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Hatchling
 
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Hatchling

16 July 2012 | Format: MP3

£6.99 (VAT included if applicable)
Also available in CD Format
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4:19
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4:23
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5:23
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0:38
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4:00
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3:28
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3:57
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1:06
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4:56
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4:11
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3:19
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0:43
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2:59
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Product details

  • Release Date: 16 July 2012
  • Label: Furrow Records
  • Copyright: (C) 2012 Furrow Records
  • Total Length: 43:22
  • Genres:
  • ASIN: B008B0INFU
  • Average Customer Review: 4.6 out of 5 stars 11 customer reviews
  • Amazon Bestsellers Rank: 47,884 in Albums (See Top 100 in Albums)

Customer Reviews

4.6 out of 5 stars
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Top Customer Reviews

Format: Audio CD Verified Purchase
Emily's debut album, The Glamoury, was one of my favourites of that year. Her second offering continues the same type of disturbing fantasy themes, dwelling on swans and lullabies this time. The opening track, Hatchlings, tells the story of Leda, and her 2 sets of twins in the form of swans hatched from eggs. Silver Swan is based on a madrigal sung beautifully with Lucy Farrell. Lullaby fragments include Hushabye Birdy and Black Sheep. There are 2 songs that are inspired by Angela Carter story's, Hinge of the Year a more contemporary tale based around an intoxicated New year, and Ash Girl tells of a lost child helped by a dead mother. Macabre images with memorable lyrics run through the album, such as the opening to Sleeping Beauty, " I break my finger just to see three drops of blood that tell me I'm not sleeping". Hollin reflects the love of the joys of nature, with some new verses added to an old song. Emily takes lead vocals, sometimes with a "little girl" voice, playing concertina, banjo and ukele. She is joined on the album by Lucy Farrell on harmony vocals,viola and saw; and Rachel Newton on harmony vocals together with harp and fiddle. Many of the compositions are original songs apart from the lullaby extracts, with a cover of the traditional Old Mother Eve,a subversive retelling of the biblical Adam and Eve story. There are special guest spots by Jonny Kearney on guitar, Will Scrimshaw on percussion, ,Lucy Deakin on Cello and Alasdair Roberts on guitar and vocals. Overall, I found this was not quite as immediate as her debut, but the songs grow on you with repeated plays. She has come up with an excellent strong second album cornering a niche of wierd fantasy folk songs, with memorable lines that stay with you. The multi- tracking of vocals at times can be spine tingling , and it is distinctly different.
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Format: Audio CD Verified Purchase
Beautiful, delicate, magical music, some penned by Emily Portman, some traditional songs arranged by her.
Don't be fooled by the ethereal lightness of touch - this music has a real dark side to it, as well as some powerful messages. She cites inspiration from author Angela Carter and the subversion of the fairy tale.
Emily Portman is a master craftsman of song and her tunes will stay in your head for a long time, as will her haunting and unique singing.
Brilliant.
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Format: Audio CD
Once again I found Emily's vocal qualities utterly entrancing. The quality of her voice drew me in as with her previous album "The Glamoury" from the very beginning. The arrangements are sparse yet utterly compelling and it is evident from the summary of the sources she drew from (in the pullout in the CD cover) that they are varied and well sourced: A lullaby from the Queen of Sparta to a self penned lullaby for "world-weary grown-ups" via a madrigal from Orlando Gibbons. Best of all it's another great CD from a Newcastle upon Tyne based folk singer!
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Format: MP3 Download Verified Purchase
Emily Portman continues to elaborate on her highly original and emotional charged 'glamorous' vision of the World. Nothing to match Tongue-tied here, but still excellent. I would also like to hear Emily's take on more traditional songs.
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Format: Audio CD Verified Purchase
Having been mightily pleased by Emily Portman's first album "Glamoury", I bought "Hatchlings" on the strength of listening to the brief samples of each track on Amazon. I was not disappointed. Ignore the rather sniffy review on the BBC website, which is critical of a perceived "lack of development" from the first album.
The last time I was this impressed by anyone offering a different twist on music inspired by tradition, mythology and folklore, it was Spiers & Boden. I now own all their albums. All are superb, and all are in the same mould - why attempt spurious "development" when the music arrives as magical and fully-formed as theirs, or as Leda's offspring in the title track of "Hatchlings"?

I can't wait for the third album. And I hope, when it comes, to find that Emily Portman's music continues to delve the same themes and to weave the same magic.
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Format: Audio CD Verified Purchase
Outstanding and beautiful - this delightful CD has captured the essence of every faery tale I ever loved - it is weird and wonderful. Particularly fond of Ashgirl and Sleeping beauty -- my small niece and I sing happily to 'Old Mother Eve she liked apples' - I have never heard such a positive twist to our old creation story. Then there is Emily whose vocal style is both simple, clear and beautiful. I heard her sing 'Stick Stock' one night on Mike Harding and her voice and artistry captured me. I am now a devoted fan.
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