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Frankenstein [DVD] [Region 1] [US Import] [NTSC]

4.6 out of 5 stars 92 customer reviews

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Product details

  • Format: Black & White, Dolby, Full Screen, NTSC, Subtitled
  • Language: English
  • Subtitles: English, Spanish, French
  • Region: Region 1 (US and Canada DVD formats.)
  • Aspect Ratio: 4:3 - 1.33:1
  • Number of discs: 2
  • Classification: Unrated (US MPAA rating. See details.)
  • Studio: Universal Studios Home Entertainment
  • DVD Release Date: 26 Sept. 2006
  • Run Time: 71 minutes
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (92 customer reviews)
  • ASIN: B000GPIPT2
  • Amazon Bestsellers Rank: 314,558 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)
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Product description

Product description

No Description Available.
Genre: Horror
Rating: NR
Release Date: 26-SEP-2006
Media Type: DVD

From Amazon.co.uk

"It's alive! Alive!" shouts Colin Clive's triumphant Dr. Frankenstein as electricity buzzes over the hulking body of a revived corpse. "In the name of God now I know what it's like to be God!" For years unheard, this line has been restored, along with the legendary scene of the childlike monster tossing a little girl into a lake, in James Whale's Frankenstein, one of the most famous and influential horror movies ever made. Coming off the tremendous success of Dracula, Universal assigned sophomore director Whale to helm an adaptation of Mary Shelley's famous novel with Bela Lugosi as the monster. When Lugosi declined the role, Whale cast the largely unknown character actor Boris Karloff and together with makeup designer Jack Pierce they created the most memorable monster in movie history: a towering, lumbering creature with sunken eyes, a flat head, and a jagged scar running down his forehead. Whale and Karloff made this mute, misunderstood brute, who has the brain of a madman (the most obvious of the many liberties taken with Shelley's story), the most pitiable freak of nature to stumble across the screen. Clive's Dr. Frankenstein is intense and twitchy and Dwight Frye set the standard for mad-scientist sidekicks as the wild-eyed hunchback assistant. Whale's later films, notably the spooky spoof The Old Dark House and the deliriously stylised sequel The Bride of Frankenstein, display a surer cinematic hand than seen here and add a subversive twist of black comedy, but given the restraints of early sound films, Whale breaks the film free from static stillness and adorns it with striking design and expressionist flourishes. --Sean Axmaker --This text refers to an alternate DVD edition.

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Customer Reviews

Top Customer Reviews

Format: DVD
Frankenstein is so well known that even if you haven't seen the film, you will know the cadaverous image of Boris Karloff as the monster. Karloff as an icon of cinema history is probably why there have been relatively few remakes of the film - you cannot think of anyone who could actually BE the monster.
Basically we all know the outline of the story, it has become ingrained in our culture. Henry Frankenstein in convinced that he can create a living being from dead bodies, and does so with the help of an assistant (who surprisingly, for me at least, is called Fritz not Igor in the film - though he is an ugly hunchbacked dwarf). Then, the story goes, the monster goes on a rampage. This, like Igor, is also not fully true, Frankenstein's monster kills Fritz only after being tormented by him, and then inadvertently kills a little girl, who he has been playing with by trying to float her on the lake, the way the two of them have been doing with flowers. We are led to what Mary Shelley wanted us to see, that the monster is an innocent who did not ask Frankenstein to create him, rather than a "real" monster. Generally the creature invites compassion rather than fear, and it is his treatment by others that is the real horror of the film.
Karloff's is the really memorable performance of the film. It was made only a few years after the advent of sound and in this film many of the actors are either ex-silent film actors or ex-stage actors. Whatever their background there is a slight tendency to ham things up a little. This is never a big drawback in a horror film, but it is Karloff's understated, silent performance which makes this film a true classic.
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By Max VINE VOICE on 24 Mar. 2014
Format: DVD Verified Purchase
If you love classic cinema then you have to own a copy of Frankenstein and The Bride of Frankenstein. Both movies in this set have been remastered (the latest mastering) and look better than ever, outside of Blu Ray of course. The debut of Boris Karloff's iconic monster is still a thrill to watch even now. It's funny to think that everything seen in this film would be used and reused by just about every monster movie since. Karloff's performance has never been beaten for sheer emotion for a non speaking role, though Christopher Lee's monster was extremely good too (The Curse of Frankenstein) The Bride of Frankenstein takes the series into black humour, but still doesn't lose any of the initial spectacle that the original had. In fact for sheer entertainment Bride of Frankenstein is the better film in many ways. However having both is a must and will delight classic film enthusiasts (especially on Halloween).
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Format: DVD Verified Purchase
The film 'Frankenstein' and its sequel 'Bride of Frankenstein' are to me the original Frankenstein monster movies and although looking like they are made in the thirties they still for me are very entertaining. When the monster kills the little girl that scene was originally cut out for television being considered too much for the viewing audience but in today's modern world where shocking is a bit blase, the scene is put back in for the DVD. However, I still find it shocking but that is the whole point, the monster is just that and does despicable things. However, a certain amount a sympathy must be reserved for him in the second film when he demands a companion who turns out to be the iconic image of Elsa Lancaster. This must have been a golden age for Hollywood as the special effects for the little people are excellent. Finally, when the monster starts speaking what does he say?: 'smoke good'
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Format: DVD Verified Purchase
James Whale's 1931 film of Mary Shelley's Frankenstein is one of those `museum piece' movies that are still regarded as all-time greats, especially by more senior critics, but which can prove to be a bit of a slog for today's audiences. Of course, the movie was a trend-setter in more ways than one, and features one of cinema's all-time finest performances from Boris Karloff as the tragic Frankenstein Monster, whilst Whale's inventive direction, the splendid sets, the awesome make-up, and Colin Clive's hysterical turn as Henry also contribute to the movie's overall effect.
Unfortunately, the effect of the film is lessened by the generally mediocre scripting and several below-average supporting performances. Mae Clarke is weak as Henry's bride Elizabeth (looking nothing like as gorgeous as Valerie Hobson in the later Bride of Frankenstein), whilst the forgotten Clark Gable look-alike John Boles is almost invisible in the tedious role of Henry's best friend. Edward Van Sloan and Dwight Frye are nowhere near as effective here as they were in Tod Browning's Dracula (released the same year), whilst Frederick Kerr's camera-hogging Music Hall turn as Henry's father is one of the most excruciating acting performances I've seen in any 1930s' film, and totally out of place in what is supposed to be a straight-faced horror movie (`Are ye, by jove').
Whilst both the blackly comic Bride of Frankenstein (1935) and the action-packed Son of Frankenstein (1939) are superior to this movie, from a historical perspective this first film with Karloff as the Frankenstein Monster is one of talking cinema's great early achievements, and a monument to his status as the horror genre's first real star.
Also included here is a good documentary, `The Frankenstein Files', previously featured on Universal's 1999 VHS release of the movie.
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