (Subtitled) [2003]
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Product Description
Product Description
Vincent Cassell and Monica Bellucci star in this French crime drama written and directed by Gaspar Noé. When Marcus (Cassell) and his girlfriend Alex (Bellucci) decide to go to a party with their friend Pierre (Albert Dupontel), they are totally unaware that their world is about to be torn apart in the most unimaginably brutal way possible.
From Amazon.co.uk
Irreversible begins with the closing credits running backwards before the film begins (or ends) with Marcus (Vincent Cassell) and Pierre (Albert Dupontel) being escorted out of a gay s/m club by the cops, Marcus with his arm broken and Pierre in handcuffs. The "story" proceeds to unwind in a series of single-take scenes that unfold Memento-style, with each scene giving more context to what we have seen previously.
Each scenario depicts actions, dialogue, incident, behaviour and circumstance that the lead characters might have wished didn't happen, ranging from extreme violence through awkward social situations to mild embarrassment. The central character (and possible dreamer of this whole what-if story) emerges as Alex (Monica Bellucci), who suffers the worst in a very hard-to-watch rape sequence in an underpass. Semi-improvised, the scenes all have attack and power as themes, with later/earlier conversational sequences that suggest life isn't all sexual assaults in the dark, showing equal cinematic imagination with the horrors. Arguably, this is not a film most would subject themselves to twice, but it is something that stays in the mind for days after viewing, sparking far more ideas and emotions than most wallow-in-nastiness pictures. --Kim Newman --This text refers to an out of print or unavailable edition of this title.
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