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The Age of Innocence (Penguin Twentieth Century Classics) Paperback – 30 May 1996

4.3 out of 5 stars 107 customer reviews

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Product details

  • Paperback: 368 pages
  • Publisher: Penguin Classics; New Ed edition (30 May 1996)
  • Language: English
  • ISBN-10: 014018970X
  • ISBN-13: 978-0140189704
  • Product Dimensions: 13 x 1.5 x 19.6 cm
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (107 customer reviews)
  • Amazon Bestsellers Rank: 96,830 in Books (See Top 100 in Books)

Product Description

Review

"Is it--in this world--vulgar to ask for more? To entreat a little wildness, a dark place or two in the soul?"--Katherine Mansfield
"There is no woman in American literature as fascinating as the doomed Madame Olenska. . . . Traditionally, Henry James has always been placed slightly higher up the slope of Parnassus than Edith Wharton. But now that the prejudice against the female writer is on the wane, they look to be exactly what they are: giants, equals, the tutelary and benign gods of our American literature."--Gore Vidal
"Will writers ever recover that peculiar blend of security and alertness which characterizes Mrs. Wharton and her tradition?"--E. M. Forster

Book Description

The Age of Innocence' is widely considered to be Edith Wharton's finest novel. It is is also a major film directed by Martin Scorsese. --This text refers to an alternate Paperback edition.

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Customer Reviews

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The Age of Innocence is a work of beautifully subtle observation and delicacy, but though Edith Wharton paints with pastels, she delivers a vividly moving and meaningful fable on the damage society can inflict on the individual spirit.

What is fascinating about the novel, for me, is how nothing portrayed is at all as it seems, and yet there are never any glaring or obvious revelations or realisations - Wharton creates an environment in which everything is so delicately balanced that the tiniest ripple can assume seismic proportions. Newland Archer, a slave to respectability, and yet a closet dreamer, sees the beauty of the society he lives in, and its hypocrisy, but he never fully appreciates the strength of its ties and strictures until he finds himself drawn to the lovely Ellen Olenska, who symbolises, for him, a freedom and daring that he has never known. His affianced bride, May Welland, pales in comparison - to him she is merely an obedient ornament, a 'curtain dropped before an emptiness,' but he never realises the strength that lies underneath her apparent frailty. It is the steel in May Welland's character that is one of the most interesting aspects of the novel; Ellen Olenska outwardly appears to be a strong, free spirit, who shuns convention, but she is buffeted and bruised by the society that the delicate May Welland represents. May sees far more than Newland ever credits her for, and it seems that his journey through the novel is chiefly about the gradual realisation of all that he has missed. Newland is perhaps the only true innocent in the world he inhabits.

The novel is intensely bittersweet, and there are no clear heroes or villains, only individual strengths and weaknesses operating in an environment where society itself is the deity that controls all.
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I came to Edith Wharton's "The Age of Innocence" via a reading of another novel, of her's, namely Ethan Frome. Ethan Frome enticed me to read other novels by Wharton because in about 120 pages the novella threw up some interesting and pertinent themes such as the human being's capacity to revolt against the strictures of their social mores whilst at the same time being able to accept the limits to which they can stretch that revolt and come to some form of compromise that allows them to maintain some degree of individuality without overly upsetting the norms of their social milieu. On a much broader and more in-depth scale, The Age of innocence explores such themes.

The novel is broadly set in New York at about the end of the First World War. Wharton's characters are wealthy, upper middle class and striving to maintain the social mores that define their social milieu. Her characters organise exclusive social gatherings, attend the opera and gossip about the behaviour and fortune of each other. The two protagonists that potentially disrupt and shake up the attitude and behaviour of this group are Newland Archer and Ellen Olenska. Ellen, a member of the Welland family, has lived in Europe in an unhappy marriage to one count Olenska. She returns to New York apparently to escape the count's depravity and ultimately obtain a divorce. Ellen represents the outsider who perhaps unwittingly disrupts the cosy social life of her family and their friends. Newland Archer, a young lawyer engaged to May Welland, a cousin of Ellen Olenska, is given the task of persuading Ellen not to seek a divorce from her husband. A divorce would undermine the family's standing in their social context.
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Format: Paperback
Newland Archer, the protagonist of this ironically entitled novel set in the late nineteenth century, is a proper New York gentleman, and part of a society which adheres to strict social codes, subordinating all aspects of life to doing what is expected, which is synonymous with doing what it right. As the author remarks early in the novel, "Few things were more awful than an offense against Taste." Newland meets and marries May Welland, an unimaginative, shallow young woman whose upbringing has made her the perfect, inoffensive wife, one who knows how to behave and how to adhere to the "rules" of the society in which they live.
When Newland is reintroduced to May's cousin, Countess Ellen Olenska, who has left her husband in Europe and now wants a divorce, he finds himself utterly captivated by her freedom and her willingness to risk all, socially, by flouting convention. Both Ellen and Newland, however, are products of their upbringing and their culture, however, and they resist their feelings because of their separate social obligations. Various meetings between them suggest that their feelings are far stronger than what is obvious on the surface, and the question of whether either of them will finally state the obvious remains unanswered.
Wharton creates an exceptionally realistic picture of New York in the post-Civil War era, a time in which aristocrats of inherited wealth found themselves competing socially with parvenus. Her ability to show the conflict between a person's desire for freedom and his/her need for social acceptance is striking.
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