- Enjoy £1.00 reward to spend on movies or TV on Amazon Video when you purchase a DVD or Blu-ray offered by Amazon.co.uk. A maximum of 1 reward per customer applies. UK customers only. Offer ends at 23:59 GMT on Wednesday, December 20, 2017 Here's how (terms and conditions apply)
How I Live Now [DVD]
- Choose from over 13,000 locations across the UK
- Prime members get unlimited deliveries at no additional cost
- Find your preferred location and add it to your address book
- Dispatch to this address when you check out
Special offers and product promotions
Frequently bought together
What other items do customers buy after viewing this item?
American teenager Daisy is sent to live with her aunt and cousins for the summer on their remote farm in the English countryside. Defiant and unhappy, city girl Daisy at first refuses to warm to her new rural surroundings. With her aunt engrossed in her role as a peace negotiator, Daisy and her cousins are left to live in an almost utopian setting and she begins to soften towards her new family and friends. However, their perfect summer is blown apart by the sudden outbreak of a war, leaving them isolated and forced to fend for themselves. When they are violently separated they must embark on a terrifying journey in order to get home.
Customers who bought this item also bought
Top customer reviews
Acerbic American teenager Daisy (Saoirse Ronan) arrives in England to stay with her cousins. There's 14-year-old Isaac, a laid-back soul who meets her at the airport and subjects her to a scary ride home in a messy old Land Rover. "Home" is a ramshackle farmhouse and her other cousins are Piper (10-year-old Harley Bird), who is more chatty and friendly than Daisy cares for, and Edmond (George MacKay) who is the eldest and doesn't say much. There's unwashed crockery and meals are a disorganised affair; mother (Anna Chancellor) spends much of her time in her study and soon jets off to Geneva on a mission apparently connected with averting an apocalypse.
Daisy, who has OCD, is neurotic about the food she eats and is on medication to quell voices in her head, finds this environment somewhat challenging. She reacts by sulking in her room until the warmth of her cousins draws her out. It then becomes reminiscent of the Famous Five (Daisy has more than a passing resemblance to George) with swimming in the river, picnics and so on. But Daisy and Edmond aren't children and the hormones start to flow.
If the Famous Five were the optimistic face of the fifties, the threat of nuclear annihilation was its darker face. Contrary to many people's expectations it didn't materialise then but in this story, set in the near future, a nuclear bomb is detonated in London; there has already been some kind of bomb in Paris. It's all to do with unspecified terrorists. Sorry, war enthusiasts; if you want that kind of detail you've come to the wrong film.
Martial law is declared as Daisy's and Edmond's love is flowering so who can blame them for getting into bed together? The sex scene isn't as explicit as you may have been led to believe; more heart-warming than erotic or voyeuristic.
Their post-coital slumbers are interrupted by soldiers bursting in, guns blazing, to cart the boys and girls off to separate camps. Like many teenagers caught up by war before them, Daisy and Edmond vow to return home to each other.
The movie concentrates on Daisy's and Piper's experience in the work camp and subsequent escape. They see death - and not just of strangers - and anarchy which puts vulnerable females in danger. Hungry, thirsty and exhausted, Piper is a child trying to do her best to keep going, with Daisy pushing her to the limits and getting shirty with her in the process.
It was to be expected that Ronan would give a good performance - her best yet, I reckon - but Bird certainly didn't look out of place in such distinguished company. And thank goodness that director Kevin Macdonald concentrates on telling the story in a way which keeps the audience engaged; many a good film is spoiled by directors who forget that no matter how good the material or the actors, you'll send the punters to sleep if you don't give them enough variation of pace and tone. The film in which Ronan had her last outing , Byzantium, was an example of this.
Let's hope that after that and the cinematic disaster which was The Host, this nuclear disaster opens a new chapter in Ronan's career. She deserves it.
SPOILER I can think of other actresses performing with their fathers in films - Henry and Jane Fonda, John and Hayley Mills - but is there another example of an actress killing her father in a film?
The film centers around Daisy and the choices she makes for her new family, going from a self centered individual, finally learning about loving a family, something she has missed since the death of her mother. "WWIII" provides the background and was more of a distraction to the film than anything else. Saoirse Ronan, a NYC girl who has also lived in Ireland was a natural for the part.
This is another series of films that were well made, but I didn't find having an overwhelming amount of entertainment value. Even with the dropping of an atomic bomb and armies roaming the countryside, I was still in the mode of waiting for something to happen besides the growing of Daisy's character. Clearly this is an action/drama/thriller chick flick I had no business watching. Great for teen girls.
Parental Guide: F-bomb. Sex. Off screen rape. No nudity. 3 1/2 stars
Would you like to see more reviews about this item?
Most recent customer reviews
An American girl is sent to Britain to stay in a farmhouse.Read more