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FRANCK: PIANO TRIOS SACD

5.0 out of 5 stars 1 customer review

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E. Franck: Piano Trios
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Audio CD, SACD, 3 Apr 2009
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Product details

  • Composer: Eduard Franck
  • Audio CD (3 April 2009)
  • Please Note: Requires SACD-compatible hardware
  • Number of Discs: 1
  • Format: SACD
  • Label: AUDITE
  • ASIN: B001TKQDGU
  • Other Editions: Audio CD  |  MP3 Download
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: 449,125 in Music (See Top 100 in Music)
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Track Listings

Disc: 1

  1. Piano Trio in E Minor, Op. 11 - Various Performers
  2. Piano Trio in D Major, Op. 58 - Various Performers

Product description

AUD 92567; AUDITE - Germania; Classica da camera Trio

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Top Customer Reviews

Format: Audio CD
If you have been following and enjoying Audite's invaluable survey of Eduard Franck's work, you'll have been looking forward to this new release as much as I have. And I can confirm that it doesn't disappoint.

Franck seems to have composed in pretty much the same vein throughout his life and both these works contain his signature qualities - an abundance of attractive melody, occasional rustic overtones, bitter-sweet melancholy and a sure sense of structure. The music is conventional and content to work within an Early Romantic sense of classical form. As in his other recorded pieces, the scherzos are infectious and buoyant and the slow movements lyrical and, while not plumbing any great depth, often quite touching and tender.

The trio in E minor has an expansive opening `allegro', which the artists play at a relatively leisurely pace - they obviously placed due emphasis on the `moderato con espressione' markings; I would perhaps have preferred a little less indulgence, but there is much lovely music here, to linger over which isn't much of a problem. The finale opens strikingly with some florid solo violin writing and this sets the tone for an energetic and memorable finish to the work.

The D major trio opens with an allegro that feels more concisely argued and there is a fine development section that sets the seal on this satisfying movement. The scherzo is particularly delightful; as it trips merrily along, you might feel the composer's memory of a country dance is not far away. The `andante con moto' alternates two of Franck's loveliest melodic inspirations and the finale, with further rustic echoes (this time with a distinct reminiscence for modern day listeners of Haydn's Symphony No.
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