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Harry Potter and the Deathly Hallows (Book 7) [Adult Edition] Hardcover – 21 July 2007
Purchase options and add-ons
- Print length608 pages
- LanguageEnglish
- Dimensions15.1 x 4.8 x 20.5 cm
- PublisherBloomsbury
- Publication date21 July 2007
- ISBN-100747591067
- ISBN-13978-0747591061
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Amazon Review
The Final Chapter
Harry is waiting in Privet Drive. The Order of the Phoenix is coming to escort him safely away without Voldemort and his supporters knowing if they can. But what will Harry do then? How can he fulfil the momentous and seemingly impossible task that Professor Dumbledore has left him with.
In this final, seventh installment of the Harry Potter series, J.K. Rowling unveils in spectactular fashion the answers to the many questions that have been so eagerly awaited. The spellbinding, richly woven narrative, which plunges, twists and turns at a breathtaking pace, confirms the author as a mistress of storytelling, whose books will be read, reread and read again
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Begin at the Beginning
Harry Potter and the Philosopher's Stone
Hardcover
Paperback Harry Potter and the Chamber of Secrets
Hardcover
Paperback Harry Potter and the Prisoner of Azkaban
Hardcover
Paperback Harry Potter and the Goblet of Fire
Hardcover
Paperback Harry Potter and the Order of the Phoenix
Hardcover
Paperback Harry Potter and the Half-Blood Prince
Hardcover
Paperback
Why We Love Harry
Favourite Moments from the Series
There are plenty of reasons to love Rowling's wildly popular series--no doubt you have several dozen of your own. Our list features favourite moments, characters, and artefacts from the first six books. Keep in mind that this list is by no means exhaustive (what we love about Harry could fill ten books!) and does not include any of the spectacular revelatory moments that would spoil the books for those (few) who have not read them. Enjoy.
Harry Potter and the Philosopher's Stone
* Harry's first trip to the zoo with the Dursleys, when a boa constrictor winks at him.
* When the Dursleys' house is suddenly besieged by letters for Harry from Hogwarts. Readers learn how much the Dursleys have been keeping from Harry. Rowling does a wonderful job in displaying the lengths to which Uncle Vernon will go to deny that magic exists.
* Harry's first visit to Diagon Alley with Hagrid. Full of curiosities and rich with magic and marvel, Harry's first trip includes a trip to Gringotts and Ollivanders, where Harry gets his wand (holly and phoenix feather) and discovers yet another connection to He-Who-Must-No-Be-Named. This moment is the reader's first full introduction to Rowling's world of witchcraft and wizards.
* Harry's experience with the Sorting Hat.
Harry Potter and the Chamber of Secrets
* The de-gnoming of the Weasleys' garden. Harry discovers that even wizards have chores--gnomes must be grabbed (ignoring angry protests "Gerroff me! Gerroff me!"), swung about (to make them too dizzy to come back), and tossed out of the garden--this delightful scene highlights Rowling's clever and witty genius.
* Harry's first experience with a Howler, sent to Ron by his mother.
* The Duelling Club battle between Harry and Malfoy. Gilderoy Lockhart starts the Duelling Club to help students practice spells on each other, but he is not prepared for the intensity of the animosity between Harry and Draco. Since they are still young, their minibattle is innocent enough, including tickling and dancing charms.
Harry Potter and the Prisoner of Azkaban
* Ron's attempt to use a telephone to call Harry at the Dursleys'.
* Harry's first encounter with a Dementor on the train (and just about any other encounter with Dementors). Harry's brush with the Dementors is terrifying and prepares Potter fans for a darker, scarier book.
* Harry, Ron, and Hermione's behaviour in Professor Trelawney's Divination class. Some of the best moments in Rowling's books occur when she reminds us that the wizards-in-training at Hogwarts are, after all, just children. Clearly, even at a school of witchcraft and wizardry, classes can be boring and seem pointless to children.
* The Boggart lesson in Professor Lupin's classroom.
* Harry, Ron, and Hermione's knock-down confrontation with Snape.
Harry Potter and the Goblet of Fire
* Hermione's disgust at the reception for the veela (Bulgarian National Team Mascots) at the Quidditch World Cup. Rowling's fourth book addresses issues about growing up--the dynamic between the boys and girls at Hogwarts starts to change. Nowhere is this more plain than the hilarious scene in which magical cheerleaders nearly convince Harry and Ron to jump from the stands to impress them.
* Viktor Krum's crush on Hermione--and Ron's objection to it.
* Malfoy's "Potter Stinks" badge.
* Hermione's creation of S.P.E.W., the intolerant bigotry of the Death Eaters, and the danger of the Triwizard Tournament. Add in the changing dynamics between girls and boys at Hogwarts, and suddenly Rowling's fourth book has a weight and seriousness not as present in early books in the series. Candy and tickle spells are left behind as the students tackle darker, more serious issues and take on larger responsibilities, including the knowledge of illegal curses.
Harry Potter and the Order of the Phoenix
* Harry's outburst to his friends at No. 12 Grimmauld Place. A combination of frustration over being kept in the dark and fear that he will be expelled fuels much of Harry's anger, and it all comes out at once, directly aimed at Ron and Hermione. Rowling perfectly portrays Harry's frustration at being too old to shirk responsibility, but too young to be accepted as part of the fight that he knows is coming.
* Harry's detention with Professor Umbridge. Rowling shows her darker side, leading readers to believe that Hogwarts is no longer a safe haven for young wizards. Dolores represents a bureaucratic tyrant capable of real evil, and Harry is forced to endure their private battle of wills alone.
* Harry and Cho's painfully awkward interactions. Rowling clearly remembers what it was like to be a teenager.
* Harry's Occlumency lessons with Snape.
* Dumbledore's confession to Harry.
Harry Potter and the Half-Blood Prince
* This book is much darker than the rest. Lord Voldemort has been creating chaos in the Wizard and Muggle communities alike, the war is in full swing and the Wizarding community now lives in fear.
* It is much more emotional. The story turns at the whim of a temperamental teenager from war and life-changing tragedy, to euphoria and glistening happiness.
Magic, Mystery, and Mayhem: A Conversation with J.K. Rowling
"I am an extraordinarily lucky person, doing what I love best in the world. I’m sure that I will always be a writer. It was wonderful enough just to be published. The greatest reward is the enthusiasm of the readers." --J.K. Rowling
Find out more about Harry's creator in our exclusive interview with J.K. Rowling.
Did You Know? The Little White Horse was J.K. Rowling's favourite book as a child. Jane Austen is Rowling's favourite author. Roddy Doyle is Rowling's favourite living writer.
Review
From the Inside Flap
From the Back Cover
About the Author
Product details
- Publisher : Bloomsbury; Adult edition (21 July 2007)
- Language : English
- Hardcover : 608 pages
- ISBN-10 : 0747591067
- ISBN-13 : 978-0747591061
- Reading age : 8 - 12 years, from customers
- Dimensions : 15.1 x 4.8 x 20.5 cm
- Best Sellers Rank: 1,007,076 in Books (See Top 100 in Books)
- 46,965 in Literature & Fiction for Young Adults
- 168,911 in Science Fiction & Fantasy (Books)
- Customer reviews:
About the author

J.K. Rowling is the author of the enduringly popular, era-defining Harry Potter book series, as well as several stand-alone novels for adults and children, and a bestselling crime fiction series written under the pen name Robert Galbraith.
The Harry Potter books have now sold over 600 million copies worldwide, been translated into 85 languages and made into eight blockbuster films. They continue to be discovered and loved by new generations of readers.
Alongside the Harry Potter series, J.K. Rowling also wrote three short companion volumes for charity: Quidditch Through the Ages and Fantastic Beasts and Where to Find Them, in aid of Comic Relief, and The Tales of Beedle the Bard, in aid of her international children’s charity, Lumos. The companion books and original series are all available as audiobooks.
In 2016, J.K. Rowling collaborated with playwright Jack Thorne and director John Tiffany to continue Harry’s story in a stage play, Harry Potter and the Cursed Child, which opened in London, and is now thrilling audiences on four continents. The script book was published to mark the plays opening in 2016 and instantly topped the bestseller lists.
In the same year, she made her debut as a screenwriter with the film Fantastic Beasts and Where to Find Them. Inspired by the original companion volume, it was the first in a series of new adventures featuring wizarding world magizoologist Newt Scamander. The second, Fantastic Beasts: The Crimes of Grindelwald, was released in 2018 and the third, Fantastic Beasts: The Secrets of Dumbledore was released in 2022.
The screenplays were published to coincide with each film’s release: Fantastic Beasts and Where to Find Them - The Original Screenplay (2016), Fantastic Beasts: The Crimes of Grindelwald - The Original Screenplay (2018) and Fantastic Beasts: The Secrets of Dumbledore - The Complete Screenplay (2022).
Fans of Fantastic Beasts and Harry Potter can find out more at www.wizardingworld.com.
J.K. Rowling’s fairy tale for younger children, The Ickabog, was serialised for free online for children during the Covid-19 pandemic in the summer of 2020 and is now published as a book illustrated by children, with her royalties going to her charitable trust, Volant, to benefit charities helping alleviate social deprivation and assist vulnerable groups, particularly women and children.
Her latest children’s novel The Christmas Pig, published in 2021, is a standalone adventure story about a boy’s love for his most treasured thing and how far he will go to find it.
J.K. Rowling also writes novels for adults. The Casual Vacancy was published in 2012 and adapted for television in 2015. Under the pseudonym Robert Galbraith, she is the author of the highly acclaimed ‘Strike’ crime series, featuring private detective Cormoran Strike and his partner Robin Ellacott. The first of these, The Cuckoo’s Calling, was published to critical acclaim in 2013, at first without its author’s true identity being known. The Silkworm followed in 2014, Career of Evil in 2015, Lethal White in 2018, Troubled Blood in 2020 and The Ink Black Heart in 2022. The series has also been adapted for television by the BBC and HBO.
J.K. Rowling’s 2008 Harvard Commencement speech was published in 2015 as an illustrated book, Very Good Lives: The Fringe Benefits of Failure and the Importance of Imagination, sold in aid of Lumos and university-wide financial aid at Harvard.
As well as receiving an OBE and Companion of Honour for services to children’s literature, J.K. Rowling has received many other awards and honours, including France’s Legion d’Honneur, Spain’s Prince of Asturias Award and Denmark’s Hans Christian Andersen Award.
J.K. Rowling supports a number of causes through her charitable trust, Volant. She is also the founder and president of Lumos, an international children’s charity fighting for every child’s right to a family by transforming care systems around the world.
www.jkrowling.com
Image: Photography Debra Hurford Brown © J.K. Rowling
Customer reviews
Customer Reviews, including Product Star Ratings, help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyses reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonReviewed in the United Kingdom on 19 August 2019
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I'm not a Harry Potter fan or anything, though I do love the books. The Harry Potter series is the best books I've ever read; not just the stoies in general, but the way they're written. They don't drag as you read, yet they're not rushed either. A really fun read they are. They're the sort of books I can spend hours and hours reading.
From the moment my copy arrived, I was sitting down reading the book and it was just over midnight when I put the book down for the day (I was just slightly more than half way through). I would've actually spent the whole evening reading if I had to, and I'm sure I probably wouldn't have put it down until I finished, and I ain't bullsh***ing about that either. The only thing that made me put it down that evening was the fact I had work the following morning.
During work that Sunday, I wanted nothing more than to finish my shift and get back home to the book. As soon as I finally did I was back to reading the book and I finished it (about seven in the afternoon) that same day.
The book I found simply amazing, from start to finish. There are twists throughout the story and certain gaps are filled, such as the identity of R.A.B, who stole Voldemort's horcrux and replaced it with a fake, which at the end of "Harry Potter and the Half-Blood Prince", Harry and Dumbledore took.
The book in general isn't just the best, but the most different out of the lot, the reason being that the first six are set in Hogwarts, where this one isn't (not until the very end anyway). This book I had been looking foward to reading ever since I read book 6 (HPAT Half-Blood Prince). Off course I knew that the release of this book was an extra two years ahead.
Book 6 ended with Dumbledore's murder (Snape was the culprit) and Harry's decision to never return to Hogwarts for his seventh year, but instead to continue on Dumbledore's mission (which he is certain Dumbledore left him) of finding Voldemort's remaining Horcruxes.
As far as Harry and Dumbledore were aware of there were only six horcruxes in total; Tom Riddle's diary and Marvolo's ring had been destroyed. That leaves Helga Hufflepuff's cup, Salazar Slytherin's locket, Nagini (Voldemort's pet snake), and something that belonged to Rowena Ravenclaw.
This book like the previous 5 starts of in the summer holidays (book 1 as you remember actually begins in November, that's why I've said previous 5 books, not 6). The Dursley's get moved elsewhere, due to Voldemort and the Death Eaters and Harry is waiting for some wizards to escort him to the Burrow.
The day after Harry's 17th birthday, during Fleur and Bill's wedding, Voldemort siezes the Ministry of Magic, Death Eaters attack and Harry, Ron and Hermoine are forced to escape, where they begin their qeust to find and destroy Voldemort's horcruxes.
To make things tougher, wizards are after Harry, so he must keep a low profile and avoid been seen. Nevertheless, Hermoine and Ron stand by him and help him out in this mission to destroy those horcruxes. This book is without doubt the best of the lot, though there are sad moments and many deaths throughout the book.
I won't tell you wether or not Harry does die or succeeds in killing Voldemort, but I will tell you this; the ending is brilliant, and the final battle against the Death Eaters is similar to the one at the end of book 6. It will be a few short years when this book is made into a film, which I look foward to seeing, although I know it won't be anywhere as good as the book.
If you've never read any of the books before and wish to read this, then I suggest that you read the first 6 first. These are the following titles...
Harry Potter and the...
...Philosopher's Stone (6th best)
...Chamber of Secrets (5th best)
...Prisoner of Azkaban (7th best)
...Goblet of Fire (4th best)
...Order of the Phoenix (2nd best)
...Half-Blood Prince (3rd best)
Harry Potter and the Deathly Hallows is an excellent book and like I've mentioned in the title for this review, the best one out of the lot. I plan to (not yet but soonish) to re-read all seven books again. Excellent books you'd be crazy to not even consider reading them. I urge you to get this book now.
The books have been very much hit and miss - "hit" in terms of a sumptuously created fictional world and believable characters - both loveable and not so. "miss" in terms of quantity over quality at times. After the brevity of the first three books JK appears to have sacrificed tight, neat, narratives that deliver a lot in a small space to long, drawn out chapters filled with unnecessary exposition.
Deathly Hallows is very representative. Although the much-feared deaths of the really key characters does not occur, certainly only the hardest-hearted Potter sceptics could fail to be touched by some of the characters who do fall in battle. Bearing in mind this is still very much children's fiction I think JK handles these losses sensitively, gradually building into them and preparing her younger readers for the worst.
I personally felt very disappointed with the amount of exposition used to reveal so much of the backstory.
But let us not forget that this is the last in the series, and the last thing any fan would want is for loose-ends to remain untied, and in this the exposition does succeed. There can be no question that JK certainly layers these expositions by combining many different accounts quite cleverly to paint the final picture, but it slows the pace too much in many cases.
The final exposition from beyond the grave will be a stretch too far for the adult audience I fear. Harry has everything neatly explained for him before he goes into his last battle with Voldermort, and from then on there is no doubt in the reader's mind what the final outcome will be.
Cynics will claim that the end, when it comes, is nothing more than a rehash of the series' overall rather trite theme "love conquers all ".
However we must remember that the primary audience for these novels is still the 10-20 year old audience who can best relate to Harry's school life and growing pains.
Rowling crafted some very appealing young characters - Harry and his friends - and we have seen them mature through seven novels to the point where they are self-determining, self-aware teenagers. The novels have progressively darkened and deepened in texture to mirror the natural process where childish naievety gives way to harsh realisations that life is in fact hard, and also that the world is not a black and white place, but filled with shades of grey.
In this process I feel Rowling has ultimately succeeded - plot contrivances, lumbering narrative and exposition can all be forgiven because ultimately it is this journey that has grabbed the imagination of a generation, and in the final reckoning it is on this level the seventh novel ultimately does satisfy.
High art / literature it is not. Engaging and timely rite-of-passage tale for youngsters and young adults it most assuredly is.
The fifth star I reserve for some future project where Rowling matches her continually growing narrative craft to her unparalleled flights of imaginative fancy.
Only the cynical need not apply.











