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Dracula Paperback – 26 Oct 2013

4.0 out of 5 stars 1 customer review

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Product details

  • Paperback: 208 pages
  • Publisher: CreateSpace Independent Publishing Platform (26 Oct. 2013)
  • Language: English
  • ISBN-10: 1493594710
  • ISBN-13: 978-1493594719
  • Product Dimensions: 20.3 x 1.2 x 25.4 cm
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: 1,223,431 in Books (See Top 100 in Books)

Product Description

About the Author

Abraham "Bram" Stoker (8 November 1847 – 20 April 1912) was an Irish novelist and short story writer, best known today for his 1897 Gothic novel Dracula. During his lifetime, he was better known as personal assistant of actor Henry Irving and business manager of the Lyceum Theatre in London, which Irving owned. Early life Stoker was born on 8 November 1847 at 15 Marino Crescent, Clontarf, on the northside of Dublin, Ireland. His parents were Abraham Stoker (1799–1876), from Dublin, and Charlotte Mathilda Blake Thornley (1818–1901), who was raised in County Sligo. Stoker was the third of seven children, the eldest of whom was Sir Thornley Stoker, 1st Bt. Abraham and Charlotte were members of the Church of Ireland Parish of Clontarf and attended the parish church with their children, who were baptised there. Stoker was bedridden with an unknown illness until he started school at the age of seven, when he made a complete recovery. Of this time, Stoker wrote, "I was naturally thoughtful, and the leisure of long illness gave opportunity for many thoughts which were fruitful according to their kind in later years." He was educated in a private school run by the Rev. William Woods. After his recovery, he grew up without further major health issues, even excelling as an athlete (he was named University Athlete) at Trinity College, Dublin, which he attended from 1864 to 1870. He graduated with honours as a B.A. in Mathematics. He was auditor of the College Historical Society ('the Hist') and president of the University Philosophical Society, where his first paper was on "Sensationalism in Fiction and Society". Early career Stoker became interested in the theatre while a student through a friend, Dr. Maunsell. He became the theatre critic for the Dublin Evening Mail, co-owned by the author of Gothic tales Joseph Sheridan Le Fanu. Theatre critics were held in low esteem, but he attracted notice by the quality of his reviews. In December 1876 he gave a favourable review of Henry Irving's Hamlet at the Theatre Royal in Dublin. Irving invited Stoker for dinner at the Shelbourne Hotel where he was staying. They became friends. Stoker also wrote stories, and in 1872 "The Crystal Cup" was published by the London Society, followed by "The Chain of Destiny" in four parts in The Shamrock. In 1876, while a civil servant in Dublin, Stoker wrote a non-fiction book (The Duties of Clerks of Petty Sessions in Ireland, published 1879), which remained a standard work.

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Top Customer Reviews

Format: Paperback
This was my first audiobook read which was an interesting experience. I chose audiobook after starting reading Dracula and the realising that I did not like the copy I had. I have to say as a fan of vampire novels I don't know why it took me so long to get the original vampire masterpiece. A masterpiece this book certainly is. I love the poetic writing of Stoker and how he can set an eerie scene whilst keeping the gore to a minimum. The characters are well written and are also fairly well know for anyone who has watched any Dracula / Van Helsing films.

I urge anyone who hasn't read this classic to pick up a copy and read the original of all vampire novels.
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Most Helpful Customer Reviews on (beta) HASH(0x8a398198) out of 5 stars 10 reviews
HASH(0x89ae3b1c) out of 5 stars Stands the test of time despite shortcomings 12 Oct. 2014
By LF - Published on
Format: Paperback
I thought this book might not stand the test of time and might be dated and boring. That's not the case. I enjoyed reading it. Granted, it isn't perfect, and it's more fun to point out the shortcomings than to praise the good things about it.

The women are ridiculous. They are not human. They are as two dimensional as I've seen anywhere. They are just there to "stand for" an idyllic sweetheart. They are perfect. They have no personality at all. They are mannequins.

The men aren't particularly differentiated either, except with a broad brush. This isn't a "great author". He's more of a great storyteller.

I like the fact that the climax, the big finish, the big showdown, is handled so quickly. There's only one second of confrontation, when the Count opens his eyes and gives that nasty look. That's all he has time to do. It's not like one of those stupid movies that drag out a car chase or something. The whole book is building to the clash between good and evil, and the clash itself is over in a second. Why do I like that? Because it shatters a cliche. Adventure movies drag the climax out, and horror movies don't even give you an ending because the monster is coming back in the sequel, and probably even coming back in the movie you're watching because you think he's dead but he's not, but here in Dracula the bad guy is done, his ticket is punched, thank you very much, have a nice drive home.

I think the biggest fault in the book is that the heroes are so inept at protecting the victims, the two poor angelic girls. It's comedic how the good guys leave them alone, allowing Dracula at them. Hey, stupid, Sweet Sue is going to get bitten by the vampire, you idiot, so stop ignoring her. We can see it coming a mile away. You're supposed to be so smart, Van Helsing. I wouldn't let you babysit. You'd be watching tv while the vampire sucked all the blood right out of the baby in the other room.

Still, I gave the book 5 stars. It's a very well told story that held my interest every step of the way. Renfield is a great supporting character. I guess behind Dracula, Renfield is the most interesting character in the book. He eats flies and spiders, and he's a terrific philosopher.

If I re-read the book some day I might find myself rooting for Dracula because the good guys are kind of insipid. But how often does the bad guy win? Very rarely. The bad guy won in Chinatown, but come on, how much of a chance did Sauron really have?
By Jack - Published on
Format: Paperback
Bram Stokers Dracula started the entire mainstream concept of vampires in horror culture, but does it hold up in a modern society with saturated revolutionary horror writers like Lovecraft or King. Unfortunately Dracula’s strengths back then, are its weaknesses today. Something people don’t realize is that the original Dracula is a serial, or a weekly posting of letters in papers or on carriages. Once then inspiring strong female characters today look more akin to cardboard dated stereotypes. The biggest problem with Dracula, it has little description and character development, not to mention every character is flat. Either they are just lawful good, overly caring and shy, or a straight up a supernatural dingbat. This book has many useless characters. So many poor writing choices are found in this book. You know you have made mistakes when I would sooner consider the antagonist the hero. In fact Dracula is my favorite character because he is a carnal savage and a mannered gentleman, a then relevant joke on the aristocracy of Victorian age Europe. This I like, I like how Dracula has to make convoluted plans to succeed, I like how he appears as a cruel power, and I like how he works as a whole. But, if I am reading a book I want it to be one of these three things: Serious, relaxed, or bizarre. If you are trying to be scary then be serious. I can take the fact your book is about a giant space octopus-dragon-god-horror if you act serious about it, but when you are straight up goofy half the time, I won’t be impressed. This is what Dracula does wrong. Honestly this book might have been more suspenseful if you waited days to hear things about it, but as a whole it’s a bit spineless. This book is not bad, just not very good. But without it, horror would not be as it is today. This book has a strong ending though, ending with this “This was the Un-Dead home of the vampire king to whom so many more were due. Its emptiness spoke eloquent to make certain I knew what I was doing.”(Stoker 391). I recommend this to book to anyone that read in snippets, or who dislikes description.
HASH(0x8a076198) out of 5 stars I'm very divided 8 Feb. 2014
By Eclectic Whimsy - Published on
Format: Paperback
The story of Dracula that we know in today's world is quite fascinating to me, especially with all of the variations that have been done and with vampire stories in general. When I *finally* got around to reading the book, I thought I'd be in for a real treat, after all, the book is always better than the movie, right?

I think I have to say that in this case, the 1931 movie is actually better. I like Bram's writing; it's definitely classic and makes you think (and even look up a few words here and there), but I'm not particularly fond of the ENTIRE book being told in diary form. I feel like that limits the reader. The Count has a presence in the beginning of the book, and then he fades away. We hear of some of his actions here and there, but I was really hoping he - since the book is about him - would have had more to say, at least. He's not even a 'main character' when you look at the book as a whole. Most of the time, you have NO idea what he's doing, save for a few mentions in the main character's diaries. Maybe this was Bram's plan; it just isn't what I was expecting or hoping for.

I do think that the movie could have done a better job with Van Helsing. He had such a lovingly kind demeanor in the book and seemed a bit of a grouch in the movie. I was surprised at the contrast there.

I've read other people's accounts of 'chills'...maybe I'm "desensitized", but while enjoyable, I can't say I ever got chills. I know it's considered horror, and a couple things fell into that category, but I don't know if I'd consider the entire book horror. Maybe I was just thrown off by all the diary writing. Maybe if it had been told properly, the scenes would have come across differently to me. I felt like the entire book was nothing more than a second hand account. It was just odd.
HASH(0x89ae3df8) out of 5 stars A Bad Advert for Create Space 11 Jan. 2014
By BillAdams - Published on
Format: Paperback Verified Purchase
This is a print-on-demand book, obviously made from an electronic file, nothing wrong with that, but the quality is quite poor. The line spacing is weird and distracting, varying randomly from single to 1.5 to double. The cover is coated on too-light of paper, so it curls up like a wood shaving. The large page format is bizarre, since the font is ordinary 12 point. There are a few spelling errors, not too many, mostly homonyms that a spell-checker can't check. The advertised historical, critical, and biographical material is pure wikipedia, with no depth and no references. It is Dracula, and you can read it, but I've never had a book before whose physical design was so annoying.
HASH(0x89ae3d98) out of 5 stars Wonderfully Sensual Thriller! 13 Jan. 2014
By Chrystal G. - Published on
Format: Paperback
Brahm Stoker is a literary mastermind! This novel has not only sparked an entire genre but is a must read even by today's standards. If you love fantasy fiction, historical fiction or even thrillers this book will be sure to please!

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