Ken Dodd OBE
'I can’t get over how good Funny Bones is. Freddie Davies’ autobiography, co-written with Anthony Teague, is unquestionably one of the most honest and illuminating books I have read about the practice of comedy, never losing sight of the pressures and insecurities of a job that is prone to more ups and downs than a roller coaster. Along the way it provides fresh insights into other comedy greats, not least Sid Field, Sir Norman Wisdom, Frankie Howerd, Jerry Lewis, George Carl, Charlie Drake and Davies’ ostensible grandfather, the underrated revue comic Jack Herbert, who was a major influence on Field. It also vividly evokes the hollow shabbiness of so much of the late twentieth century British show business scene in that period betwixt the Beatles and Blur. In every way, a cornerstone of its genre.'
John Fisher, writer and producer
But when it all began to slip in the 1980s, Freddie became a producer and then forged yet another career as a serious actor. He appeared to great acclaim in a Royal Shakespeare Company production of The Secret Garden and cult film Funny Bones - alongside Lee Evans and Jerry Lewis - based on tales of Freddie’s music hall comic grandfather Jack Herbert. Now he has come full circle, delighting audiences again as Samuel Tweet in theatres up and down the land.
Fifty years on from his television debut, Freddie finally tells his own story, revealing for the first time the tragedy behind his early days in Salford and a family secret that rocked his world. He paints a vivid and hilarious picture of a gruelling apprenticeship in the Northern clubs - and the night ‘Parrotface’ first spluttered into life.
With a foreword by legendary comedian Ken Dodd OBE, this unique autobiography is a poignant and hilarious evocation of a vanished world, offering insights into the art of stand-up and a richly nostalgic treat for comedy connoisseurs.