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Gone with the Wind Paperback – 9 Aug 1996

4.8 out of 5 stars 349 customer reviews

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Paperback, 9 Aug 1996
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Product details

  • Paperback: 1024 pages
  • Publisher: Pan; Main Market Ed. edition (9 Aug. 1996)
  • Language: English
  • ISBN-10: 0330323490
  • ISBN-13: 978-0330323499
  • Product Dimensions: 11.1 x 4.5 x 17.8 cm
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (349 customer reviews)
  • Amazon Bestsellers Rank: 227,070 in Books (See Top 100 in Books)

Product Description

Review

"The best novel to have ever come out of the South...it is unsurpassed in the whole of American writing." -- "The Washington Post"

"Fascinating and unforgettable! A remarkable book, a spectacular book, a book that will not be forgotten!" -- "Chicago Tribune"

"Beyond a doubt one of the most remarkable first novels produced by an American writer. It is also one of the best." -- "The New York Times"

"I first read "Gone with the Wind" in grade school--a boy of the upper South who'd seen the great movie and felt compelled to learn what lay behind it, all thousand-plus pages worth. No page disappointed me. What other American novel surpasses its eagerness to tell a great story of love and war; what characters equal the cantankerous passions of Scarlett and Rhett? Even Scott Fitzgerald spoke well of it. What more could I ask, even seven decades later?" -- Reynolds Price

""Gone with the Wind" is one of those rare books that we never forget. We read it when we're young and fall in love with the characters, then we watch the film and read the book again and watch the film again and never get tired of revisiting an era that is the most important in our history. Rhett and Scarlet and Melanie and Ashley and Big Sam and Mammy and Archie the convict are characters who always remain with us, in the same way that Twain's characters do. No one ever forgets the scene when Scarlet wanders among the wounded in the Atlanta train yard; no one ever forgets the moment Melanie and Scarlet drag the body of the dead Federal soldier down the staircase, a step at a time. "Gone with the Wind" is an epic story. Anyone who has not read it has missed one of the greatest literary experiences a reader can have." -- James Lee Burke, bestselling author of "The Tin Roof Blowdown "

"In my own personal life, I find many similarities to Scarlett's: The whole 17-inch waist thing notwithstanding, I do love a barbecue, both for the food and the men--I have been known to "eat like a field hand and gobble like a hawg"--I admit that at least on one occasion I may have feigned interest in some guy to further my own interests--I have fought tooth, toenail and tirelessly for my family--I learn slow but I learn good--and even so, I still adore the prospect of dealing with most things...Tomorrow." -- Jill Conner Browne, The Sweet Potato Queen, bestselling author of "The Sweet Potato Queens' First Big-Ass Novel"

"Let's say you've read "Gone with the Wind" at least twice, and seen the movie over and again. So, here's a thought. Buy this handsome paperback edition, just for Pat Conroy's preface. This passionate, nearly breathless love letter is a Song of Solomon to Margaret Mitchell, Scarlett O'Hara, and Conroy's beautiful, GTW-obsessed mother. Indeed, his luminous preface packs a durable wallop, just like the epic Pulitzer prize-winning work that inspires it." -- Jan Karon, author of "The Mitford Years" series

"Not just a great love story, "Gone with the Wind" is one of the most powerful anti-war novels ever written. Told from the standpoint of the women left behind, author Margaret Mitchell brilliantly illustrates the heartbreaking and devastating effects of war on the land and its people." -- Fannie Flagg, Academy Award nominated-author

"In 1936 I was in E.M. Daggett Junior High in Ft. Worth, Texas. By some chance I was able to read "Gone with the Wind" early on. Then and now, I found it one of the great experiences of a young life. I still list it as one of my 10 favorite books." -- Liz Smith, nationally syndicated columnist

"GWTW is an indelible portrait of a unique time and place, American's greatest political and moral conflict, and the myths that surround it -- an all absorbing spectacle of a read even for postmodern readers. Mitchell vividly portrays the disillusionment and devastation of war, the ignorance of the uninitiated, and the transformation of arrogance into tenacity that shaped the first "new South." All the details of history and place come together as a rich backdrop for those unforgettable characters: shallow and selfish Scarlett, sincere Melanie, moony-eyed Ashley, and the sage, pragmatic, dashing, and rakish Rhett Butler--the most enduring heartthrob of American literature has produced. I'd reread the book for the thrill of Rhett alone!" -- Darnell Arnoult, author of "Sufficient Grace"

Pushing the bounds of the Richter Scale, the nine stories in Last Day on Earth are going to shake up the story world."--Adam Johnson, author of Fortune Smiles" --This text refers to an out of print or unavailable edition of this title.

Book Description

An historical romantic epic which endures as a story for all our times.

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Top Customer Reviews

Format: Paperback
All too often, when the book 'Gone With The Wind' is mentioned, people let out a groan of derision. Mostly these are people who have only seen the film. The film, although a wonderful classic, is a product of its times. Like many epics of that era, it is none too subtle. It also feels overly dramatic, no doubt the effect of cramming such a long story into a single film. The novel, however, is flawless. It may get written off as a romance in the same vein as Mills & Boon, but anyone who has read it will agree that is a most unfair comparison. It is a brilliantly researched historical drama, containing many finer points that are only discovered upon a second, or even third reading. The characters are so vividly drawn, and as the novel takes place over many years, there is real scope for development. Scarlett O'Hara is utterly believable as the flawed heroine, as is Rhett Butler, the cynical anti-hero. Ashley is symbolic of the civilisation 'gone with the wind'. But the most quietly fascinating character of all must be Melanie. The love story between Scarlett and Rhett is not so central a theme to the novel as survival and the struggle for independence. For a novel that contains such a broad scope of events and rich abundance of characters, Margaret Mitchell manages to keep a tight rein on both plot and pace. There are those books that make such a profound impression on our own lives that we never forget them - 'Gone With The Wind' is such a book.
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Format: Paperback
'Gone With The Wind' amazed me. I thought it would be light, throwaway romantic fiction. Instead, it is a tough, believable, intelligent and completely gripping historical novel.
The characters are mesmerising, plausible and original - I expected more cliches, but having read it I have come to the conclusion that GWTW created the cliches because it is just so damn good!
I can really see why people still consider it the greatest historical novel ever written. The fact that it has survived the test of time, unlike the many books that are applauded as brilliant one year and forgotten the next, should give you some clue as to just how good this book is.
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By P. G. Harris TOP 1000 REVIEWERVINE VOICE on 31 May 2008
Format: Paperback
This is a book with a thoroughly unlikable heroine; it is shot through with jaw dropping racism, so how can it qualify for four stars?

The simple answer is that it is fundamentally an absolutely ripping yarn. Margaret Mitchell's achievement is in creating a set of flawed characters, but then making the reader care about what happens to them. Couple engaging characters with a beautifully paced plot and it is easy to understand why Gone With The Wind is still in print and massively popular.

It is the story of selfish, determined daughter of a plantation, Scarlett O'Hara, her enduring love for neighbour Ashley Wilkes, his marriage to Melanie, who becomes Scarlett's devoted friend, and of course the love of Rhett Butler for Scarlett. The context of the story is the American south before, during and after the civil war. We see the relationships between the characters develop as they go from affluence, through degradation in defeat, and then rebuild.

Scarlett is of course the centre of the book and Mitchell skilfully plays with the reader's emotions towards her heroine. Basically she is selfish, spiteful, snobbish, racist, a hideously bad parent, an exploitative employer, but courageous and engaging. Initially we dislike her as a spoilt brat, her marriages are exasperating, we grow to admire her courage as she fights to survive during and after the war, she becomes a figure of ridicule as she joins the nouveau riche and finally her inability to understand Rhett's love is frustrating, infuriating and eventually tragic.
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Format: Paperback Verified Purchase
I'm all up for reading the classics. Recent reads have been A tale of two cities, Uncle Tom's Cabin and Birdsong. I was flicking through the channels one day and came across the movie Gone with the wind. Instead of watching the movie I thought I would read the book instead and boy am I glad I did. You can tell it is definately of its time as there are racist terms used and some brushing over important issues like slavery and the KKK but as a story about an antihero it's great. Scarlett is not the most likeable character but you want to know what happens to her and if a leopard can chage its spots. I'm not into romance books which I thought this one would turn into but was pleasantly surprised that its almost anti romance. I loved it so much (even though its the first book I've read over 1000 pages) I've bought one for my friends birthday. Hopefully she will love it too!
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Format: Paperback
"Gone With The Wind" is primarily seen - by those who have not read it - to be a slushy, romantic novel with little or nothing in it to interest them. How wrong they are!

Not only does the story deal with love and romance (unrequited love; being in love with each other but unable to have each other), it also deals with politics (The American Civil War), tragedy, comedy, history (we learn an incredible lot about the lives of Southerners and their beliefs), desperation...most of it seen through the eyes of Scarlett O'Hara, who in my eyes is very much a modern day heroine in a latter day age.
She is manipulative, cunning, exasperating and spoilt as the story begins, and to an extent remains so, but as the events of the novel unfold - in particular the Civil War - she changes several times. Her "tigeress" streak is always very much apparent, but we sympathise with her because, I feel, she symbolises what many of us are, have been or will be in our lives.
Scarlett is a victim in many ways - namely of the adoration and doting of her father Gerald, who spoils her relentlessly and therefore "ruins" her - but she always somehow manages to turn the tables to her advantage and emerge the victor, however long and drawn out the process may be.
Like Alex in Anthony Burgess' "A Clockwork Orange", she is very much the anti-hero but yet we like her. I feel that this is a difficult device to achieve and it just shows the mastery of Margaret Mitchell that we are able to do just what Mitchell wants us to do.
Another key thing to note is the way that Mitchell manages to show us the "stupidity" of human nature. Melanie finds it inconceivable that Ashley and Scarlett could ever have feelings for one another; Scarlett cannot see or imagine Rhett loving her; and so on.
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