- Format: Kindle Edition
- File Size: 3206 KB
- Print Length: 596 pages
- Publisher: Bewitching Fables Press; 2 edition (28 April 2017)
- Sold by: Amazon Media EU S.à r.l.
- Language: English
- ASIN: B071RQ786T
- Text-to-Speech: Enabled
- Word Wise: Enabled
- Average Customer Review: 6 customer reviews
- Amazon Bestsellers Rank: #1,092,375 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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|Print List Price:||£11.91|
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The Goddess's Choice: Book One of The Kronicles of Korthlundia Kindle Edition
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Top customer reviews
The Goddess's choice was fantastic! I want this novel to become a film! For me personally it had all of the elements to make a great book; strong and interesting characters, a plot with substance and romance.
The more I read the story the more I enjoyed it, I found my jaw dropping open a lot and screaming at the book "no" or "yes". Jamie Marchant creates a fantasy world we can get lost in, the characters come alive and I found myself imagining them as I read.
I occasionally had to reread chapters or became confused at the chapters when they introduced new characters, but truthfully it added to the chaotic and busy feeling of the battle and time limit in the plot.
I felt truly submerged in to a fantastic world full of mythical creatures and characters. The novel also tackled several moral issues and had a consistent good vs evil feeling throughout. The scenes between Robbie and his father touched me as did the scenes between Angus and Donella showing how deeply grief can affect others, but also showing how it is never to late for reconciliation or forgiveness.
As a reader, I truly felt Robbies pain and struggle as he had to let go of all of his hatred and anger, it was fascinating to read and had me on the edge of my street. It wasn't obvious to me whether he would or wouldn't be able to.
I absolutely loved this book and authors style!
It was supposedly inspired by a Norwegian story that I don't know but this fantasy was a compelling read, not least due to the complex, detailed and realistic characters; at least two of which have interesting gifts.
There were fabulous villains just perfect to hate and those trying to strive for goodness and yet flawed and 'real'. I thoroughly enjoyed the magic and mythical elements which sat well within this cohesive story.
I was hooked from the start, as they say and think this author knows exactly how storytelling should be done, where fantasy meets realism while valuable lessons can be learned.
I loved it and would certainly read more of this author's work.
For most of the book, this would have made a great YA read; it's only the last few chapters where there are some explicit sexual scenes that make it more suited for an (new) adult audience. I thought that was rather a shame as the story deals largely with themes that define YA: finding one's identity, fighting for your right to make your own decisions, that being Other doesn't equate being evil etc. experienced by protagonists that are teens themselves at age sixteen. While I personally wouldn't mind an older teen, i.e. 17+, reading it - they see far more smutty and less heart-felt things on TV these days - I realise many parents wouldn't approve of their child reading such scenes, so I hesitate to qualify it as a YA book.
There were several elements in the writing that bothered me throughout the book. To start with in at least the earliest chapters of the book there is a lot of repetition of the statement that Robbie is considered a demon due to his looks, he's Mediterranean-looking as opposed to the rest of the villagers' Scandinavian looks. It's made clear that not only do the villagers and his family think so, Robbie half believes it himself. Unfortunately, this is repeated so often in those early pages that I quickly tired of hearing about it and it lost its impact. Of course, the reasons why blond/blue-eyed people have to be the norm, and brunette/brown-eyed people different is a whole different discussion, but in the context of this being a retelling of a Norwegian tale, it might just be defaulting to Scandinavian characteristics. A different version of an annoying repetition was some people's speech patterns. For example, Samantha's secretary Blaine keeps appending 'so to speak' after his sentences which, while life-like as we all know people use filler words like that, becomes really annoying. And lastly, there were the naming conventions. While most of our characters have regular, if not all common, names - such as Samantha, Robbie, Blaine, Gildas, Leigh, and Fergal - the naming conventions for the foreigners encountered in the book are awful. They seem to utilise all the how-not-to-make-up-names-rules, except for using apostrophes. For example, we encounter a trader named Slthethkkne who has a sister named Sphrnztegviza. Both of them have shortened use names, Slathek and Sphry, which are a little better, but the first time I encountered these names my eyes almost popped out of my head trying to make sense of them.
Fortunately in comparison, our protagonists have rather mundane names: Robbie and Samantha. I found both of them likeable and well-developed; though in my opinion Samantha was the stronger of the two as Robbie had some leaps in his development which happened off-screen. This is inevitable, as Robbie has the longer journey to make, but at times the leaps he made didn't feel proportionate. Robbie goes from doubting himself and his nature to being confident and self-assured enough to win his princess. I did love his story arc and his romance with Samantha, which was suitably fairy-tale like. Samantha on the other hand starts off as a strong-willed girl, who knows what she wants; she just has to fight to be allowed to make her own choices. In addition, she has to find out her true nature and the consequences of her powers. They are aided by an interesting set of characters, the old herb woman Myst, the afore-mentioned secretary Blaine, the stable master Darhour, and Samantha's personal guards. With the exception of the guards, who while all distinct characters aren't developed in-depth, all these characters have a well-rounded backstory. We might not learn all of it, but they all feel well-rounded.
In addition to the humans, there are several other beings that aid Robbie in particular and which made my inner horse girl squee: talking horses. Other people might not be so enthused by the idea of talking horses, but for me they are still a weak spot and I loved their inclusion here. There are actually two kinds of magical horses in the story. There are the Horsetads, which are magical and wild cousins to our regular horses, rumoured to be descended from the Goddess's own horse and there are the three truly magic horses which show up in Robbie's father's fields. All of them can talk; though it's not quite clear whether they can actually communicate with all humans or whether they can only talk to Robbie due to his gift. In any case, I loved them and thought they were a great mix of the original fairy tale elements and that which were unique to Marchant's world.
Overall, I found The Goddess's Choice to be an interesting retelling of The Princess on The Glass Hill, which succeeded in Marchant's stated goal to give the princess some agency of her own and not just be a bargaining chip in a political game. Marchant weaves the elements into a more complex tale and one that is both exciting and enjoyable. While ostensibly only the first of several books set in Korthlundia, the book stands completely on its own as a finished tale. This is a story that will appeal both to fairy tale aficionados and people who enjoy retellings of older tales.
This book was provided for review by the author.
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The Goddess's choice was fantastic! I want this novel to become a film!Read more
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