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Falling Angels Paperback – 14 Aug 2014

4.2 out of 5 stars 148 customer reviews

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Product details

  • Paperback: 416 pages
  • Publisher: The Borough Press; New Ed edition (14 Aug. 2014)
  • Language: English
  • ISBN-10: 0007217234
  • ISBN-13: 978-0007217236
  • Product Dimensions: 12.9 x 2.5 x 19.8 cm
  • Average Customer Review: 4.2 out of 5 stars 148 customer reviews
  • Amazon Bestsellers Rank: 40,290 in Books (See Top 100 in Books)
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Amazon Review

In Falling Angels, Tracy Chevalier has combined a moving elegy to the lost innocence of the 21st century's grandmothers and great-grandmothers with a reminder of the strength and modernity of their aspirations and achievements. Maude and Livy are aged six in 1901, when Queen Victoria has just died and the whole country is in mourning. In 1910 they are almost young women who have experienced their own personal losses and belong to a generation who are no longer prepared to wear black for months to mark the death of Edward VII. Their families, the Colemans and the Waterhouses ("no relation to the painter"), meet in a graveyard beside their family graves. One has a large marble angel erected above it, the other an urn (an allusion more to the morbidity of a Victorian columbarium than the eternity of Keats' pre-Victorian "unravish'd bride of quietness"). Their choices of a monument to death seem to reflect their differing attitudes to life, but Chevalier makes clear that these two families are forever linked in their fates and aspirations.

The story moves swiftly, switching to multiple narratives: young but quickly maturing Maude and Livy; the adult Colemans and Waterhouses; their servants; and Simon the gravedigger boy. Chevalier has chosen carefully who speaks when, and who, more importantly, keeps silent. Livy's little sister Ivy May is one of the most beguiling figures of the work, but is given only two sentences of her own (and those two bring a lump to the throat). Mrs Coleman's experiences with the campaign for women's suffrage are marginalised through silence; Maude and Livy tell instead of their reaction to the women's antics. And while Falling Angels may be a story of women, despite, or perhaps because of their exclusion from contemporary politics, Simon's observations are the most honest and revealing.

Chevalier herself writes after the story's end that "the Acknowledgements is the only section of a novel that reveals an author's "normal" voice. Every character uses their "normal" voice in this novel, and Chevalier's own voice excels in ensuring that each one is unique (for example, everything is "delicious" for Livy), so that, like Mr Coleman mourning his daughter growing up, you will "miss her when she goes". --Olivia Dickinson --This text refers to an out of print or unavailable edition of this title.

Review

‘Sex and death meet again in Tracy Chevalier's marvellous evocation of Edwardian England’ Daily Mail

‘Cleverly atmospheric’ Sunday Telegraph

‘The author's grip on the reader is as powerful as in her first novel. It is almost impossible to break off reading this driving narrative’ Independent

‘A master stylist in the making’ Boston Globe

‘Writing about the past ― especially this much written-about period ― has its pitfalls, but Chevalier has triumphantly avoided them. The result is a novel that shows both the strangeness of the world as it was and its closeness to our own time’ The Times

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