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The Great Sea: A Human History of the Mediterranean Hardcover – 5 May 2011
SUNDAY TIMES HISTORY BOOK OF THE YEAR
For over three thousand years, the Mediterranean Sea has been one of the great centres of world civilisation. From the time of historical Troy until the middle of the nineteenth century, human activity here decisively shaped much of the course of world history. David Abulafia's The Great Sea is the first complete history of the Mediterranean from the erection of the mysterious temples on Malta around 3500 BC to the recent reinvention of the Mediterranean's shores as a tourist destination.
Part of the argument of Abulafia's book is that the great port cities - Alexandria, Trieste and Salonika and many others - prospered in part because of their ability to allow many different peoples, religions and identities to co-exist within sometimes very confined spaces. He also brilliantly populates his history with identifiable individuals whose lives illustrate with great immediacy the wider developments he is describing.
The Great Sea ranges stupendously across time and the whole extraordinary space of the Mediterranean from Gibraltar to Jaffa, Venice to Alexandria. Rather than imposing a false unity on the sea and the teeming human activity it has sustained, the book emphasises diversity - ethnic, linguistic, religious and political. Anyone who reads it will leave it with their understanding of those societies and their histories enormously enriched.
- Print length816 pages
- LanguageEnglish
- PublisherAllen Lane
- Publication date5 May 2011
- Dimensions16.2 x 5.2 x 24 cm
- ISBN-100713999349
- ISBN-13978-0713999341
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Review
A towering achievement. No review can really do justice to the scale of Abulafia's achievement: in its epic sweep, eye for detail and lucid style. (Dominic Sandbrook Sunday Times)
Brocaded with studious observation and finely-tuned scholarship, the overall effect is mesmerising. (Ian Thomson Independent)
A memorable study, its scholarship tinged with indulgent humour and an authorial eye for bizarre detail. (Jonathan Keates Sunday Telegraph)
The story is teeming with colourful characters, and Abulafia wears his scholarship lightly, even dashingly. (Simon Sebag Montefiore Financial Times)
About the Author
Product details
- Publisher : Allen Lane; First Edition (5 May 2011)
- Language : English
- Hardcover : 816 pages
- ISBN-10 : 0713999349
- ISBN-13 : 978-0713999341
- Dimensions : 16.2 x 5.2 x 24 cm
- Best Sellers Rank: 861,924 in Books (See Top 100 in Books)
- 520 in History of Northern Africa
- 6,960 in History of Middle East Asia
- 24,094 in World History (Books)
- Customer reviews:
About the author

David Abulafia is Professor of Mediterranean History at Cambridge University and the author of The Mediterranean in History. (Photo Credit: Yao Liang)
Customer reviews
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Learn more how customers reviews work on AmazonReviewed in the United Kingdom on 9 January 2018
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- page 420 At the battle of Prevesa there wasn't a single Portuguese ship: 55 galley were Venetian, 49 from Spain and the rest from the Pope and other Italian states;
- page 441 ff. The information on Beatrice Mendes and on Joseph Nasi are recurrently inaccurate: the works of Cecil Roth, as scientific sources, are amply outdated by several other authors, like, for instance, Grunebaum-Ballin (Joseph Naci duc de Naxos Paris, 1968.);
- page 450 The Real carried 400 men of the Tercio di Sardegna and not "400 Sardinian": the soldier of this Tercio were almost all of hiberic origin;
- page 450 Barbarigo was all but foolish. He had to lift his visor in order to give orders and be heard in a moment of emergency;
- page 450 The Uskoks never "succeeded in boxing Venice in a corner of the Adiatic." They were a true nuisance for trade and for political reasons, just like the Somali pirates today, but for the Venetian navy the only real problem was to catch them;
- page 461 - The bertoni story, as far as Venice is concerned, is not correct. To understand why the galley remained in use until the first decades of the XIX century it is essential to know the artilleries of the 1500-1800 era.
In general a very good book that helps in knowing and understanding the civilisations of the Great Sea.
And it's got something for everyone. The publishers' description tells no lies, as The Great Sea does all it claims, and with admirable thoroughness. Its scope is best illustrated by the count of over 130 pages of references, and it has undoubtedly prompted me to read some of its sources. They include many other works of history, whether political, religious or natural, and the author also recommends a couple of cookbooks.
It's disappointing to note reviews signalling a partiality in this work. I discovered none, and I fear that those comments speak more of the sensitivities of the reviewers than of the preoccupations of the author. The truth is that any historian must chart a personal course, and make a convincing case for it. This one won my trust comprehensively.
I have some sympathy with the reviewer who found this such a big read that it had to be broken down into many short installments; fortunately, Abulafia has taken the care to make it just so accessible, and I too took my time over it; well over a year, just a little at a time. Abulafia's style of narative requires patience from the reader, more akin to Noel Malcolm's forensic accounting (see Bosnia: A Short History ), than to David Stuttard's filmic reenactment (see Parthenon: Power and Politics on the Acropolis ), both of which I admire greatly.
I'm tempted not to put it on the shelf, but to keep it at hand to be referred back to frequently. It feels like an authority for all inquiries. The only impediment I can see to the perfection of this great work is the need for it to conclude upon reaching the present day, as if history has come to an end. In his summing up, the author notes that developments hereafter are unlikely to depend upon navigation, but I think there might yet be stories to tell for as long as people live at sea level.
However, I can really make no complaint. I think my five-star rating is reserved for those authors I can't imagine ever surpassing their current achievement. This one's work is done.
Unassailable.





