Franklyn [DVD] 
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Urban fairytale set between modern-day London and the religion-dominated future metropolis of Meanwhile City. The film follows four lost souls divided between the two worlds: Jonathan Preest (Ryan Phillippe), a masked vigilante detective who has vowed revenge on Meanwhile City's leader, Emilia (Eva Green), a beautiful young art student whose difficult relationship with her mother fuels her cynicism and suicidal tendencies, Milo (Sam Riley), a heartbroken thirty-something who remains fixated on his first love, and Peter (Bernard Hill), a deeply religious man who has come to London to search the streets for his missing son.
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Top Customer Reviews
The second time I watched it, I was engrossed from the beginning. It is a really beautiful film, and so, so sad. It's about four damaged people. It's about delusion and illusion. A girl who is trying to make suicide into an art form, a young man whose fiancée didn't turn up for their marriage, a man looking for his son and mourning the death of his daughter. All these people inhabit a thoroughly mundane London. But the fourth lives in Meanwhile City - where everyone, except him, has a religion and non-believers are hunted by the police. The police look like old-fashioned 'Peelers' with high top-hats and dark glasses. Meanwhile City is very reminiscent of Brazil. But the religions are not fanatical - how about 'The Seventh Day Manicurists' - it's simply that you must have one.
The story cuts from the dark, Gothic Meanwhile City straight to the broad daylight concrete ordinariness of Centre Point - it's really jarring and unwelcome, but slowly the stories start to intertwine, the motives and backgrounds start becoming clearer - and the gradually unfolding tragedy becomes more and more compelling. And the end had me in tears.
It's not a sci-fi film, whatever it may be billed as. It's a story about damaged people trying to make sense of what's happened and is happening to them - it's just extreme.
Honestly, it's a mess of a film but it's somehow beautiful, entrancing too. It stays with you. I've got to watch it again.
...His retrospective tells of the grip of religion, how it is used for social control, and how he is investigating one such religious group who have abducted a girl - one whom he is tasked with rescuing. After learning that the girl was killed he is arrested and gaoled, only to be released four years later on condition that he kill the man responsible for the girl's death. Freedom and revenge - a sweet deal.
This is filmed as a dark fantasy with massive gothic buildings and impressive cityscapes which look like something from Tolkien blended with Blade Runner. This contrasts against the other plotlines which are set in contemporary Britain. The dark fairytale and the modern stories both have parallels, the same characters appear and the plots intertwine. It feels a bit messy at first but after a while you can see how the stories are starting to converge and eventually they intersect, the separate plots come together and we see where the stylistic gothic plot involving the masked man originates.
I heard that many people gave up on this film after watching for a while and finding the various sub plots dauntingly difficult to understand, but everything makes sense in the end, and if you can't see it coming after while then you'll certainly recognise it during the final scenes. Franklyn seems to have been marketed in away which appealed to fans of comicbook action films only to disappoint them. I must admit that I thought it was along those sorts of lines, but it isn't.Read more ›
Most Recent Customer Reviews
Not a very good film, I turned it off half way through as It was just boring.Published 6 months ago by DEANO