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Experiments in Mass Appeal [bonus DVD][digipak] Special Edition

4.2 out of 5 stars 26 customer reviews

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£22.73 & FREE Delivery in the UK. Details Only 2 left in stock (more on the way). Dispatched from and sold by Amazon. Gift-wrap available.

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Frequently Bought Together

  • Experiments in Mass Appeal [bonus DVD][digipak]
  • +
  • Milliontown
  • +
  • THE ROCKFIELD FILES
Total price: £48.90
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Product details

  • Audio CD (24 Nov. 2008)
  • Number of Discs: 2
  • Format: Special Edition
  • Label: Inside Out
  • ASIN: B001GJ30BK
  • Other Editions: Audio CD  |  MP3 Download
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (26 customer reviews)
  • Amazon Bestsellers Rank: 37,815 in Music (See Top 100 in Music)
  • Sample this album Artist (Sample)
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Customer Reviews

Top Customer Reviews

Format: Audio CD
If you haven't bought Milliontown by Frost*, buy it now! But, this album is better!!!!

Frost* are the most dynamic Prog band the UK has produced for many years, technically brilliant, superb performers, Jem Godfrey is an amazing tunesmith and producer, and the most contemporary sounding band out there. Milliontown laid the foundation, but this album pushes boundaries.

In short, big sounds, complex but very listenable songs and a performance that is unmatched by 90% of Progressive bands.

Experiments In Mass Appeal is an album of soaring highs, soundscapes to die for and possesses a feel that no other album I have bought this year begins to get close to.

Stand out tracks for me include Dear Dead Days (a tour de force!), Falling Down and Toys. Simply stunning, I'm sure these tracks will appeal to any listener who is serious about music of any genre.

The double pack contains the Frost* video blogs originally posted on YouTube during the making of the album, but the disc also contains the instrumental versions of the album as MP3 files. A superb and unexpected bonus to be sure.

Basically, if you don't buy any other album this year, buy this one and enjoy.

6 stars out of 5. Get it now!
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Format: Audio CD
I picked up this album on release date, with the soaring guitar solos and epic soundscapes of Milliontown not too far away, still curled up in the back of my mind and yearning to be unleashed once again. I loved Frost*'s debut album, and was very eager to check up on their follow-up, to see if they could replicate the magic. What I discovered, to my eternal astonishment, was that Frost* had changed the formula quite noticeably.

It isn't just the change in personnel, although the new vocal style is very different. Nor the number of tracks, or the slightly more cathartic tone. 'Experiments in Mass Appeal', as a full album, smacks delightfully of a band that is simply more complete than it was before. If there was an over-reliance on keyboards and guitar solos in the previous release (perhaps the only complaint), the band has sewn together slightly more for this release, and really do sound fantastic. The track to highlight this difference is the magnificent 'Dear Dead Days', or perhaps the very...well, different 'Pocket Sun', which has killer riffs and sweeping vocals in abundance. At any rate, I was very surprised with this album, but in a very tingling, pleasant sort of way.

It kicks off with the title track, which more or less sums up the album as a whole - lovely vocal choruses and harmonics, some great guitar work, and the same stellar drummer that is present throughout the album. I can safely say that if you don't like this track or 'Dear Dead Days', I would advise not picking this one up, as they are a decent way of concluding roughly what Frost's new sound is. 'Welcome to Nowhere' and 'Pocket Sun' are both pretty rocking affairs, melting along in a pot of heavy, delayed guitar riffs and some exceptional drumming on the latter track in particular.
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Format: Audio CD
The first time I heard this album it left me cold. I made the mistake of trying to listen to it in my car and not giving it my undivided attention. In terms of the effort it takes to fully appreciate the complexity and stunning musical virtuosity at work here I am reminded of my first encounter with Dream Theater's "Scences From a Memory". Play it loud on a decent hi-fi, listen without distraction, and let the dynamics blow you away. Three or four listens into this album I came to realise that this really is one of those rare masterpieces that come along once in very long while.

The sound is very different to Milliontown which was full-on prog synthesizer heaven. There is a much more contemporary sound and the sound is not really "prog" at all, at times pop, metal and even industrial. The way the very complicated wall of sound is built up reminds me of Devin Townsend from the progressive metal world. The parts normally played on keyboard are being played on Mitchell's guitar and Jowett's bass. The melodies are strong, the flow of songs perfect. The drumming at times is insane and the vocals much stronger than on the previous album. Very much like listning to Muse I can play this and not feel my age; it is rock in the true "progressive" sense rather than a pastiche of 70's progressive rock. Those of you expecting another Milliontown will be shocked but ultimately rewarded with a musical experience that is going to blow your mind away.
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Format: Audio CD
Written for someone new to Frost - as I am.

My record collection contains a lot of 70s prog rock (King Crimson, Yes, Jethro Tull, Caravan, ELP, VDG, Floyd... you know the sort of stuff I mean). In the last couple of years I've been looking for a more modern take on prog. This has led me to a number of bands that are new to me (The Mars Volta , Pure Reason Revolution, Porcupine Tree, Ozric Tentacles, Tool, and Frost, which brings us to this review.

This is (as a previous reviewer remarked) not an album for listening to while driving, there are quite a few quiet passages that would be missed. Quiet sections can quickly become a full on aural assault.

I feel I may be judging this album harshly by giving it only 4 stars as it is actually very good. The reason I'm only giving 4 stars is because I'm comparing it to some truly great albums from the past - in modern context I'd be tempted to give it a 5. Some of it is a little heavier than traditional progressive rock (let's not get into what is and is not prog!) but that seems to be the trend these days and I have no problem with that.

I'll not attempt to describe the sound of Frost, I'll leave that to those better qualified than I. Suffice to say, if you like the same music that I do (see above), then there is a good chance you'll like this album.
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