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From Elvish to Klingon: Exploring Invented Languages Hardcover – 27 Oct. 2011
| Michael Adams (Editor) See search results for this author |
Introduction by Michael Adams
Linking all invented languages, Michael Adams explains how creating a language is intimidating work; no one would attempt to invent one unless driven by a serious purpose or aspiration. He explains how the origin and development of each invented language illustrates inventors' and users' dissatisfaction with the language(s) already available to them, and how each invented language expresses one or more of a wide range of purposes and aspirations: political, social, aesthetic, intellectual, and technological.
Chapter 1: International Auxiliary Languages by Arden Smith
From the mythical Language of Adam to Esperanto and Solrésol, this chapter looks at the history, linguistics, and significance of international or universal languages (including sign languages).
Chapter 2: Invented Vocabularies: Newspeak and Nadsat by Howard Jackson
Looking at the invented vocabularies of science fiction, for example 1984's 'Newspeak' and Clockwork Orange's 'Nadsat', this chapter discusses the feasibility of such vocabularies, the plausibility of such lexical change, and the validity of the Sapir-Whorfian echoes heard in such literary experiments.
Chapter 3: 'Oirish' Inventions: James Joyce, Samuel Beckett, Paul Muldoon by Stephen Watt
This chapter looks at literary inventions of another kind, nonsense and semi-nonsense languages, including those used in the works of James Joyce and Samuel Beckett.
Chapter 4: Tolkien's Invented Languages by Edmund Weiner
Focussing on the work of the accomplished philologist J.R.R. Tolkien, the fifteen languages he created are considered in the context of invented languages of other kinds.
Chapter 5: Klingon and other Science Fiction Languages by Marc Okrand, Judith Hendriks-Hermans, and Sjaak Kroon
Klingon is the most fully developed of fictional languages (besides Tolkien's). Used by many, this chapter explores the speech community of 'Trekkies', alongside other science fiction vocabularies.
Chapter 6: Logical Languages by Michael Adams
This chapter introduces conlangs, 'constructed languages'. For example, Láaden, created to express feminine experience better than 'patriarchal' languages.
Chapter 7: Gaming Languages and Language Games by James Portnow
Languages and games are both fundamentally interactive, based on the adoption of arbitrary sign systems, and come with a set of formal rules which can be manipulated to express different outcomes. This being one of the drivers for the popularity of invented languages within the gaming community, James Portnow looks at several gaming languages and language games, such as Gargish, D'ni, Simlish, and Logos.
Chapter 8: Revitalized Languages as Invented Languages by Suzanne Romaine
The final chapter looks at language continuation, renewal, revival, and resurrection - in the cases of Gaelic, Welsh, Cornish, and Breton - as well as language regulation.
- ISBN-100192807099
- ISBN-13978-0192807090
- Edition1st
- PublisherOUP Oxford
- Publication date27 Oct. 2011
- LanguageEnglish
- Dimensions19.81 x 3.05 x 13.72 cm
- Print length304 pages
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the book ought to be read by anyone with an interest in the future of Scots, Gaelic, and even English. (The Scotsman)
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- Publisher : OUP Oxford; 1st edition (27 Oct. 2011)
- Language : English
- Hardcover : 304 pages
- ISBN-10 : 0192807099
- ISBN-13 : 978-0192807090
- Dimensions : 19.81 x 3.05 x 13.72 cm
- Best Sellers Rank: 1,689,948 in Books (See Top 100 in Books)
- 854 in Sociolinguistics
- 1,235 in Curiosities, Imponderables & Wonders
- 2,348 in Historical & Comparative Linguistics
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The editor/author has gathered eight writers (or, in some cases, groups of writers) to tackle in turn eight chapters, each about language alternatives of one sort or another. This stretches the book's actual subject matter rather beyond what the title says.
The core of the book, for people who will read the words on the tin, is the two chapters about attempts to create a new language for its own sake - Tolkien's Elvish and Okrent's Klingon (the Klingon chapter is written mainly by Okrent himself). The chapter on Elvish is a tad reverent, the chapter on Klingon a bit tongue-in-cheek, as you would expect - but both are of a good length, fascinating, well-written, and tell you where to go to find out more.
But Elvish and Klingon together(plus a chapter about the languages, sometimes quite developed and sometimes hardly more than verbal codes, that have been invented for computer games) don't take up much more than 150 pages.
So we have a chapter on attempts to engineer a general language in the cause of peace: Volapuk and Esperanto, among others. Of course devising an 'International Auxiliary Language' can't really be called language creation - it's more like language distillation, seeking to render down the various eccentricities of (mainly) European tongues into a medium of basic communication. Anyone who has read about the incredible complexity and sheer expense of having to provide simultaneous translations and paperwork for the European Parliament would wish that those well-paid MPs and their staff were OBLIGED to pass an exam in Esperanto: six centuries ago, similar business was done in far more difficult Latin. The chapter is rather dry but certainly interesting.
The half-chapter on Orwell's Newspeak deals with a curiously similar smoothing-down, this time of a single language (English) - and this time for a malign purpose; not for the sake of international peace but as a weapon of government control. Again, it's not really about language creation but about language manipulation. And Orwell's work is satire - 'Newspeak' is always with us, every time we open a newspaper or listen to a political speech.
As for the chapter which examines the wordplay of Joyce, Beckett and Muldoon as if their work is a conscious fashioning of a new, free, Irish English - well, I think that's a bit of special pleading on the part of the writer! Joyce & co are surely part of a movement of playful English writing that bubbled up through the Victorian crust about 150 years ago with Jabberwocky and The Dong With The Luminous Nose. It was Lewis Carroll who invented (and named) the 'portmanteau word', much used by all these writers. The heirs of 19thC Nonsense writing include not only Joyce & co over the water but also Dylan Thomas in Llareggub, the Goons, Stanley Unwin and Anthony Burgess, whose street-slang in A Clockwork Orange, rather awkwardly, shares a chapter of this book with Orwell's Newspeak.
The Orwell/Burgess chapter and the Joyce/Beckett/Muldoon chapter are really pieces of 'Lit Crit', and are certainly not about the invention of a language from scratch. They are quite a nice read, whether you agree with their arguments or not - and will certainly achieve a wider readership as parts of this book than if they had been offered to some academic publication - but they have surely been included to make the book thicker.
Curiously, it is with the last chapter - about the revival of real old languages such as Hebrew and Irish - that we get back on track with what is, truly, language invention. And what a controversial matter it is! I myself remember (before the days when you could record a TV programme) a friend whose first language was Scottish Gaelic stopping up till 3am to watch a play in Gaelic performed by Edinburgh University students. He was bitterly disappointed - 'I couldn't understand one single word!' - and angry, too, that the language he had been speaking every day from babyhood had been appropriated and made into something alien but official. The author of the chapter recounts how Irish country people will turn the radio off when a program in the new academic Irish comes over the airwaves. I know that there are at least three 'Welshes' in Wales and that many folk who get by with 'Chapel Welsh' regard 'Cardiff BBC Welsh' as a pastime for pseuds.
All in all, a fascinating mixed-bag of a read, well worth buying. And - just as in The Lord Of The Rings - the appendices are some of the most interesting bits.