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Film Art: an Introduction Hardcover – 1 Mar 2003

4.4 out of 5 stars 22 customer reviews

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Product details

  • Hardcover: 532 pages
  • Publisher: McGraw-Hill Inc.,US; 7th edition (Mar. 2003)
  • Language: English
  • ISBN-10: 0071215921
  • ISBN-13: 978-0071215923
  • Product Dimensions: 25.6 x 21.6 x 2 cm
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (22 customer reviews)
  • Amazon Bestsellers Rank: 139,291 in Books (See Top 100 in Books)

Product Description

About the Author

David Bordwell is Jacques Ledoux Professor Emeritus of Film Studies at the University of Wisconsin-Madison. He holds a master's degree and a doctorate in film from the University of Iowa. His books include The Films of Carl Theodor Dreyer (University of California Press, 1981), Narration in the Fiction Film (University of Wisconsin Press, 1985), Ozu and the Poetics of Cinema (Princeton University Press, 1988), Making Meaning: Inference and Rhetoric in the Interpretation of Cinema (Harvard University Press, 1989), The Cinema of Eisenstein (Harvard University Press, 1993), On the History of Film Style (Harvard University Press, 1997), Planet Hong Kong: Popular Cinema and the Art of Entertainment (Harvard University Press, 2000), Figures Traced in Light: On Cinematic Staging (University of California Press, 2005), The Way Hollywood Tells It: Story and Style in Modern Movies (University of California Press, 2006), and The Poetics of Cinema (Routledge, 2008). He has won a University Distinguished Teaching Award and was awarded an honorary degree by the University of Copenhagen. His we site is www.davidbordwell.net.

Kristin Thompson is an Honorary Fellow at the University of Wisconsin-Madison. She holds a master’s degree in film from the University of Iowa and a doctorate in film from the University of Wisconsin-Madison. She has published Eisenstein's Ivan the Terrible: A Neoformalist Analysis (Princeton University Press, 1981), Exporting Entertainment: America in the World Film Market 1907-1934 (British Film Institute, 1985), Breaking the Glass Armor: Neoformalist Film Analysis (Princeton University Press, 1988), Wooster Proposes, Jeeves Disposes, or, Le Mot Juste (James H. Heineman, 1992), Storytelling in the New Hollywood: Understanding Classical Narrative Technique (Harvard University Press, 1999), Storytelling in Film and Television (Harvard University Press, 2003), Herr Lubitsch Goes to Hollywood: German and American Film after World War I (Amsterdam University Press, 2005), and The Frodo Franchise: The Lord of the Rings and Modern Hollywood (University of California Press, 2007). She blogs with David at www.davidbordwell.net/blog. She maintains her own blog, "The Frodo Franchise," at www.kristinthompson.net/blog. In her spare time she studies Egyptology.

The authors have also collaborated on Film History: An Introduction (McGraw-Hill, 3rd. ed., 2010) and, with Janet Staiger, on The Classical Hollywood Cinema: Film Style and Mode of Production to 1960 (Columbia University Press, 1985). --This text refers to an out of print or unavailable edition of this title.


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Top Customer Reviews

Format: Paperback
Never before have I come across a body of text that has provided not only the tools for academic success within the subject, but inspiration for taking my own work to new levels through the intensive research Bordwell & Thompson have gone through. In my own studies 'Film Art' has been an inspiration and the summarisation of other works within it has meant less time needed on reading and more can be concentrated on putting pen to paper. A rare theoretical must-have.
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Bought this second hand. Arrived promptly and in excellent condition. This text book is an absolute must have for all film students. Informative chapters on editing, lighting and mis en scene. Detailed examples are provided to assist your understanding. Great value for money
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If you are studying film or moving image at university you really need to buy this book- it will be helpful throughout your degree. It is a classic in introducing the study of film form. It's comprehensive, written in clear English (very little confusing jargon),has superb illustrations, and this ninth edition brings it bang up to date. So it is worth the relatively high cost. Check out David Bordwell's blog for more film discussion.
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Basically a necessity for Film students at university. The book is really detailed and almost all of it still applies to today's studies. Don't bother getting the new editions of the book, this one has everything you'll need.
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Format: Paperback Verified Purchase
As the title says, its the best. You wouldn't necessarily need the most recent edition unless your after more up to date examples and different information, but fundamentally this is great. Authored by the most well known authors this book will most definitely see you to a first class degree.
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Format: Paperback Verified Purchase
This book has been extremely helpful to me. It covers the basics and is easy to follow. The references to films made it even more helpful. A great buy. Would recommend.
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Format: Paperback Verified Purchase
I first encountered Film Art on my degree course and found it to be an invaluable source of information. Decades later I wanted to read it again and found the updated version just as useful and engaging. For anyone who loves film, this is a fascinating read, expertly written and full of examples from cinema around the world. The fact that I could pick up a copy second hand so cheaply was excellent - a new copy will set you back over £70.
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Format: Paperback
Definitly a great book. Another's not expected from David Bordwell. Anyway, I wont rate this item with 5 stars, just because the book's not hard covered. At least I expected that, for this price, the book had a better graphic detail. About the seller, nothing to say. I ordered the book one day, 4 days later, it was arrived! ;)
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