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Filth [DVD] [2013]

3.8 out of 5 stars 216 customer reviews

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Product details

  • Actors: James McAvoy, Imogen Poots, Iain De Caestecker
  • Directors: Jon S. Baird
  • Format: PAL
  • Language: English
  • Subtitles: English
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Aspect Ratio: Unknown
  • Number of discs: 1
  • Classification: 18
  • Studio: Lions Gate Home Entertainment
  • DVD Release Date: 10 Feb. 2014
  • Run Time: 94.00 minutes
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (216 customer reviews)
  • ASIN: B00FL31Q40
  • Amazon Bestsellers Rank: 4,874 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)

Product Description

Product Description

James McAvoy stars as a corrupt, sociopathic Edinburgh cop in director Jon S. Baird's fast-paced black comedy, adapted from the novel by Irvine Welsh. Bored with his duties as a Detective Sergeant in the Edinburgh police force, Bruce Robertson (McAvoy) gorges himself on a mixture of cocaine, alcohol, sexually abusive relationships and endless junk food, whilst plotting to get one over on his colleagues in his quest for a promotion. But although he nurses hopes of getting back together with his ex-wife Carole (Shauna MacDonald), Bruce soon finds his life spiralling out of control, when his drug addiction and unchecked psychological issues combine to test his grip on reality and push him over the edge.

Extra Content
Feature audio commentary with Writer/Director Jon S. Baird and Author Irvine Welsh
Deleted Scenes
Extended Scenes
Outtakes
Interviews

Customer Reviews

Top Customer Reviews

Format: DVD
Described by critics as likely to leave its audience feeling soiled inside and out, this latest adaptation of an Irvine Welsh novel depicts a Scotland so seamy and sordid that the country's tourist board will be having many a collective sleepless night. Opening with the brutal kicking to death of an innocent Japanese student, the film quickly introduces its anti--hero, the thoroughly amoral and mind-bogglingly lecherous DS Bruce Robertson, in the form of an outstanding James McAvoy, oozing malice and corruption from every conceivable pore.

Alongside colleague and friend Ray Lennox - a wolfish Jamie Bell (if it's possible for such a monster to have a friend), Robertson snorts vasts quantities of cocaine, masturbates furiously in an agony of self-loathing (the latter symbolised by his seeing himself as a grunting, malicious sentient pig in regular hallucinations), physically and verbally abuses suspects, and at one point forces a fifteen year old schoolgirl to give him a blow-job. The despair and nihilism projected by this character is contextualised by his only other real `friend', the neurotic and bashful Clifford Blades, ably played by the naturally hangdog Eddie Marsan, who Bruce persistently and systematically tries to bring down to his level. As Bruce's superior, John Sessions provides quality support, as does Jim Broadbent as an increasingly deranged psychiatrist and the manifestation of the tapeworm that is steadily growing in Bruce's guts and which is contributing in no small part to his toxic personality.

I approached the film with some trepidation after reading of its stomach-churning tone and reprehensible characters, however it wasn't nearly as horrifying as I expected (or maybe I've been desensitised?!
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By KG TOP 500 REVIEWER on 27 Nov. 2014
Format: Blu-ray
While it can't compete with "Trainspotting" for the best adaptation of an Irvine Welsh novel (and loses some points for feeling stylistically imitative of Boyle's amazing film at times), it's still an enjoyable super-high energy romp through the muck of one cop's sick and twisted mind.

That messed up cop is played with verve and abandon by James McAvoy. McAvoy is joining actors of his generation like Christian Bale and Ryan Gosling who have the uncanny ability to disappear into wildly different characters seamlessly, and without a lot of `look at this character I created' theatrics.

The supporting cast is this blacker than black comedy of no manners is also terrific, with Eddie Marsan as McAvoy's hapless and meek one real friend standing out in a cast full of stand outs.

Jon Baird directs with so much manic energy the film keeps threatening to derail (and not every scene works, some hitting the metaphors and symbols way too on the nose). But Baird just manages to keep it together enough so that the wretched excess in this story of a detective who will stomp on everyone around himself in hopes of getting a promotion works as a sort of Brecht on acid character study, and not a student film gone wrong (though it gets close at moments).

Not the sort of film to see if you're feeling cranky and critical, but if you want to watch a young(ish) director and some excellent actors push the limits as they look inside the heart of darkness until you don't know whether to laugh or turn away, you could do a lot worse than "Filth".
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Format: DVD
This is another film adaptation of an Irvine Welsh novel that was referred to as "unfilmable", although when reading the book when it first came out I for one was struck by the tightness of the narrative and the cinema-friendly focus on a single protagonist.

The antihero in question is Bruce Robertson (James McAvoy), a dodgy copper trying to make the most of a promotion opportunity by ruining his rivals through a series of cruel intricate schemes. Meanwhile, his mind is deteriorating, and he's haunted by flashbacks, waking dreams, and humanoid livestock. The film is fairly faithful to the source, and the changes (including some understandably blunted edges) are down to the different artform.

Irvine Welsh has said that McAvoy's performance is better than De Niro's in Taxi Driver. I don't think this is a suitable comparison. Scorsese's seminal feature was about a post-traumatic depression, whereas Jon S. Baird's film is more manic. For me, the film Filth most resembles is A Clockwork Orange. Like Kubrick's masterpiece, the entire aesthetic is informed by the subjectivity of the central character. And there are subtler nods: the use of classical music, the bleached windows, Jim Broadbent's reinvention of the Deltoid character (a probation officer then, a psychiatrist now), and the visual reference to 2001: A Space Odyssey.

Before the film's release, I wasn't convinced by the casting of McAvoy, but after watching it I can safely say he's transformative - to capture such bipolar savagery and the fear in a single facial expression is the sign of a special performance. The supporting cast provides a colourful blend of caricatures. Jamie Bell, Eddie Marsan and Imogen Poots all make an impact in the few moments when McAvoy isn't dominating the screen.
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