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The Gone-Away World Paperback – 29 Jan. 2009
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The Jorgmund Pipe is the backbone of the world, and it's on fire. Gonzo Lubitsch, professional hero and troubleshooter, is hired to put it out - but there's more to the fire, and the Pipe itself, than meets the eye. The job will take Gonzo and his best friend, our narrator, back to their own beginnings and into the dark heart of the Jorgmund Company itself.
Equal parts raucous adventure, comic odyssey and Romantic Epic, The Gone-Away World is a story of - among other things - love and loss; of ninjas, pirates, politics; of curious heroism in strange and dangerous places; and of a friendship stretched beyond its limits. But it also the story of a world, not unlike our own, in desperate need of heroes - however unlikely they may seem.
- Print length592 pages
- LanguageEnglish
- PublisherWindmill Books
- Publication date29 Jan. 2009
- Dimensions13 x 3.6 x 19.7 cm
- ISBN-100099519976
- ISBN-13978-0099519973
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Review
Breathtakingly ambitious ... A bubbling cosmic stew of a book, written with such exuberant imagination that you are left breathless by its sheer ingenuity ― Observer
[A] post-apocalyptic triumph ... Immensely rewarding ... Genuinely terrifying ― The Times
A stunning debut ― Scotland on Sunday
Exuberant...Wildly inventive -- Michael Gove ― The Times
There are delightful moments aplenty ... Any author who has come up with the beautifully silly plan of melding a kung-fu epic with an Iraq-war satire and a Mad Max adventure has to be worth keeping an eye on ― Guardian
A debut novel of the kind that comes along only once every couple of years, overflowing with imagination yet powered by the kind of cleverly twisting plot that marks him out as a master storyteller ... A quirkily original writer ― The Scotsman
Has the pace and action of an episode of 24 ... The agility of the narrative is one of the great strengths of this book ... Harkaway is robustly confident ... Particularly effective are his Matrix-like fight scenes, brought to life in meticulous yet flowing prose ― The Times
A stunning debut ... By turns thrilling, silly, gripping, crazy, daring and outrageous. I loved every minute ... The Gone-Away World is brakes-off fiction ― Scotland on Sunday
I loved it...exuberant, mind-bending science-fiction/fantasy adventure about truckers, weapons that wreck the very fabric of existence, foul-mouthed drill instructors, ninjas and stuff like that. But by golly it's well written, funny and enjoyable -- Sam Leith ― Daily Mail
About the Author
Product details
- Publisher : Windmill Books
- Publication date : 29 Jan. 2009
- Language : English
- Print length : 592 pages
- ISBN-10 : 0099519976
- ISBN-13 : 978-0099519973
- Item weight : 406 g
- Dimensions : 13 x 3.6 x 19.7 cm
- Best Sellers Rank: 241,719 in Books (See Top 100 in Books)
- 1,217 in Dystopian
- 1,234 in Post-Apocalyptic
- 1,642 in Humorous Science Fiction (Books)
- Customer reviews:
About the author

Nick Harkaway (that’s me, by the way) is a writer. He lives in London with his wife, their two children and an existentially anxious dog. He likes ordinary things like rivers and mountains, and remarkable things like modern medicine and the making of wine. He is interested in almost anything, but usually for a relatively short period of time. He turned fifty in 2022 and does not know what he would like to do when he grows up. He would also like to know where to apply for his refund for 2020 and 2021. His wife and children are all better people than he is, which makes him feel very lucky. Honestly, if you’re still reading at this point you may just want to get one of my books, because they are in many ways a more truthful self-description than any biog. Oh, and I also write morally disimproving thrillers as Aidan Truhen.
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Top reviews from United Kingdom
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- Reviewed in the United Kingdom on 4 April 2012Nick Harkaway was born in 1972, in Cornwall, and is the son of author John le Carré. He studied at Clare College, Cambridge, and, before becoming an author, wrote screenplays. "The Gone Away World" was his first novel, and was first published in 2008. The fillowing year, it was nominated for a Locus Award (Best First Novel) and a BSFA Award (Best Novel). I'm stunned it didn't win at least one of them.
"The Gone Away World" is told by an un-named character - a heroic sort, despite the lack of an introduction, and a member of the 'Haulage & HazMat Emergency Civil Freebooting Company'. Thanks to the Go-Away War, the apocalypse has been and gone and the world has been left in a total mess. It's thanks to the Jorgamund Pipe, which pumps FOX into the atmosphere, that there's a 'Livable Zone' at all - stray too far away, and you'll be into "the bloody nightmare of the unreal world". (The protection it provides is very personal : those who lived along the border between the real and the unreal world "didn't always stay people"). So, when news breaks at the start of the book that a section of the Pipe is on fire, its repair is going to be a matter of great urgency - and guess who's going to be called in for the job. There is, of course, something strange going on : the Company were involved in the Pipe's construction, and the Pipe catching fire is an absolute impossibility. And then, there was the mysterious phone call, warning the Company's leader not to take the job...
A very enjoyable book; right from the off, I was curious about how the world now looked and how it came to be in such a state. So, having set the scene, our narrator answered my questions by telling his life story. (It was just beyond halfway through before we got back to the "current" events of the burning pipe). Nameless, as I called him, had grown up alongside Gonzo Lubitsch, another member of the crew - the pair had been inseparable from a very early age. They'd been at school and university together, trained in the martial arts and had been at the heart of the Gone Away War's more significant events. However, it's not all doom and gloom : it's a very good natured book, with plenty of chuckles and a certain amount of daftness here and there. (Not only does it have the world's bravest mime troupe, it's also got ninjas AND pirates). Totally recommended.
- Reviewed in the United Kingdom on 31 March 2016Excellent. Weird Fantasy/ soft sci-fi. A world changing event or, paradise messed up, lost, partially recovered and then, well, that would be giving the plot away. Yes, there is a plot. (Note to those who are tempted to give up early: the back story is essential and it does go on forever and it's a sumptuous word fest. It is: Humerous, witty, clever, sad, fast, action packed and with characters who jump off the page (ninjas and mimes as well - OK?), and great writing. Some would say pretentious and convoluted. I say, if you can string words together like this, go ahead and flaunt it! Challenging (have a dictionary on standby). Essentially, as all the best books are, it is about the nature of being human and our limitless capacities for both destruction and creation. I know, you thought it was about a pipeline. There is a pipeline and it is part of the plot but that isn't the real point of the story.
Who is it for? People who like all of the above.
Who is it not for? People who get irritated with all of the above, who prefer hard sci-fi with the emphasis on linear plot and plausible detail. Don't read it. It isn't for you, you'll hate it.
Is it perfect? No. Is it derivative? I did have a fleeting deja vu moment but I couldn't place it and decided it didn't matter because I was having so much fun. Is it a really thrilling read? Yes, it was. Comparisons to D. Adams, Heller, Vonnegut etc. are justified, so if you enjoy these authors or similar, you should enjoy this.
A few very minor typos - nothing major.
- Reviewed in the United Kingdom on 1 December 2024A wonderful novel. There are multiple levels to this. At the top level, it's an action story combined with a slower back story (which pays off). It's also a biting satire / farce on the futility of zero-sum games. Then again, it's a highly original, witty and engagingly bizarre fantasy (featuring ninjas and a mime troop!), which is by turns extremely funny, moving, daft and weirdly horrific (like John Carpenter's "The Thing"). It's quite a long book, but, for me, there was never a dull moment, so the length is something to celebrate. The writing style is beautiful and perfectly suits the novel. The sheer wit had me in fits of laughter at times. I relish the prospect of rereading this in a few years.
- Reviewed in the United Kingdom on 16 November 2016This is one of the most enjoyable books I've read in ages. Strange because it's something of a post-apocalyptic tale, which I usually don't care for. There's a fair bit of non-linear storytelling, which usually drives me nuts. But in this case it's all done so extraordinarily well that I loved it. The writing can be complex (as some have said) but in a great way. It's rich and lush and engrossing.
This is a fabulous piece of work from a new author and I can't wait to see what he does next.
Top reviews from other countries
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MFReviewed in Germany on 23 August 20155.0 out of 5 stars Genial wirr
Die Story fängt unvermittelt und etwas wirr an - hat man aber einmal verstanden, dass das erste Kapitel lediglich eine Art Einleitung darstellt und dass die eigentliche Erzählung er Story in Kapitel 2 anfängt, lässt sich das Buch sehr gut lesen. Auf dreiviertel der Strecke gibt es zudem eine schöne Wendung in der Story, die man vielleicht hier und da schon erahnen konnte (und die einige Ungereimtheiten in den früheren Kapiteln erklärt), die aber dennoch recht überraschend kommt.
Unbedingte Empfehlung.
FuguTabetaiReviewed in Japan on 30 November 20094.0 out of 5 stars A refreshing take on fantasy clashing with the real world
I picked up this book a while back, and once I started reading it I had a hard time putting it down. This was my first time reading anything by Nick Harkaway, and I found his writing style to be a bit verbose, but very refreshing.
The setting is interesting; a broken world after a scientific disaster that allows the fantastic to leak into (or completely overrun) the world we are familiar with. The story isn't as much about the fantastic creatures and events, but about how people deal with things, and in particular, the protagonist and his circle of friends. There is also a very interesting comment on society and capitalism and the role of corporations.
Also, ninjas.
I really enjoyed the book, and in a way it reminded me of works by Haruki Murakami (one of my favorite authors) where there is some underlying fantastic element to life. It is much more obvious here, but I felt the same sense of an awakening wonder as I read.
Briane F. Pagel Jr.Reviewed in the United States on 7 July 20135.0 out of 5 stars Here is the Amazon Review I just posted of "The Gone-Away World" which I just finished reading.
One Sunday early this spring, I was watching "Safety Not Guaranteed" on Netflix. Lying there on my couch, headphones in, the movie playing away on my Kindle, I was nearing the end of the movie and I began thinking about how it might end, where the movie was going, and I thought to myself that there was only one way the movie COULD end if it was to be a good movie.
So as the movie came to what was OBVIOUSLY the conclusion, I was waiting with bated breath, almost literally, to see if it would end that way, if this movie that so far had been so great, so much better than expected, would win or lose -- would provide me with the ending that would make this a great movie, or would wimp out and destroy everything that had come before.
When the ending came, it made me gasp with surprise, start laughing out loud, and get tears in my eyes. THAT was how great and perfect the ending was: so great and perfect that it actually elicted real-life emotion for me, not about the characters in the movie or about the ending itself or anything so prosaic as that, but rather real-life emotion (surprise, that is) that was sprung forth by the fact that something SO good, so perfect, so wonderful, could exist in pop culture.
We are so used to watered-down, mass-market, half-effort, almost-great things (if not things that are worse) that we have, I think sometimes, lowered the bar for what constitutes greatness. It used to be that one had to win five Super Bowls to be considered great. Now, a quarterback can be considered great even if he never makes it to the championship. It used to be that the entire world watched as man stepped on the moon. Now, the Kardashians out-rate a man stepping out of a space capsule and falling to earth. It used to be... well, you get the point, and the point is that so many things are mediocre that the few things that are good are elevated to greatness merely by not being bland. It's as if the entire world was painted beige and so we were forced to give awards to off-white simply because it was slightly less so.
Which makes rare gems so much the more startling, and amazing, to me, rare gems like "Safety Not Guaranteed" and now, this book.
I can count on one hand the number of books I consider truly great. They are: Catch-22. American Gods. Slaughterhouse-Five. Jonathan Strange and Mr Norrell. And now this book, which might push one of those off the hand on which I am counting in order to create a second space for Harkaway's book.
I cannot remember, ever, in my life, a book that delighted and surprised me and amazed me so much. This was a book that began on a hot roll and picked up steam and heat with each word, each sentence, each paragraph, each page. This book careened and caromed through its story and my head with a vulgar life that shouldered aside every notion of what a book should be, what a story must be, and replaced it with image after image of THIS book.
You can get the plot from the synopsis, or from the 132 other (as I write this) reviews of this book. I'm not going to recap it because the plot, which is head-and-shoulders above almost every other book you will ever read, is not even the most amazing thing about this book.
The real problem with reviewing this book, in fact, is deciding what IS the most amazing thing about it. Reviewing this book is like trying to describe two circuses performing amidst an amusement park where a series of rock concerts are taking place, and you have cotton candy to eat while this all goes on. Or a giant pretzeldog. Whatever. Don't get hung up on the snacks. That's not the important thing. I mean, of course, snacks are important, but I feel we're getting needlessly bogged down here in discussing them.
Also: the circuses are entirely staffed by supermodels.
THAT is this book. There is so much going on that it's hard to know where to look and all you can really do is stare and take it all in and hope that the details lodge in your mind for later picking at and remembering and recapping and enjoyment, that you can take them with you so that as you sit at your desk listening to someone drone on and on, or as you are stuck in traffic, or as you are drifting off to sleep (at your desk or in traffic) you can turn your mind to the supermodelcircusamusementparkconcert that is this book, and remember it and smile and work on it again, until you can get home and continue reading it.
The language: Harkaway uses words like his characters use the hard and soft styles of fighting, changing up here and there and constantly keeping you looking for the next wave. He makes up words. He makes references you'll have to google. His vocabulary is about 37th grade, and yet it works: it's the only way this story COULD have been written, in a way that makes you have to tumble around and grapple with the language itself, but it's enjoyable. It's like wrestling your six-year-old as you tickle him: you're laughing and sweaty and happy and realize that this, THIS! is how you want to spend your day.
The characters: OH MY GOD there are about 150 zillion characters, and that's not even counting the characters who are other characters, but here's the thing about that: each character is so fully realized, with backstory and quirks and language and companions, that you cannot forget them, or even mix them up. You'll be able to tell Tobemory Trent from Assumption Soames sixty years from now, and if you and I read this book and then sixty years from now I were to run into you and not even know you and simply say "Pa Lubitsch" you will talk about the bees and that will lead you into remembering Ma Lubitsch's three-point turn and then you will get sad as you remember Marcus Lubitsch but then you'll remember how that turned out so maybe it wasn't sad after all, and you'll have walked twenty paces past me, remembering all these people that are somehow as real as you and I even though they're not...
...and that's kind of the point of the story? Maybe? One of them? One of the nice things about this book is it seems to have points while not needing them, to be able to make a point while not making a point...
...and I'll be looking back at you, too, and we'll both shake our heads and realize that this book has stayed real -- it has been reified, as it were (read the book to get that reference!)-- for us all those years, so real that the mere mention of it will cause us to forget we are living in this world so that we can live in that.
The characters are a sprawling happy mess of people that are instantly memorable and fully recognizable by name, rank, serial number, and catch-phrase. I can remember every single one of them right now, and I am the kind of person who is pretty sure that Iron Man's secret identity is "Robert Downey, Jr."
The plot! OH YEAH THERE'S THAT TOO. And it's not the plot you think. Yes, there's a war and it's sci-fi and there's a fire rescue where they use bombs to put out a fire and there's a fight which involves ducks (but at least the narrator recognizes that's improbable) but none of that is actually the plot, unless it is, and is just one of the many plots. Reading this book is like reading 75 other books all joined together to band as one, like if Voltron were a book. (Full disclosure: I'm not sure exactly what Voltron is, but I think I've got the concept right, maybe? Is it like a bunch of little robots banded together to be one big robot? Or cars that form a robot? Or people? I'm not supposed to know that. I'm 44 and 44 year olds don't need to know what banded together to become Voltron. It's sufficient that I have the concept right.) If a bunch of books all banded together to make one superbook, they would be this book. Each character is a book in and of him- or herself, and each of them inexorably moves the main book forward, too, so that you never feel bogged down or think "OH GOD ANOTHER BIO OF ANOTHER CHARACTER," even when that character is a seemingly-innocuous spice merchant in a war zone who also comes to matter, too.
That's probably the most amazing thing about the plot(s), is that they feel slapped together, almost, like they were just written a page at a time without worrying about what came before or what came after, only then as you go on through the story you begin to realize just how this all fits together perfectly -- and it's not like you're waiting and saying "Well, is that part going to come back around?" because it just DOES and then you think "OH MAN IT DID!" and you're great with it.
That's what kept happening in this book. I would be reading it and then hit a part and think "OH THAT IS PERFECT!" and I would laugh out loud at how great it was that something like this could exist, that a book so perfect and so right and so wonderful to read could have just come into my life.
I didn't want this book to end, because it was too good to ever come to a halt. I wish I was reading it right now. I wish everyone was reading it right now, so that we could all look up and meet each other's eyes and say "I know, RIGHT!?!?!" with exactly that many question marks and exclamation points put in there, which is the perfect expression of surprise and delight -- surlight, or deprise, I should say, or maybe combining words isn't enough. Maybe we need to invent a new emotion for books like this, for moments like this in the culture when someone transcends the mediocre, jumps above the merely "good", looks down as he sails high above the "great" and simply keeps on going to join, up in the heavens, that stratospheric realm where so few creative types ever even get to visit. Nick Harkaway lives there now, and I hope he sends us a postcard from his new residence because that postcard would, I imagine, be simply awesome.
WilliamanonReviewed in Canada on 23 June 20205.0 out of 5 stars A ripping good read
It's a tale for the ages ripped from the bosom of adventure. It would be a page turner but Kindle doesn't have real pages.
Stephanie LauReviewed in Canada on 17 July 20174.0 out of 5 stars The transaction went smoothly and the book arrived in good time and in good condition
The transaction went smoothly and the book arrived in good time and in good condition.
I'm taking one star off because the authour has a propensity for run-on sentences. He also sometimes writes in such a way that you can tell he's very proud of his large vocabulary. There's a bit of self-congratulatory literary masturbation happening in this book. Balancing that though is an intriguing story so I'm going to finish reading this book because I'm interested to see where it's going.







