- Hardcover: 352 pages
- Publisher: Boydell Press; 1st Edition edition (15 Feb. 2007)
- Language: English
- ISBN-10: 1843831708
- ISBN-13: 978-1843831709
- Product Dimensions: 24.1 x 16.3 x 3.1 cm
- Average Customer Review: 4.8 out of 5 stars See all reviews (5 customer reviews)
- Amazon Bestsellers Rank: 709,045 in Books (See Top 100 in Books)
Gerald Finzi: His Life and Music Hardcover – 15 Feb 2007
Customers Who Viewed This Item Also Viewed
Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.
To get the free app, enter your mobile phone number.
McVeagh's analyses unfailingly draw the reader's attention to the melodic and harmonic subtleties of Finzi's writing. At her best, as in a beautiful passage on Finzi and Hardy, she sings with a lyricism that matches Finzi's own. This book comes as a timely reminder that there should be a place for the finely wrought music of a minor master. TIMES LITERARY SUPPLEMENT (Richard Lawrence)This has been long in preparation, but the wait has been worthwhile. Lucky the composer who finds so fair-minded, candid and scrupulous a biographer and one who writes so well...(McVeagh's) analyses achieve the rare distinction of being both illuminating and readable. This is one of the best-written books about a musician to appear for many years. BBC MUSIC MAGAZINE (Michael Kennedy) McVeagh surely loves Finzi's music and it shows. However her devotion is clear-eyed and her writing completely avoids the sort of pastoral hagiography that Finzi scholarship can easily collapse into. The book is self-recommending but that does not stop me recommending it. - CLASSICAL MUSIC ON THE WEB (This) is unquestionably destined to be the standard biography of Gerald Finzi. - RALPH VAUGHAN WILLIAMS SOCIETY JOURNAL (Rolf Jordan) (Now) we have McVeagh at last, so good and so well written that those who already possess...other books must have it, not only to complement them but for the sheer pleasure afforded by such a winning combination of scholarship, insight and clear-eyed humanity.. their belief will be reinforced and intensified by Miss McVeagh's candour and her remarkable achievement in writing not only a good biography but in re-creating the atmosphere of English musical life in the half-century of Finzi's life. FINZI NEWSLETTERWith clear-eyed affection for her subject, McVeagh relates Finzi's poignant history with clarity of design that does not preclude empathy, and never allows herself the luxury of letting him off lightly over either musical or personal foibles...(a) lovely, warm and elegiac book. MUSIC & LETTERS (Byron Adams)(A) combination of meticulous scholarship and study of Finzi the person results in a book that paints the most complete portrait of Finzi the man and his music yet available. MUSICOLOGICAL RESEARCH
From the Publisher
In the Times Literary Supplement Richard Lawrence wrote 'At her best, as in a beautiful passage on Finzi and Hardy, [Diana McVeagh] sings with a lyricism that matches Finzi's own...This book comes as a timely reminder that there should be a place for the finely wrought music of a minor master.'See all Product Description
What Other Items Do Customers Buy After Viewing This Item?
Top Customer Reviews
This thoroughly researched and well written book provides all the information about this English composer that any reader would be likely to require. McVeagh already has a highly praised biography of Edward Elgar to her credit. Finzi taught composition at the Royal Academy of Music in London from 1930 to 1933, but in 1933 he married Joy Black and the couple retired to the countryside around Newbury to grow varieties of apples - some 350 of them when the orchards were at their peak. Finzi was born in London, the last of five children. Although nominally retired from 1933 when he was only 32, some of his best known compositions were still to come - the concertos for clarinet (1949), for piano (1953) and for cello (1955); and the wonderful setting of Wordsworth's `Intimations of Immortality' (1938 & 1950). The settings of poet Thomas Hardy span a number of years (1928-1936), and these also rate amongst his best loved compositions. McVeagh's biography gives us the background to these works and is laid out chronologically up to his early death at the age of only 55. There is a catalogue of his works, details of the repertoire of the Newbury String Players that Finzi and his wife Joy inaugurated in 1940; a quite detailed Bibliography of other books about the composer; and an Index.
Diana McVeagh describes the emotional bleakness of Finzi's early life: he seems to have had little time for his parents or his siblings, though by the end of the First World War he was the only survivor apart from his mother, someone he appeared to tolerate rather than love. The tendency to judge others who were not artistic is a notable characteristic of the young man, though after marriage, he mellowed considerably. He did not have a school education and even when he began to study music seriously, he studied privately with Ernest Farrar, whom he idolised, and later Herbert Sumsion, organist at Gloucester Cathedral. Farrar was killed during the war and this affected the young Finzi deeply. Sumsion was to remain a life-long friend of the Finzi family.
Finzi started to produce serious work in the late 1920s, the best known composition being By Footpath and Stile, a cycle of six songs. Around this time he met Howard Ferguson, yet another young composer and they also remained friends for life. In these early years, Finzi avoided academic and city life as far as possible, preferring to live in the country. While staying at a cottage, he met his future wife, Joy Black. Joy kept a journal during their marriage and McVeagh makes considerable use of this to guide us through the rest of their life together.Read more ›