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Gardens of the Moon (The Malazan Book of the Fallen) Mass Market Paperback – 1 Mar. 2000
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Steven Erikson
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Print length752 pages
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LanguageEnglish
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PublisherBantam Books (Transworld Publishers a division of the Random House Group)
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Publication date1 Mar. 2000
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Dimensions10.52 x 3.99 x 17.75 cm
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ISBN-100553812173
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ISBN-13978-0553812176
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Product description
From the Back Cover
For Sergeant Whiskeyjack and his squad of Bridgeburners, and for Tattersail, surviving sorceress of the Second Legion, the aftermath of the siege of Pale should have been a time to mourn the many dead. But Darujhistan, last of the Free Cities of Genabackis, yet holds out and it is to this ancient citadel that Laseen turns her predatory gaze.
However, it would appear that the Empire is not alone in this great game. Sinister, shadowbound forces are gathering as the gods themselves prepare to play their hand...
Conceived and written on a panoramic scale, Gardens of the Moon is epic fantasy of the highest order - an enthralling adventure by an outstanding new voice.
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Product details
- Publisher : Bantam Books (Transworld Publishers a division of the Random House Group); New edition (1 Mar. 2000)
- Language : English
- Mass Market Paperback : 752 pages
- ISBN-10 : 0553812173
- ISBN-13 : 978-0553812176
- Dimensions : 10.52 x 3.99 x 17.75 cm
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Best Sellers Rank:
1,668,305 in Books (See Top 100 in Books)
- 23,670 in Epic Fantasy (Books)
- 81,088 in Science Fiction (Books)
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Customer reviews
Top reviews from United Kingdom
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Steven Erikson CANNOT tell a story. He fundamentally fails at the key things a good storyteller must do.
The book starts with a foreword by the author in which he half apologises, half refuses to apologise for how badly written this book is. But there is no excuse good enough. It was rejected by so many publishers with good reason. It is atrocious.
The reader is dropped into the middle of a scene, with no exposition, no explanations, no character introductions. That itself might not be so egregious, if we later learn what is going on. But Erikson then repeats this technique for every scene for the rest of the book. Every time you start a new scene, you have no idea where it is taking place, who is in the scene, how they got there, even who is saying which item of dialogue can be confusing at times.
There is very little in the way of scene descriptions or character descriptions. Most of the book seems to be pointless dialogue between an unknown number of people. I have nothing against dialogue, but the dialogue is wooden and written as if we are mind readers. It's fair to say that I had no idea what anybody was talking about most of the time, or why they were even talking about it.
A lot of the time I couldn't even form a mental image of what was going on, because of the complete dearth of descriptions. When you don't know what someone looks like or what their past is or what their motivations are, it's very difficult to remember them from one scene to the next. In Gardens of the Moon you read a conversation about unknown things by unknown characters in an undescribed location. And then you do that repeatedly.
I did not get the impression that the characters say or do anything due to innate motivations or desires, because they are so devoid of personality. The only thing the characters remind me of is a 14 year old's D&D game. They are overpowered and make seemingly random decisions. I was constantly asking myself: have I missed something? The book reads as if you are missing key information, and you keep reading expecting it to be elucidated, but it never is.
The most important thing for a good novel is the characters. If the characters are interesting, intriguing, or if the reader cares about them, then we want to continue reading, because we want to find out what happens to them.
I couldn't tell you anything about the characters in Gardens of the Moon. Because I wasn't told anything about them. And most of them have terrible names that ruin the readability of the book.
The 10 book series seems to have a very fanatic following on the internet who are eager to claim that you have to read all 10 books and then reread them in order to finally appreciate this series. I'm sorry, that is a poor excuse for bad writing. It is the writer's job to tell a story. And Steven Erikson catastrophically failed.
Ignoring the temptation to bin the book, I somehow managed to read a quarter of it, trying my utmost to give him the benefit of the doubt, telling myself It'll get better. It doesn't. He spends too much time bouncing from one cryptic scene to the next (probably twiddling his fingers together like Mr Burns praising his own 'cleverness ') leaving you in a perpetual state of indifference as to the fate of his two dimensional characters.
I should have listened to my inner doubts. Reading is supposed to be an enjoyable experience not a perseverance.
It wasn't the endless incomprehensible battle scenes, or the unnecessarily overblown descriptions of anything and everything (he gets quite rapturous about rotten flesh), that did it for me. It was the fact that every-time a main character gets killed off, they somehow spring back to life. I don't consider this a spoiler since it happens right at the start and regularly thereafter. I quite like it when an author dispatches one of the main characters - It can really shake things up, your expectation for the rest of the story is shattered in an instant. But then, with this book - two chapters later, the character is right back in the thick of it and the story is plodding on just as before. It might be fine to do it once, but it becomes such a regular occurrence in this book that you start to expect it. It also winds me up when major leaps of plot (including repeated reanimation) are explained away as due to some previously unmentioned magical force. 'Because Magic' bleugh. It renders the rest of the plot fairly pointless. I like a clever plot.
There were loads of other things that I did not like about this book (you might have guessed that), but I have to admit I only read halfway. Perhaps the story was just about to change from the long hard uphill slog into something much more interesting and enjoyable. Perhaps I am missing out, but I really could not bring myself to read any more.
I liked Tool, he was the best. One of the stars is for him.
Other than that - just not my cup of tea.


