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Drive [Blu-ray] (2011)
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Directed by Nicholas Winding Refn and the winner of the Best Director award at the 2011 Cannes Film Festival. DRIVE is the story of a Hollywood stunt driver by day (Ryan Gosling), a loner by nature, who moonlights as a top-notch getaway driver-for-hire in the criminal underworld. He finds himself a target for some of LA's most dangerous men after agreeing to aid the husband of his beautiful neighbour, Irene (Carey Mulligan). When the job goes dangerously awry, the only way he can keep Irene and her son alive is to do what he does best—Drive!
Nicolas Winding Refn's Drive--a pulp fairytale about a driver struggling to protect an optionless family--has deep cinematic roots that run through the canon of existential noir from the '60s onwards, borrowing the central characterization of Walter Hill's The Driver, the professional code of Jean-Pierre Melville's The Samurai and the palette and pace of Michael Mann's Heat. Ryan Gosling has formidable presence as the un-named hero: a classic celluloid stranger whose eyes give away everything his controlled dialogue tries to conceal. He makes fair money as an in-demand getaway driver with a legit career in stunt-driving and racing ahead of him. But when a protective relationship is struck with a coping mother (Carey Mulligan) and her young son (Kaden Leos) he breaks his own rules to help her backslider husband with one last heist. Sure enough, nothing goes according to plan--and the driver must lay down a trail of retribution, attitude and scorched rubber to shake off a brutal entanglement with the mob. Gosling's depiction of heroic cool is flawless, as are supporting performances from Mad Men's Christina Hendricks as a trashy moll, Albert Brooks as a dangerous investor and Ron Perlman as the demonic gangster pulling the narrative strings. The cinematography of Newton Thomas Sigel (The Usual Suspects) also gives Los Angeles a hip starring role: the shots of Gosling racing his 1973 Chevrolet Malibu along LA's concrete riverbed--or just rolling it around the sodium-tinted backstreets--make franchise concepts like The Fast and The Furious look suspiciously like nerd territory. --Leo Batchelor
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One of the outstanding scenes was the elevator sequence, which was essentially a series of striking visuals and explicit imagery that's a key example of how the film conveys so much through emotions and through the moving image as opposed to the use of any spoken narrative. The use of very capable Bryan Cranston as Shannon is great casting, he seems to have such a far-ranging palette of characterisations. The whole casting of the film is good, and in some ways rather quirky.
To sum up, then, this is a good neo-noir crime thriller film that for me really delivers. That said, and I hate to sound repetitive, but I can appreciate why there are detractors as my partner is one of them.
Drive (where Ryan gosling moves to la to become a stunt driver)
La la land (where he movies back to LA 5 years later to become a jazz pianist)
Blade runner 2049 (where he moves back to la 43 years after the events of la la land and does cop stuffs)
I really liked it and the way it had that 80s feel to it. The music choice through out the film can not be faultered. I felt that ryan goslings character could perhaps have had better scripting he really didnt say alot although his perfomance was good. Hes an actor that some people have problems getting to grips with but i like him. The Actors and characters picked for the film all play there parts brilliantly
All in all i give it 5 stars. being that its the best film ive seen in a while, alot of films are full of special effects and a crap story line.
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