Top critical review
2 people found this helpful
on 26 February 2018
I was puzzled when I finished this book – not at the ending, but my reaction to it. The shocking twist didn’t leave me reeling – quite the opposite.
“Is that it?” I thought, not sure why I felt flat. The story is well-written, cleverly plotted, and I thought the characterisation of Kate, Alison and Catherine was excellent overall. They came to life from the first paragraph and kept me intrigued as their stories unfolded.
I don’t think the tagline - gripping psychological suspense, with a shocking twist that will leave you reeling – was to blame. I ignore these overblown and all-too-frequent claims by publishers. However, this didn’t feel like psychological suspense to me. The tension didn’t build or grip me, especially towards the end when two of the story strands faded out.
This turned out to be necessary for the twist.
And that’s why I felt flat. The plot and the twist took over. They placed constraints on the story and the way it was told to disguise the twist. The resulting compromises affected character behaviour and some of the decisions made by the women. The overall result, I feel, was to drain much of the tension and suspense from the story.
It’s a shame because I think the author is talented. She brought the characters to life with some excellent writing and insights, and had she not gone for the clever plot and twist, I think The Good Mother could have been a tense, suspenseful story.