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Hard-Boiled Wonderland and the End of the World Paperback – 1 Jan. 2001
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A narrative particle accelerator that zooms between Wild Turkey Whiskey and Bob Dylan, unicorn skulls and voracious librarians, John Coltrane and Lord Jim. Science fiction, detective story and post-modern manifesto all rolled into one rip-roaring novel, Hard-boiled Wonderland and the End of the World is the tour de force that expanded Haruki Murakami's international following.
Tracking one man's descent into the Kafkaesque underworld of contemporary Tokyo, Murakami unites East and West, tragedy and farce, compassion and detachment, slang and philosophy.
- Print length416 pages
- LanguageEnglish
- PublisherVintage
- Publication date1 Jan. 2001
- Dimensions19.7 x 12.9 x 2.49 cm
- ISBN-109780099448785
- ISBN-13978-0099448785
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Review
A remarkable writer...he captures the common ache of contemporary heart and head -- Jay McInerney
Combines a witty sci-fi pastiche and a dream-like Utopian fantasy in two separate narratives which alternate in an interweave of precognition and deja vu -- Richard Lloyd Parry ― Independent
Here is abundant imagination at play ― Sunday Times
Murakami's bold willingness to go straight-over-the-top has always been a signal indication of his genius...a powerful melange of disillusioned radicalism, keen intelligence, wicked sarcasm and a general allegiance to the surreal. If Murakami is the "voice of a generation," as he is often proclaimed in Japan, then it is the generation of Thomas Pynchon and Don De Lillo ― Washington Post
About the Author
In 1978, Haruki Murakami was twenty-nine and running a jazz bar in downtown Tokyo. One April day, the impulse to write a novel came to him suddenly while watching a baseball game. That first novel, Hear the Wind Sing, won a new writers' award and was published the following year. More followed, including A Wild Sheep Chase and Hard-Boiled Wonderland and the End of the World, but it was Norwegian Wood, published in 1987, that turned Murakami from a writer into a phenomenon.
In works such as The Wind-Up Bird Chronicle, 1Q84, What I Talk About When I Talk About Running and Men Without Women, Murakami's distinctive blend of the mysterious and the everyday, of melancholy and humour, continues to enchant readers, ensuring his place as one of the world's most acclaimed and well-loved writers.
Product details
- ASIN : 0099448785
- Publisher : Vintage; 1st edition (1 Jan. 2001)
- Language : English
- Paperback : 416 pages
- ISBN-10 : 9780099448785
- ISBN-13 : 978-0099448785
- Dimensions : 19.7 x 12.9 x 2.49 cm
- Best Sellers Rank: 7,687 in Books (See Top 100 in Books)
- 47 in Superhero
- 94 in TV, Movie, Video Game Adaptions
- 380 in Contemporary Fantasy (Books)
- Customer reviews:
About the author

Haruki Murakami was born in Kyoto in 1949 and now lives near Tokyo. His work has been translated into more than fifty languages, and the most recent of his many international honors is the Jerusalem Prize, whose previous recipients include J. M. Coetzee, Milan Kundera, and V. S. Naipaul.
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The story is divided into two parts: The hardboiled wonderland where our protagonist is immersed in a strange world of minds that are used as encryption keys and dangerous INKlings who live to steal important data; The end of the world, where our protagonist must separate from his shadow and learn to read dreams from the skull of the mysterious creatures who live around the town.
I don't want to give away too much more about the plot because it would spoil it. This is one of those books that you need to read for yourself without knowing too much about it at the start.
Murakami excels at description and writes in two entirely separate voices for the wonderland and the end of the world, painting such a vivid picture of each that it's impossible not to get completely absorbed.
Many of his usual themes run through this book: identity crisis, the id, love/lust, and his old favourite, reconcilling two halves of a whole (I'm sure there's a better way of describing that, but I hope those of you familiar with Murakami's work will know what I mean).
This book has pretty much everything. It's sci-fi, it's fantasy, part noir thriller, sprinklings of a love story. It's exciting, touching, poignant and, in places, very funny.
If you've never read any Murakami before, this is an excellent place to start. If you have, then this book should be your next stop.
It's even more rewarding with re-reads too.
Will still continue to read his stuff, I do love it.
As I say the two stories converge with the truth coming out in the last few chapters.
Buy it, read it. even in a translation from the original Japanese (which I certainly can't read) it reads well and grips the curiosity.
When reviewing a book that I have purchased, I prefer not to give any kind of a precis of the story - I reserve that for when I am professionally asked to review a book - and so this is simply a highly subjective overview of my experience with this novel.
Having read a number of Murakami short-stories and novels already, I was waiting for the sci-fi element, the fantasy and, above all, the surrealism since this author is able to make even the most mundane of real life events become quite surreal and so question our own view of what we consider reality to be. This novel was no exception and in the first few chapters I found all the hallmarks of what I expect from Murakami.
Whether it was me, or whether other readers had the same experience, it only took a couple of chapters to understand the interconnection of Hard-Boiled Wonderland and The End Of The World. I felt this totally enhanced the developing stories rather than being a detraction, and the simultaneous stories were always easy to follow and were always engrossing.
I was enjoying every part of this book until around the 3/4 mark when there is a lengthy chapter dealing with the Grandfather "explaining". That was absolutely and totally unnecessary. It was pure sci-fi, for sure, verging on the fantasy, but the entire (almost monologue) could have been edited down to a simple 3 or 4 pages. I felt this chapter totally slowed down the pace of the book since, by that point, I would imagine most readers had already worked a lot of the disparate threads out for themselves and were eager to race to the end to see how the stories concluded. That chapter, I felt, totally spoiled the entire novel, it felt forced and contrived, added nothing that couldn't have been said in just a few short pages. For that I have taken 1 star off my review, even if Murakami had not seen this to be unnecessarily weighty, a publisher's editor should have picked it up.
I hurriedly moved on from that awful chapter to read a couple more and, thankfully, I was able to forget the torture of Grandfather's monologue and get back into the book. I enjoyed the way the drama picked up its pace as it raced towards the end, and I even forgave Murakami for his poorly drawn "girl in pink" who left more questions than answers since she was, essentially, little more than a "guide".
I felt satisfied, I felt that I had read a good Murakami novel, I was already wondering what novel to select next to read, and then came the final pages. To be honest, I was tempted to give this a 1 star rating based solely on the trite, throw-away ending that we only reach in the last few paragraphs. It was an unsatisfactory conclusion to an otherwise excellent book, reminding me of a movie that ends abruptly with lots of questions and you know that there will be a part 2 coming out the following year (that is usually sub-standard). The conclusion to this book, for me, smacked of a writer who had grown tired of his subject and needed closure quickly rather than exploring "the next step".
I enjoyed the book overall, it was worth the effort reading it, it was the kind of Murakami we desire, and it was great that the unnecessary sex scenes he generally litters his books with were minimal here. However, I did not feel "complete" or "satisfied" when I read those final paragraphs. As such, I give this a 3 star rating with 1 star knocked off because of the interminable Grandfather monologue and another star off the rating because of what I felt was a sub-standard and contrived ending that offered no completion to either of the integral stories, perhaps being deliberately left as a "cliff-hanger" but with no volume 2 prepared.







