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Here Comes The Wind
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Here Comes the Wind (Bonus Tracks Version)
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MP3 Download, 18 Feb 2008
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Product details
- Product Dimensions : 12.7 x 14.61 x 1.27 cm; 72.01 Grams
- Manufacturer : Brille
- Original Release Date : 2008
- SPARS Code : DDD
- Label : Brille
- ASIN : B000RPCEU2
- Number of discs : 1
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Best Sellers Rank:
583,740 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- 33,181 in Alternative Rock
- 47,708 in Dance & Electronic
- 272,045 in Pop
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Product description
Product Description
2008 sophomore album from the poptastic five piece who hail from Stockholm, Malmo and Paris. Their unique vision of modern Pop music draws on influences from the Pixies, the B-52s and Talking Heads while sounding entirely unique. Features the singles 'Party', 'Life on the Beach' and 'Smoke in the Desert, Eating the Sand, Hide in the Grass'.
Amazon.co.uk
Envelopes are not a band afraid of wearing their influences on their sleeves. Take "Party", the opening track from Here Comes the Wind, a whirl of caustic guitars and low-slung bass lines that's so Pixies it hurts--at least until vocalist Henrik Orrling throws in a reference to Bonnie Tyler's "Total Eclipse of the Heart" just to confuse you: "Once upon a time I was falling in love, now I'm only falling apart/Totally f**ked from the start". Elsewhere on their second album, Scandinavian rockers Envelopes roll along merrily, swiping from pop culture as they go, and discarding it just as readily. "Heaven" has something of the skinny chug of Talking Heads circa '77, while elsewhere there's a splash of sassy B-52s chat in the vocal interplay between Orrling and female singer Audrey Pic. Nothing's quite that regimented, though, meaning Envelopes are feel to give the record's mid-point over to some whimsical experimentation--"Boat" disappears into a peculiar sonic soup of wobbling echo and walkie talkies, while the following "Put on Hold" is an oddly freeform electro-pop song powered by chunky organs and Casio hand-claps. It's an unfocused sort of fun, but no worse for it. --Louis Pattison
Customer reviews
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Their first album provoked comparisons to the Pixies, which I thought missed the importance of the streak of wild playfulness and off kilter humour that made them sound so unique. It is ironical then that I find myself hearing the Pixies in the first half of this album so strongly, indeed the bass line on the opening track is pure Kim Deal.
I don't know if it was a conscious decision or not but, with the exception of brilliant 'Freejazz' the first five tracks on this album are fairly standard indie rock, which isn't to say they aren't good, and they will certainly go down well with fans of the genre, they just lack that unique Envelopes 'something' that made the first album so special. It's not 'til track six("Boat" an Audrey Pic showcase)that the album really kicks in. Everything after this is classic Envelopes with inventive playfulness to the fore(dull old curmudgeons should steer clear). A real stand-out is 'Put On Hold' which I hadn't been too keen on when I first heard it on the single but, in this newly minted form, is a real treat.
Alas the album finishes way to soon and at 35 minutes could do with another couple of songs. Having said that, I hate it when an artist throws on some dull filler just to make up the numbers so I'll take this.
I must admit I teetered back and forth between 4 and 5 stars and ultimately decided to give them the benefit of the doubt as there isn't actually a duff track on the album.
The album stars well with the skittish guitars of "Party " and the phenomenal vigorous bass of "Freejazz" with it's nonsense lyrics. "Heaven" is like The Pixies "Subbacultcha" sung by the Orchids while the bouncing bass and itchy rhythm guitar of "Smoke In The Desert , Eating The Sand , Hide in The Grass" is like the Young Marble Giants covering Talking Heads. "Life On The Beach" is like Thin White Rope if they had lightened up a bit and by now I was thinking this album could be a classic.
"Boat" , while a heartfelt song about a mothers fear of mortality , is a little too lo-fi at first but works up a terrific sonorous froth . "Put On Hold" though is an awful unfocused mess , "I'd Like To CU" starts with vibrant guitar slashes but becomes fiddly and annoying and "I'm In Love And I Don't Care Who Knows It" revokes the Pastels at their most incoherent . "What's The Deal" is what you may well ask as Audrey Pic struggles vocally over screeching trebly instrumentation. "Seawise" lacks a tune of any note , sounding like a half arsed retread of what has gone before.
While it's commendable to experiment and try disparate styles this album doesn't gel ...the first six songs apart that is. When it loses focus and any identity after "Boats " it just becomes tiresome quite quickly . Which is frustrating after what has gone before but there again I seem to be on my own with this opinion . For me Here Comes The Wind starts off blowing a gale but declines into a series of exasperating squally showers.
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