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Drawing: The Motive Force of Architecture (Architectural Design Primer) Paperback – 22 Apr 2008

3.8 out of 5 stars 5 customer reviews

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Product details

  • Paperback: 208 pages
  • Publisher: John Wiley & Sons; 1 edition (22 April 2008)
  • Language: English
  • ISBN-10: 0470034815
  • ISBN-13: 978-0470034811
  • Product Dimensions: 17 x 1.5 x 22 cm
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Bestsellers Rank: 548,165 in Books (See Top 100 in Books)
  • See Complete Table of Contents

Product Description

Review

"...richly illustrated...it is a welcomed resource...a fresh and delightful approach to the topic." (Drawing.org.uk, November 2008)

From the Inside Flap

Drawing: the motive force of architecture launches the AD Primers series from John Wiley & Sons, the publishers of Architectural Design. The new series invites key architects, who have made a substantial contribution to AD, to write on a core preoccupation or theme in their work. (Forthcoming titles are planned with Nigel Coates, Juhani Pallasmaa and Leon van Schaik.) Since the 1960s when Peter Cook was a founder of Archigram, his work has celebrated the graphic and then in turn become synonymous with the drawn.

representative of Peter Cook′s catholic appreciation of the architectural drawing, this book features a wide range of work from architects across the world and across time. It brings together the highly tuned perceptions and experience of an architect who has been designing for almost five decades, with an eye that is always rejoicing at the discovery of emerging talent.

Featured architects include:

  • Neil denari
  • Diller and Scofidio
  • Sverre Fehn
  • Frank Gehry
  • Hernan Diaz Alonso
  • Kolatan MacDonald
  • Zaha Hadid
  • Coop Himmelb (l) au
  • Arata Isozaki
  • Morphosis
  • Walter Pichler
  • Bernard Tschumi
  • Lebbeus Woods
--This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

3.8 out of 5 stars
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Top Customer Reviews

Format: Paperback
This book gets 3 points for its beautiful illustrations (otherwise i wouldnt have bothered rating it) and the sad fact that, in my opinion, it is badly written. The words used are complex that you have an easier time understanding Schopenhauer's essays! I dont see the point for an architect to make writing so difficult and complex! Perhaps as Dr De Bono said: some people do it so they sound more intelligent among their peers!!! Peter Cook is a great architect but he cannot write, it seems that he scoured thesaurus for words that are long and complex! Economy and simplicity Mr Cook would've made this book a lot more enjoyable ;)
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By jk21 on 10 Dec. 2010
Format: Paperback
Peter Cook is not always to my taste, but I enjoyed this book. Perhaps a bit biased to Bartlett type work. Works well if used as a platform for further reading. Some of the graphics are truly stunning.
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Format: Paperback
Taking from his contemporaries and a few more recent "artists," Cook provides in this book is a good example of hand drawn architectural representation. The book contains examples of digital art interspersed with the hand drawn/painted/airbrushed representations following the trend to shy away from physical drawings with a corresponding move towards digital media.
The book is well written, highly enjoyable and illustrated well.
A good book to have to hand on the shelf as with all Cook's work.

It seems that drawing in the true sense is becoming a lost art in the "profession" of architecture.
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Format: Paperback Verified Purchase
Peter Cook really did a great job writing the book. It is full of illustrative material and is fun reading. I recommend that to every architectural student.
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Format: Paperback
the book branches into every corner of drawing and has many illustrations,
but i found that there were only a handful of tips/ideas that could be substracted of it. all in all i think its a good investment because you never know when an image from this book could initiate a motive when looking for some inspiration in drawing.
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