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Dummy (Non UK Version)
 
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Dummy (Non UK Version)

6 Feb. 2014 | Format: MP3

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Song Title
Time
Popularity Prime  
30
1
5:06
30
2
4:14
30
3
3:58
30
4
4:20
30
5
4:54
30
6
3:49
30
7
3:58
30
8
5:05
30
9
3:41
30
10
5:04
30
11
5:05
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Customer Reviews

Top Customer Reviews

By EA Solinas HALL OF FAMETOP 500 REVIEWER on 18 Jan. 2006
Format: Audio CD
Trip-hop was never so dark and magnificently despairing as it is here. Portishead draws listeners into a velvety abyss in debut album "Dummy," a glorious blend of jazzy instrumentation, subtle electronica, and Beth Gibbons' sweet moaning vocals.
"Mysterons" opens with an chilly, ghostly air, followed by the exotic despair of "Sour Times" and the jazzy, eerie "Strangers" and "Wandering Star." Portishead delves into pure trip-hop in the pulsing "It Could Be Sweet" and "Numb," then synthesizes strings and stately organ in "It's A Fire," before wrapping things up with the steady lament "Glory Box," with its undulating riffs.
A noir feel permeates "Dummy," giving a grounded feel to the spacier edges of the music. It's easy to imagine trenchcoats, smoky offices, rainy days and femme fatales set to this music. It's soaked in melancholy and dreamy depression, set to music.
The blend of lounge music and trip-hop could have been awkward, but it blends seamlessly. The Rhodes and magnificent Hammond organ are the core of the silky unearthly sound, adding an epic feel to many of the songs. At the same time, the flexible guitar riffs and jazzy percussion bring it down to earth. And the Hammond does double-time as a jazz instrument as well, even when paired with strings.
Beth Gibbons's vocals are outstanding: high and clear and sweet, except in "Strangers," where she sounds like her voice is being filtered through an old radio. She pours plenty of emotion into the despairing lyrics. The songs themselves are simple and evocative, with loneliness and regret dripping from them. ("The salvation I desire/Keeps getting me down")
Jazz and trip-hop blend seamlessly into the beautiful haunting whole that is "Dummy." A beautiful experience, and one of the best albums of the 1990s.
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Format: Audio CD Verified Purchase
Dummy is the debut album of the Bristol-based group Portishead. Dummy is one of those CDs that still sounds as fresh as the day that it was released. So what's all the fuss about? Well basically, it's one of those exceptional albums where almost every single beat seems to be in place, every single little record scratch and sample fits into the mix and provides even more atmosphere, and lyrics that just melt in your mind. Each track really does create a new atmosphere of its very own that runs the range of emotions. Beth Gibbons is one of the main reasons this album truly comes to the fore. Gibbons effortlessly creates mood on every track, whether she's crooning on "It Could Be Sweet" or strutting it out to full effect on "Glory Box." Overall, if you're into trip-hop even the slightest and don't own this album, you should probably drop whatever you're doing and go out and buy it right now.
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Format: Audio CD
This beautifully haunting record is one of those indispensables that any serious music fan has in their collection. I remember being completely blown away by the originality the first time I heard it. The punchy, nuerotic beats and the cold distant voice of Beth Gibbons. I guess if you could refer to trip-hop as a genre, this has to be it´s signature album.
"Mysterons," sounds like a martian landing, Gibbon´s distinctive voice unfurls the track with a steely brittleness. This music sounds purposefully distant and edgy. I like the curling beat on the second track,"Sour times." My personal favourite has to be the intro to the pulsating beat on,"strangers."
"It´s a fire," is the only track that sounds slightly out of place. It is the only track on the album that sounds like something you may have heard before.
The ranging,"Roads," is another extremely inventive track that preludes the classic,"glory box." Gibbons sounds like a battered, wounded woman on this song. Her lyrical approach is totally unique.
What more can I say about this? It´s engaging, strangely distant but at the same time thoroughly seductive. A must buy.
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By doublegone TOP 1000 REVIEWER on 20 Jan. 2003
Format: Audio CD
Quite simply this is one of the finest cds of the 1990s. The mood, arrangements and performances are quite astonishing.
Beth Gibbons sings the blues, backed up by a blending of sampled loops, hip-hop doodles and live instruments.
It defined the sub genre of Trip Hop. It contains elements of 60s soundtrack, jazz and goodness knows what else.
In Sour Times and Glory Box it also boasts amongst the finest songwriting of its generation. As has been proved by artistes like John Martyn (who covered Glory Box) this stuff does not need its classy fururistic arrangement to stand. These songs would shine with just an acoustic guitar backing.
Mind-bogglingly good, and a must-have.
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Just can't fault Portishead & again Beth Gibbons vocals take there music to a different level there isn't a female artist that comes close the music with the vocals make Dummy a must in any collection .
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Format: MP3 Download Verified Purchase
I owned this in the mid nineties when it first came out - i loved it and played it all the time... i don't what happened to my copy of (it was a tape in those days!) but it vanished along the way somewhere....so at last i decided it was time to get this wonderful music back into my life - and i'm VERY glad i did!
This album is just incredible, so chilled, so lovely, multifaceted, amazing music - easily the best Portishead album, the others were good too, but not THIS good....can't be beaten...BUY IT! <3
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