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In-Flight Entertainment Paperback – 5 May 2011
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`Superbly crafted morality tales, such being Simpson's specialty. Her stories, like the best stories, give the impression of being the last word on the subject, even if, or especially if, that word is enigmatic and open-ended. (She ends her stories beautifully, and never quite the same way twice.) We are told that people these days no longer read short stories. However, they should make an exception for Simpson, and are quite right to do so.' --Guardian
`These are punchy little stories, full of hidden woe and impending doom.' --The Scotsman
`There are more typical stories in this volume about marriages in decline, infidelity and friendship, and they work wonderfully. But it is the stories about climate change that may have you pacing the house at night, switching off your electrical equipment.' --Sunday Times
`The sharpness and poeticism of this collection of short stories will feel familiar to Simpson's admirers.'
`Each story creates a whole world, beautifully described and instantly recognisable. Simpson is a writer who has honed her skills in her chosen area of the short story so well that you know you are reading a master.' --The Bookbag
`Short-story maestro Simpson has produced a collection that asks: are we really going to watch our planet heat up and die? The answer, her finely controlled tales suggest, is yes.'
--The Sunday Times
'A masterful contemporary exponent of the genre. Simpson now deserves to be compared with Flannery O'Connor and Alice Munro' Observer --This text refers to an out of print or unavailable edition of this title.See all Product description
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The title story concerns a socratic dialogue between two men in the first class section of plane. One is a global warming denier, the other a believer and moreoever a scientist who contributed to the studies into global warming. What follows are some dire warnings about whats to come: mass death, the loss of every facet of our priveleged existence, society breaking down into martial law, every man for themselves until the planet is unable to sustain human life on the surface anymore. It stays with you more for its surety in its doomsday portents and the vivid way Simpson describes it, and also because you hope it never comes to pass.
Similar stories follow in the book: "Ahead of the Pack" satirises corporate culture meshing with global warming warnings; "The Tipping Point" features a man unable to sustain his relationship with a woman who is obsessed with bringing peoples' attentions to the urgency of global warming; "Geography Boy" is similar, contrasting medieval visions of the end of the world as depicted in Revelation. "Diary of an Interesting Year" is maybe the best story here. It takes place in 2040 and is told in diary snippets by a woman living in Simpson's dire future. She fights for survival and all the action takes place in between the entries. It's the strongest piece of storytelling I've read of hers and is a fantastic short story.
The non-global warming stories are good too. "Festival of the Immortals" is more light hearted featuring a book festival with world famous authors like the Bronte sisters and James Joyce, all of whom are alive and well in today's society. "Homework" is a mother helping her son with his creative writing homework and she tells him of an alternate life she envisioned for herself under the guise of homework help.
I really liked this book despite it's obsession with doom laden prophecies about our soon-to-be-extinct race. Impressive writing coupled with an acute storytelling sense bring these well conceived stories to life and prove to be Simpson's best book yet. A great read (though perhaps not for those looking for a cheerful pick-me-up).
The stories reminded me of Kurt Vonnegut’s novel Galapagos in that most of them are set in the future, the near-enough to be uncomfortable future at that. I’m like most of my friends and family, we consume things we don’t need – and recent events in Syria warn that we may be just on the edge of a complacency that may kill us all. The reality is that we are not preserving our planet, we are consuming all it provides and asking for more. Some of us think this is nonsense. More and more of us are coming to see that life moves on and if we don’t move with it, we will be left behind.
The subject in question is global warming and what we might be able to do about it. Little pin-pricks of sentences stand out. “I know, I know, there are still people who say it isn’t really happening but they are like my weight-loss clients who say ‘It’s glandular’ or ‘I’ve got big bones. What they’re really saying is ‘I’m not ready to change.’
These stories are wise beyond their age. They are also very human, very acute. We must take note or we may not have a future to waste. “Oh reason not the need,” as Shakespeare said.
A couple of fantasy moments could have been explored in more depth, mainly "The Festival of the Immortals", but even with the shade of Shakespeare somehow lurking in the wings of a literary festival, the story itself is humdrum and lacks conflict, resolution, and, frankly, a point.
Fortunately, I DON'T think this represents the entirety of the short story genre, I think that genre is much wider than this, and while a certain tendency towards vignettes seems to have found favour with the literary critics, it does very little to appeal to this reader.