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Imaginary Voyage [Papersleeve] Import

3.3 out of 5 stars 3 customer reviews

Price: £45.54 & FREE Delivery in the UK. Details
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Product details

  • Audio CD
  • Number of Discs: 1
  • Format: Import
  • Label: Japan
  • ASIN: B001MHXN3G
  • Other Editions: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
  • Average Customer Review: 3.3 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Bestsellers Rank: 1,089,560 in Music (See Top 100 in Music)

Customer Reviews

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Top Customer Reviews

Format: Audio CD
The violin had a bit of an image problem in rock music. Despite the best efforts of Darryl Way and Eddie Jobson in Curved Air, and that annoying Graham Smith fellow in Van Der Graaf, it could never quite shake off its associations with the school orchestra and the tedium of compulsory music lessons.
Jean-Luc Ponty made the instrument cool with his participation on one of the coolest rock albums made, Frank Zappa's HOT RATS of 1970. After this brief spell in the limelight, we assumed he returned to his jazz roots, inspired by Stephan Grapelli. Then suddenly in 1976, just as jazz-rock hit its maturity, radio presenters such as Alan Freeman and Derek Jewell (on Radio Three's 'Sounds Interesting') were playing tracks from a new Ponty solo album -- IMAGINARY VOYAGE. Of course, they didn't have time to play more than a couple of tracks, but helpfully, the first two tracks on this album were very radio-friendly. Even if you knew the album well, those were the two tracks you selected when you wanted to make compilation tapes.
That remains my view today, pretty much. Actually one of the advantages of CD is that, if you've always been a lazy type, you get to hear what was Side Two on the LP that you could never be bothered to turn over. Of a similar structure to Focus's MOVING WAVES, the LP put five concise tracks on Side One, and then a single extended instrumental piece on Side Two.
This is all crossover jazz-rock stuff. If you like early Bill Bruford (e.g. ONE OF A KIND) or Return to Forever (NO MYSTERY), you'll find much to like about IMAGINARY VOYAGE, although this album doesn't quite meet the same standard.
The backing musicians include the usual high-calibre performers of the 1970s: e.g.
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Format: Audio CD
This is music of gravitas and an altogether worthier effort than Mystical Adventures and Cosmic Messenger, two lightweight Ponty albums which, much to my bewilderment, often attract rave reviews. Imaginary Voyage is early JLP at its best, with the four-part title track the highlight. Extended tracks like this might not be fashionable nowadays, but this is an indictment of the record-buying public rather than Ponty and his ilk. The only substandard piece is 'New Country', which, as its name suggests, tips its hat to Nashville and its frivolous musical output, and prevents me from deeming the album a classic.
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Most Helpful Customer Reviews on (beta) HASH(0x99abfeac) out of 5 stars 35 reviews
13 of 13 people found the following review helpful
HASH(0x9983dd8c) out of 5 stars Let this be the first! 23 Aug. 1999
By A Customer - Published on
Format: Audio CD
If you are a considering buying a Luc Ponty CD and you're not sure where to begin....well the answer is, Imaginary Voyage. I own most of his music and this one stands out as being the most musical and beautiful compostion. (I might add that Egnimatic Ocean is another gem). Listen on all you progressive Jazz lovers :)
12 of 13 people found the following review helpful
HASH(0x9ae07a38) out of 5 stars A Musical Dreamscape 24 Sept. 2001
By Kurt Harding - Published on
Format: Audio CD Verified Purchase
Jean-Luc Ponty presented the jazz world with three fabulous albums in the 1970s, and Imaginary Voyage is one of them. I hadn't heard this in years and what a treat it is indeed to hear it again.
The entire album is a tour-de-force. New Country is so good, Ponty's play puts most of Nashville to shame. My favorite cut is the aptly named Once Upon A Dream, a mesmerizing tune with a great deal of background musical tension that can induce a dream-like trance.
The title cut starts out part Yes, part Return to Forever and gives way to the mystical wanderings of Ponty's violin and organ before winding up with an inspired dose of harder-edged guitar driven jazz-fusion.
The only drawbacks to this CD are its relative brevity (under 40 minutes) and the almost non-existent liner notes. Otherwise, I recommend this musical dreamscape to any Ponty fan who has not yet heard it and to the musically adventurous who have not yet heard him.
8 of 10 people found the following review helpful
HASH(0x9a335d80) out of 5 stars Classic Ponty - high level tastes only ... 17 Jan. 2000
By Ralph J Rivas - Published on
Format: Audio CD
Back in the 70's, I bought this album - the second ponty Album I got after Cosmic Messenger. the music was PERFECT for the time period and for things going through me back then. Like Cosmic messenger, it takes you on that achetypical "trip" that some of us discovered later can be experienced without "medical assistance." ;-) This will do it for you! in fact, this is the sort of music that you put headphones on for and sit it out on your most comfortable chair ... close your eyes and "travel." The music is compelling and extrememly well orchestrated. The melodies are extremely unique keeping in mind when it came out (that is if you heard similar, you probably heard copy cats from later periods.) This is a highly recommended piece of the Ponty Collection which I will keep updating at every improvement of technology (Album to Tape to CD to DVD, whatever ...) This album was part of the "fusion" music that took my out of my high brow classical phase into the "modern era."
8 of 10 people found the following review helpful
HASH(0x9a8243d8) out of 5 stars Great Fiddling Around! 26 Oct. 2002
By Vannie Ryanes - Published on
Format: Audio CD
Imaginary Voyage is awesome. Jean Luc Ponty shows that there is such a thing as violin jazz, but his sound is one that can't be pigeonholed. Just listen to county and western influenced 'New Gardens' and it will have you bobbing your head and tapping your feet. The slower paced 'The Gardens of Babylon' is just as powerful. I think that every cut is a winner. Imaginary Voyage Parts I through IV just flows from one cut to the next. You can hear the instruments talk to one another. This is one of my favorite CD's. Try listening to it through earphones. Awesome! Highly recommended.Vannie(~.~)
3 of 4 people found the following review helpful
HASH(0x9a335774) out of 5 stars A Fantastic Voyage 17 Nov. 2005
By Winslow Bunny - Published on
Format: Audio CD
Long ago, I got the LP "Imaginary Voyage," and played it until it was worn out. Then I got the cassette tape and played that until it was worn out. Right now, I'm working on the CD version of the album, and am far from tired of listening to it. This is, in my opinion, the best album that Jean-Luc Ponty has recorded: the best variety of music and the best that he has written. Starting with "New Country" and moving into the dreamy "Gardens of Babylon" and "Wandering On The Milky Way," into the urgencies of "Once Upon A Dream" and then into the sharp "Tarantula," Ponty displays a variety of emotions with his mastery of the electric violin. He then tops that with the epic 4-part "Imaginary Voyage," which culminates in the wonderful eight-minute "Part IV." Jean-Luc Ponty has been around a long time and has a lot of recordings, and if you haven't heard this album before, get it. It's definitely worth buying.

(As an aside, I had heard about this album from watching "Soundstage," an old PBS show from long ago, when they had an episode called "Fiddlers Three," featuring Doug Kershaw, Itzahk Perlman and Jean-Luc Ponty. A wonderful show, showing three different types of violin performances: Ponty, so smooth and even in using the bow, even in fast songs, it seemed like he wouldn't break a sweat. Perlman played classical music, his movements so precise, sharp and clean, carefully and exacting in his bow work. Kershaw played Cajun country music, all elbows and movement, the strings on his bow breaking from his sawing motions on the violin, it appeared so sloppy compared to the other two but sounded so good. At the end, all three combined on one song, playing various parts in their own style. A great show with great talent using the same instrument but playing diverse ways.)
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