- Paperback: 160 pages
- Publisher: Pocket Essentials; 2nd Revised edition edition (7 Jan. 2005)
- Language: English
- ISBN-10: 1904048447
- ISBN-13: 978-1904048442
- Product Dimensions: 18 x 11.4 x 1.1 cm
- Average Customer Review: 4.5 out of 5 stars See all reviews (6 customer reviews)
- Amazon Bestsellers Rank: 3,283,174 in Books (See Top 100 in Books)
French New Wave (Pocket Essentials) Paperback – 7 Jan 2005
Customers Who Bought This Item Also Bought
Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.
To get the free app, enter your mobile phone number.
'A meticulously assembled guidebook covering the influential period of Gallic filmmaking.' -- Boxoffice Magazine, April, 2002
'An excellent primer on the movement.' -- kamera.co.uk
'Entertaining and highly informative, it is certainly the most instantly accessible work on the subject.' -- Leeds Guide, December, 2001
'Manages, despite its brevity, to be both comprehensive and take a critical viewpoint...A fine study.' -- Crime Time, Number 26, 2002 --This text refers to an out of print or unavailable edition of this title.
About the Author
Chris Wiegand writes for "Boxoffice Magazine, Crime Time, Film Threat, "and bbc.co.uk. He is also the author of "Federico Fellini: The Complete Films." --This text refers to an out of print or unavailable edition of this title.
What Other Items Do Customers Buy After Viewing This Item?
Top Customer Reviews
The major films of the New Wave are placed in these chapters- thus the cool early works such as Ascenseur Pour L'Echafaud & Les Amants are located in The Birth of the Cool, while 'Guns, Girls & Gaouloises' focuses on A Bout de Souffle et Tirez Sur Le Pianiste (though you could easily place Bande a Part or Lift to the Scaffold here also). Wiegand points out that Godard's short Il Nuovo Mondo (from RoGoPaG) fits along with Chris Marker's La Jetee, Truffaut's Fahrenheit 451 & Godard's full length Alphaville- noting how the Nouvelle Vague experimented with the SF-genre (Godard's later Weekend has many SF qualities- especially compared to JG Ballard's Crash or Cronenberg's adaptation). I would like to see someone discuss the SF New Wave inflections elsewhere...
As with the other PE's it gives a nice Bibliography of the best works on the genre (such as Douchet's French New Wave or Godard on Godard)- though the note on the availability is mildly incorrect (it's still relatively easy to purchase Jules et Jim, for example). The list of pertinent websites is very helpful.
Regardless, this is a good introduction & primer to a most influential film movement- even if you don't buy into their auteur theory (as William Goldman does not in Which Lie Did I Tell?). A fun read, even if familiar with films such as Zazie dans La Metro, Les Quatre Cents Coups or Pierret Le Fou. A top concise read from those nice folks at Pocket Essentials...
Although these writer/directors inevitably moved on to make features, one more achievement was that they had provided new dignity and a sense of place to the short film. In a short there is an opportunity to reshuffle the cards of film language and take on themes commercial producers avoid on both commercial grounds and the fear of the new. There is a certain comfort in the dull warmth of Plato's cave, our backs to the sun watching shadows on the wall. Show us a glimpse of life beyond the walls of our own narrow world, and the mind will not immediately compute what it is seeing. It is the brave artist - or auteur - prepared to swim against the tide who often finds the greatest success; or at least critical success.
The growth of impressionistic, poetic, surreal, transgressional, boundary breaking, avant-garde exploratory films gave rise to the festival circuit, as well as the introduction of Art House cinemas where audiences can expect to see films that are difficult, complex, controversial or just plain foreign.
Little of this would have been achieved with the French New Wave and Chris Wiegand in this concise Pocket Essential reminds us once again of the debt we owe Truffaut, Rivette, Chabrol, Godard, Rohmer and, of course, the great Andre Bazin.
The book further details how each film came to be made, how it was received when released and what it's influence on later films and directors would be.Although clearly an fan of the New Wave, the author is in no way star-struck and his ratings (out of 5) are sometimes brutally objective and logical. This all makes for an ideal guide which anyone, like myself, who has recently 'discovered' French New Wave films and is hungry for information will find a great help. I found that having read it cover to cover I have referred back to it frequently ever since, so it's a book that will stay on my shelves and rapidly become dog-eared from re-reading - and what better recommendation can there be?
Most Recent Customer Reviews
A wonderful little intro to the films of the French New Wave, worth its weight in gold, including background to the films' making, in-jokes, and the films to go to from each film... Read morePublished on 25 July 2014 by Simon Turner