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The Fellowship of the Ring Paperback – 30 Aug 2012

4.6 out of 5 stars 1,548 customer reviews

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Product details

  • Paperback: 448 pages
  • Publisher: HarperCollins; Film tie-in edition edition (30 Aug. 2012)
  • Language: English
  • ISBN-10: 0007488319
  • ISBN-13: 978-0007488315
  • Product Dimensions: 13 x 2.9 x 19.7 cm
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (1,548 customer reviews)
  • Amazon Bestsellers Rank: 4,589 in Books (See Top 100 in Books)

Product Description

Review

‘The English-speaking world is divided into those who have read The Lord of the Rings and The Hobbit and those who are going to read them.’ Sunday Times

‘A story magnificently told, with every kind of colour and movement and greatness.’ New Statesman

‘Masterpiece? Oh yes, I’ve no doubt about that.’ Evening Standard

From the Publisher

Also availbale on cassette and CD from HarperCollins Audio Books. --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

Top Customer Reviews

Format: Paperback
To all the people who've given this a low mark, and all seem to have the same gripe with it - you all fail to understand that this is not a novel in the sense we've come to understand as a fantasy novel these days, so it's not fair to judge it as such.
Tolkien was not a career author, he didn't set out to write a searing page-turner, a wizzbang tale of derring-do in 500 sizzling chapters. Gandalf doesn't hurl raging fireballs at enemies, Aragorn doesn't have a sex scene with Arwen while doing Eowyn behind her back, there's no pandering to the lowest common denominator to flog a few more copies.
Tolkien barely cared if no one ever read it. He was writing it largely for himself and his friends and family.
You're all guilty of confusing the result of Tolkien's legacy and influence (virtually every other fantasy novel, movie or game) with his actual work, and expecting to see in the father what you've seen in his unruly children.

Judge it for what it is, not for what you wanted it to be as a modern fantasy reader.
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Format: Hardcover
We all know that the The Lord of the Rings is a work of genius, so this review covers this particular published version (The Lord of the Rings: 50th Anniversary Deluxe Edition). First off this book is expensive and in format it is only a little larger than the paperback version. Also apart from the three pages from the book of Mazurbul there are no illustrations. First impressions will probably leave most people wondering where their money went. So what do you get for the money?
Well, clearly the publishers have spent some time thinking about how to add both quality and usability. There are two fold out maps printed in black and red. Not spectacular and in size these cover no more space than if they were printed across two pages. However, because they are fold out they are easier to read and if left "folded out" can be referred to whilst reading text on other pages.
The slip cover works well and is has a sturdy feel. The paper has a quality (non glossy) feel and is much whiter than other versions (especially the paperback) I have seen. Combined with a very crisp font this makes the book easy to read, something I struggle with in some of the cheaper published versions. Somehow when the book is closed after use the pages easily compress back to their original size making the slip case easy to use without the case being oversized.
It would have been easy for the publishers to have fallen into the trap of printing this book in the larger format of some Lord of the Rings books. However, the Lord of the Rings is a long story and these larger formats are very difficult to read due to the weight of the books. This book can actually be used!
Overall the book has an understated feel of quality which will grow on you. However there is no getting away from the premium price.
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Format: Audio CD
Then Rob Inglis will read you the best story ever written.

Story telling is a tradition that predates book writing and reading by thousands of years. These days it's a luxury to be able to listen to the story teller. I've read Lord of the Rings too many times to be able to remember but up to now, nobody has ever read it to me. Rob Inglis has remedied that sad deficit. It took me a short while to get into the unfamiliar 'listener' state of mind because listening is a different discipline, a different skill, to reading. Somehow, it takes more concentration but perhaps that's just because of lack of practise. Once the right level of concentration was achieved, Rob Inglis's voice and the images it conjured, filled my mind to the exclusion of all else. It's hard to imagine the craft of story telling being executed any better than this.

This story teller managed to reproduce the voices of hobbits, men, elves, dwarves, wizards, eagles, nazgul, orcs and Gollum - all different and all very fitting for the characters represented. Not only that but he sang each song from the book, unaccompanied and they all sounded good.

It's the best present anyone has given me and I expect to listen to it at least as many times as I've read the book.
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Format: Audio CD
I had the privilege of working in the same building as Rob Inglis (at the same job, as it happens), the actor chosen to record these verbatim recordings, for a brief period some years ago. We weren't friends as such, just acquaintances. At the time I was unaware of his Tolkienian pedigree, but I was well aware of his mellifluous voice and amiably charismatic persona: it was a quality that made that particular place of work a lot more palatable for me, and no doubt many others.

Now, on to the LOTR adaptation in question, by way of a tangential question: would you expect a painting to work on your senses in exactly the same way as a piece of music? Whilst there might be similarities, parallels, and so on, essentially the answer is no, because the two mediums are fundamentally different. Some reviewers here seem to miss that kind of distinction. This version of LOTR is the equivalent of a fireside reading of yesteryear (in itself a wonderful thing, and part of a distinguished cultural heritage that predates the instant pleasures of TV and the iPod by many millennia), not a full cast dramatisation complete with sound effects. And taken on those terms, Inglis does a fantastic job. To expect one person to create a world as deeply multifaceted as can be recreated by a large team of actors, producers, engineers and so on at the BBC is clearly a bit dumb. Sure, I prefer the music in the BBC version, but they had a composer to work specifically on it, plus various singers (inc Oz Clarke, of wine-tasting fame) to flesh it out. On the other side of the equation, they had to cut out large tracts of the text to make the series a manageable size. What the Inglis version lacks in production values and vocal technique it more than makes up for in being a complete reading.
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