If you wish to delve into Euro horror (and why wouldn't you?) this is a good informed place to start. Here Nosferatu rubs shoulders with Cannibal holocaust and Caligari meets Argento. The reviews are intelligent and respectful. Many obscure titles are mentioned including Viy (a super little Russian movie) and Dark Waters (By Mariano Baino). Most titles are now out on DVD so it's worth getting this before going shopping on Amazon. Enjoy.
Consisting of 100 (assuming you hadn't already guessed it from the title) reviews of Euro Horror movies spanning from the silent period right up to the modern day, from the east side of Europe to the west (north and south too), this (physically smaller than expected) book devotes around 2 - 3 pages to each film and is written by a variety of scholars, professors, etc, rather than well known genre journalists such as Kim Newman and the like. Admittedly after reading the opening pages and seeing the 'credentials' of each reviewer up front I wasn't overly optimistic, but whilst there is the occasional dribbling on about gender issues and other kinds of intellectualisation that sometimes drags entertainment straight out of the 'entertainment' category that it was really intended to be a part of, the material itself is generally quite readable and periodically enlightening.
For the films I've seen that are covered (for the record I consider myself to be a fan of this type of material already) there are some nice write-ups (it was cool to see Herzog's version of Nosferatu so well regarded for example), alongside a handful of movies that I'm not particularly familiar with, or haven't heard of at all prior to picking up this book. There were even a few surprise inclusions given the academic nature of the people selecting subjects for this book - for example I was surprised to see Umberto Lenzi in here, Tombs of the Blind Dead (the first part of a series of movies I love watching), Lamberto Bava's Demons, and even some Jean Rollin and Jess Franco. So while you may not be astounded by the presence of Dario Argento (all of his best films are expectedly included) and Mario Bava, there is certainly a good cross-section of directors and movies analysed ensuring that the book really does present a appropriately wide range of Euro Horror to whet the appetites of old and new fans alike.
I had only seen about ten of the films in this book but wanted to get a lot more horror films so i got this as a guide. The reviews, by a range of authors including critic Kim Newman are excellent and i was able to pick the films that sounded most appealing and find most of them on dvd on amazon.
Out of the three i've read in the series (100 american independent films, 100 soundtracks and this) this one is the best and most consistently absorbing.