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Easter Everywhere Import

4.9 out of 5 stars 9 customer reviews

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Product details

  • Audio CD (15 Dec. 1993)
  • Number of Discs: 1
  • Format: Import
  • Label: Gotham
  • ASIN: B000000860
  • Other Editions: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.9 out of 5 stars  See all reviews (9 customer reviews)
  • Amazon Bestsellers Rank: 315,097 in Music (See Top 100 in Music)

Track Listings

Disc: 1

  1. Slip Inside This House
  2. Slide Machine
  3. She Lives In ( A Time Of Her Own)
  4. Nobody To Love
  5. Baby Blue
  6. Earthquake
  7. Dust
  8. I've Got Levitation
  9. I Had To Tell You
  10. Postures (Leave Your Body Behind)

Customer Reviews

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Top Customer Reviews

Format: Audio CD
The second album by the acid-fried Texas quintet, Easter Everywhere still remains one of my favourite albums from the mid sixties. Released in 1967, it was one of the few albums to really deliver in the climate of acid rock and psychedelia from a garage/punk band. The lengthy opening track "Slip Inside This House" is a stoned classic and a call to arms for all the freaked out generation and was later covered by Primal Scream on their Screamadelica album. Half way through the track you get the feeling it is going on too long, but then you just drift with it and finally mourn it's ending when it does come to a close. Elsewhere there are further gems such as "Nobody To Love" which in essence is the flip (in sentiment) of the Airplane's "Somebody To Love". "Dust" tugs at the heart strings like few other songs do and really adds depth of feeling to the album. There is the storming "Levitation" and other standouts too such as "Postures (Leave Your Body Behind)". Although many people think their first album is the best, I disagree, this album was their best outing for me and doesn't sound as dated, despite the lyrics which are pure acidhead visions put to music.
Incidentally, if you don't mind paying a bit more you'd be better going for the Charly box set of 3 cds which has all their three albums plus loads of rarities, "Fire In My Bones" being a lost gem finally uncovered. But if you're on a budget and want to experience the psychedelic sounds of the Elevators this is the best place to start.
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Format: Audio CD Verified Purchase
It seems a fair guess from listening to the songs that the writers seem to have some deeper experience of the spirituality of psychedelics. I believe that this album is a true gem of the 60's psychedelic era, and from the early days of what hoped to be a cogent psychedelic movement - even if the lyrics do seem confusing.
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By A Customer on 11 Mar. 2001
Format: Audio CD
Deep psychedelia from the middle sixties. Roky Erikson took his Texas jugband roots and blasted them with acid. The result is hypnotic, complex and something of an acquired taste. Each track jitters and jangles along with gusto but behind it all Roky's cracked voice hints at darker depths.
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Format: Audio CD
With the recent release of Lightning Hopkins' Free Form Patterns U.K.'s Charly Records have completed their Limited Edition Deluxe Digi-book series of the International Artists album catalog. All have been remastered and housed in hardcover digi-books, some containing two or three CDs if enough bonus or rare material was available, and generous booklets featuring photos and memorabilia. Some of the bonus tracks throughout the releases can also be found on the Epitaph for a Legend compilation as well. There have been grumbles in some circles about the remastering, but for the time being these are the best bet out there. Besides this release, which was IA-5, the rest of the series includes 13th FLOOR ELEVATORS 'The Psychedelic Sounds of (IA-1), RED CRAYOLA 'Parable of Arable Land' (IA-2), LOST AND FOUND 'Everybody's Here' (IA-3), THE GOLDEN DAWN 'Power Plant' (IA-4), 13th FLOOR ELEVATORS '...Read more ›
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Format: Audio CD
Possibly the best Elevators album due to the inclusion of the eternal classic Slip Inside My House. A slightly different sound than ‘Sounds Of’, more laid back but still awesome all the same. Perhaps the only weak spot is the Dylan cover, It’s All Over Now Baby Blue
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