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The Herbalist Paperback – 26 Sep 2013
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An elegant morality tale about the inescapable strictures of women's lives ... Her publisher describes her as "a dazzling new voice". I cannot disagree Sunday Times A vividly imagined tale of love, lust and longing ... It is also an important book, which adds a rich fictional version of Irish history to a stark period of Irish life ... a compelling read with a cathartic ending that deserves a wide readership. It remains authentic and moving to the end Sunday Business Post A story that is sharply rendered, and full of dark humour Irish Times It reminds me of a whole raft of great Irish writers ... There's a lot going on that is slowly revealed and the writing is beautiful ... A serious new literary talent TV3 I read The Herbalist with great pleasure. The characters jump alive from the page and I had to read fast to find out what happened, totally gripped. Patricia Ferguson, author of The Midwife's Daughter Boyce's narrative builds to a thematically satisfying, even exciting, conclusion Irish Independent Niamh Boyce's compelling female characters push against the rigid social parameters of 1930s Ireland, yearning for the light of the outside world, which comes in the shape of a stranger trading in herbs, cures, complications and danger. Dermot Bolger Comparisons to Edna O'Brien and Pat McCabe are more than justified. That said, Boyce has a unique voice and sensibility, one that's entirely her own. Image A facinating and revealing snapshot of life in 1930's Ireland and in particular a woman's lot in life. I suffered, raged and celebrated with the exceptionally well developed characters and cancelled all engagements in order to finish the book Goodreads A riveting story that electrifies and dazzles with wonderful imagery, exposing the shadowy side of Irish life Writing.ie The book is packed with emotion. I wasn't far in on the night I found myself an emotional wreck, sobbing my heart out and needing to put the book away. It didn't stay away for long, I was hooked and I needed more Afterthefinalchapters.com
About the Author
Niamh Boyce trained as a painter and started writing just four years ago. Since then she has been shortlisted for a number of literary awards and was the 2012 Hennessy XO New Irish Writer of the Year. The Herbalist is her first novel. She lives in the Irish south midlands with her family.
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Top customer reviews
Although the quote above relates specifically to one of the characters in this book, it is an accurate description for the whole book. This story is told with as much eloquence through everything that isn't spelled out as it is through the words on the pages.
This story tells the tale of a small town in Ireland during a hot summer late in the 1930's. It shows us the events that slowly, deceptively but steadily led towards heartbreak and destruction after two strangers arrive in town.
The first stranger was Don Vikram Fernandez, a dark-skinned travelling herbalist. Although he is looked at with suspicion by almost everyone in the town when he first arrives it isn't long before, especially the town's women, find that the potions and lotions he has on offer are something they can't live without.
The only person to immediately take to Don Vikram is young Emily. Seventeen years young and having just lost her mother, Emily is an adventurous and romantic spirit. Although most people in town look down on her, Emily refuses to let that get her down or destroy her dreams. Young and lonely as she is it doesn't take a lot of the herbalist's attention or many of his enticing fantasies to make the girl believe herself deeply in love with him and him with her. When her feelings come up against her sense of justice, Emily finds herself with an huge and important decision to take.
The second stranger is Sarah. Having been raised in the country-side by her midwife aunt after her mother died in childbirth, Sarah finds herself transported into the town after the school-master, her secret boyfriend's father, arranges a job for her there in his sister's shop. The night before she leaves her aunt's house, a big party is held in her honour; a party that will have far reaching consequences for Sarah and for the town she's about to move to.
Carmel owns the shop where Sarah is about to start working. Having just lost her much longed for son in a still-birth, Carmel is deeply unhappy and more than ready to retreat into her bedroom to nurse her depression and read her kinky and forbidden novels. Ignoring her much younger husband as well as her shop and home will have far-reaching consequences and not just for her.
Young Rose is the beautiful and privileged daughter of the local doctor. Always kept close by her mother, Rose seems to have the spoiled and perfect life other girls can only dream about. But all is not well in paradise and by the time the truth is discovered it will too late for this young woman.
Observing it all is Aggie. Woman of ill repute, fortune teller and spiritualist it is Aggie who sees and knows it all. Unable to interfere she is able to share her knowledge and pearls of wisdom with the reader and in the process comfort the dead.
"There is a time in everyone's life when you leave behind who you were born to be and become what life makes of you, or you of it."
This is a beautiful and fascinating book. It captures the claustrophobic atmosphere of a small town in Ireland in the 1930's with an accuracy that is almost painful. In this town, where it is impossible to be invisible, where opinions are formed to remain in place indefinitely and where the moral high-ground is held by those who least deserve to reside there, it wouldn't take a lot to disturb the apparent peace and quiet.
What really impressed me is how the author managed to keep the upcoming drama below the surface for so long. While the reader is well aware that disaster is only around the corner - or a few turned pages away - the tone of the story is smooth and almost distant. Nothing is spelled out in detail. The reader has to read between the lines and draw the conclusions that aren't spelled out. While there is a constant under current of pending doom, the story is told in whispers; the same sort of whispers that would give voice to gossip in a town like this. As a result, the story is told through the words that aren't on the pages just as much as the words that are actually there. And some of those words are gorgeous:
"Sarah loved opening the shop, loved the way the light lit the silence first thing in the morning."
Maybe there was a bit too much foreshadowing at the end of the chapters as in, for example, "maybe she should've listened more carefully". I understand that this would have been done to up the tension but I don't think the book needed it. The tone of the story, and all the things that weren't said or explained made it perfectly clear that we were heading for some sort of climax; the extra hints weren't necessary in my opinion.
The characters in this book are fascinating, especially since you hear the story from several different perspectives. At first glance it would appear that their problems are very much a product of the time they're living in, but if you think again not a whole lot has changed. Women who have lost a much wanted baby are still expected to "snap out of it". Children from disadvantaged backgrounds are still viewed with suspicion and mistrusted. Unplanned pregnancies are still a thing to be frowned upon. This is a thought provoking story about women; their strengths and weaknesses in the face of everything life and the people around them may throw at them.
According to the publisher's information this story is based on real events in 1930s Ireland. I thought about researching what those real events might have been but decided that there really was no need. As much as this story is set in the past and as much as we may read this book and be horrified by the events described, it has to be said that not so much has changed since then. This is still a country where thousands of women feel the need to flee to England every year, where abortion remains illegal under all circumstances and many would refuse a woman that right even if would mean putting her life at risk. Eighty years later so little has changed that this story is far more contemporary than it should be. And that alone makes this a book well worth reading.
From a pure plot point of view this a good story. There were a few points I would query though.
Ireland in the 30s would have without a doubt had a Catholic priest running the show in the villages. Nothing happened without the sidekick of God finding out and he would have certainly been aware of the village females parading in and out of the house/hut of a dark skinned medicine man.
That is just a small irrelevant point though.
What kept this book from being really good was the lack of indication of character.
There are multiple main female characters and the reader hears their part of the story as it evolves. One after the other in short bursts and often silmultaneously.
Unfortunately the author wrote it in a way that the reader has to guess initially which one is telling the story each time.
I can only assume this was done in an attempt to either give the book an essence of a more literary fictional piece or the author didn't want to spoil the flow with the interjection of names to indicate a change in character.
Regardless of the reason I felt it was to the detriment of the story because it made it seem disjointed and it interrupted the flow.
Confusion instead of realisation.
Shame really because the concept is good. It describes a dark part of history for women and one that is rearing its nasty little head again, especially in Ireland.
I received a free copy of this book via NetGalley.