Helliconia: Helliconia Spring, Helliconia Summer, Helliconia Winter: "Hellonica Spring", "Helliconia Summer", "Helliconia Winter" (S.F. MASTERWORKS) Paperback – 12 Aug 2010

I've read the Helliconia trilogy many times but having it on my Kindle in one collection is great. Some people have said (like so much of Sci-fi from it's era) it's dated but just let your imagination fly and immerse yourself in the planet Helliconia and all the wonders that therein lie. I'm always sad to reach the end of the trilogy as I'd loved to have read more about the post steampunk civilisation and see how they truly survive the centuries of winter but I suppose i'll have to just imagine it.

I was so looking forward to reading this but I found it grindingly slow and actually quite unimaginative, stopped reading after a few chapters.

So far very good, but only halfway through it. At 1000 pages plus its quite a story.

One of the great fantasy trilogies. Absorbing and clever.

Since I have bought my Kindle I have decided to put on it some of the books I consider a must to have, and Helliconia is one of these. I read the three parts of the Helliconia trilogy many years ago when I was a teenager, and now I have come back to it in my fifties a lot more of it has become understandable. The Winter section is I think the best of all of them. There is an immediacy of the characters, and Yuli's experiences are vivid and clear. It is his family we seem to follow, and each generation as the seasons gradually change are affected by all the failings and flaws of any people. The last section I found tended to drift away from the subject of Helliconia and concentrate on the satellite station that was in fact observing the ebb and flow of the planet below them, and I would rather have had more about the Helliconians themselves. It is for this reason I have deducted a star, but I know that I shall go back and read it again because it is so vast a project that there is always something to see that you missed last time.

I loved the firwst book "Spring". I couldn't put it down but half way through the second I felt it got a bit tedious so I gave up. Another one to return to. a lot of characters with strange names so easy to get mixed up.

A reread this one. Gollancz have republished this huge tome (1328 pages) as part of their SF Masterworks branding, of which this is number 80.

I did read them back in the 1980's when they were released as three separate books: Helliconia Spring, Helliconia Summer and Helliconia Winter, in 1982, 1983 and 1985 respectively. Hereafter I'm going to see them as one book, which is for all intents and purposes is how they read, as a uniform body of work (albeit in three parts.)
At the time of original writing they were a surprise, if I remember right. Here was a writer known for his SF writing (Hothouse, Greybeard, Report on Probability A, etc) writing what seemed (at first) to be a fantasy.

And if I remember right, a glacially slow series. Which made them a little disappointing.

However, there is an SF element to the books. For those who don't know, Helliconia is a planet. The tales are told from the perspective of the inhabitants as they go through the world's seasons. The twist in the tale here is that the seasons are very long: centuries long, long enough for species to live and die within one season, and especially in the long, cruel, bitter winters.

As the tale unfolds the perspective is drawn further back to the point where we realise that all that is being told is actually part of a planetary research report from the Earth ship Avernus. It is here that the reader discovers that, as part of a binary star system, all / most life on Helliconia will be extinguished. Much of the books are spent in the debate over whether Humans should interfere with the rise and fall of civilisations on the planet, which is an interesting counterpoint to what goes on in the research ship and on Earth.

We meet a variety of people/creatures on this journey: In Helliconia Spring, Yuli is a humanoid hunter-gatherer, one of the Freyr, who, as the world reawakens, we find experiences the development of an urban civilisation. Helliconia Spring tells of Yuli and his descendants as Helliconia Winter turns to Spring and the Freyr develop from hunters to urban dwellers. By the second book we have the dominance of the human-like species in a fantasy setting. We also encounter more about the Phagors, a Morlock-like furred white humanoid species, who begin in Helliconia Spring as seemingly simple hunters and carry off Yuri's father. As the story deepens, however, in Summer and Winter we find that they have a richer background and culture and seem to have been on Helliconia long before the emergence of the human-like dominant species. The fantasy feel is quite strong as we discover about their lifestyles. To confirm this further, there's even a dragon-like creature, the Wutra's Worm, with an enormous lifespan.

The book is a case study in world-building: evidently Aldiss spent time with physicists, astronomers, ecologists, climatologists, sociologists and microbiologists in creating a credible environment. Most importantly (according to Aldiss's introduction) is Lovelock's idea of Gaia, once fairly new in the 1980's, and now seems to be increasingly plausible Perhaps, as a result, this book doesn't seem as way out as it did when I first read it, though just as epic and majestic. Part of the joy of this book is to see how the world changes through the seasons and how the landscape and landforms adapt accordingly.

In the style of Olaf Stapledon's First and Last Men, or some of HG Wells' work, this book is perhaps the ultimate planetary romance, and deliberately so. In such a framework the writer writes as an observer rather than as part of the narrative. Consequently, the book seems written in a rather detached style. Though this can give a feeling of weight and gravity to the long tale, it can also create a coolness that distances the reader from the world and creatures within. They are being studied rather than interacted with.

In the 25 years or so since originally reading this, I now see where Aldiss is going. It is his view on civilisations, their ability to grow and decline and the causes and effects of such development. It also raises the question of whether in the grand scheme of things Mankind in the future may be worth preserving.
Though it is still slow to develop, it is surprisingly engaging. Do not expect it to be a fast-paced romp. Instead, it is a book where you expect to be immersed and be slowly awakened to the opportunities within.

It may be my greater age and experience, it may be that in these days of global warming and biomes the world's just caught up with the concepts herein. However this was a much more satisfying read second time around. And good to see the background details given as Appendices here too.

Consequently, very much recommended.

I read this wonderful trilogy when it first appeared and was bowled over by it. Now I've encountered it again and found my memory had not let me down. A dizzying concept, a coherent and profound vision of an alternative world, characters so fantastic and imaginatively realised as to be completely convincing and yet at once recognisable for the human types they parallel. There is a serious message here for our own world to heed. This must be among the greatest artistic and literary creations of the twentieth century